String quartet no. 18 (5) in A major, K. 464 PDF Download
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Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 40
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 40
Get Book Here
Book Description
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
![String quartet[s]: No. 17 in B flat major, K 458.- -v.5 No. 18, in A major, K 464 PDF](https://books.google.com/books/content/images/frontcover/i99NAAAAMAAJ?fife=w80-h100)
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 36
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 32
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Book Description
![String Quartet [nr 18, in A,] K. 464 PDF](https://books.google.com/books/content/images/frontcover/7RRGOwAACAAJ?fife=w80-h100)
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Musiek
Languages : en
Pages : 27
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher: Courier Corporation
ISBN: 0486317129
Category : Music
Languages : en
Pages : 286
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Book Description
This single volume study score contains all 23 of Mozart's string quartets: the little-known early quartets in an Italianate manner; the six quartets dedicated to Haydn; the D Major Quartet; and more.
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 56
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Book Description
Author: James M. Doering
Publisher: University of Illinois Press
ISBN: 025209459X
Category : Biography & Autobiography
Languages : en
Pages : 307
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Book Description
This biography charts the career and legacy of the pioneering American music manager Arthur Judson (1881–1975), who rose to prominence in Philadelphia and New York at the beginning of the twentieth century. A violinist by training, Judson became manager of the Philadelphia Orchestra in 1915 under the iconic conductor Leopold Stokowski. Within a few years, Judson also took on management of the New York Philharmonic, navigating a period of change and the tenures of several important conductors who included William Mengelberg, Arturo Toscanini, and John Barbirolli. Judson also began managing individual artists, including pianists Alfred Cortot and Vladimir Horowitz, violinist Jasha Heifetz, and cellist Gregor Piatigorsky. He also organized the U.S. tours of several prominent composers, including Igor Stravinsky and Vincent d'Indy. At the same time, Judson began managing conductors. His first clients were Stokowski and Fritz Reiner. By the 1930s, Judson's conductor list included most of the important conductors working in America. Drawing on rich correspondence between Judson and the conductors and artists he served, James M. Doering demonstrates Judson's multifaceted roles, including involvement with programming choices, building audiences, negotiating with orchestra members and their unions, and exploring new technologies for extending the orchestras' reach. In addition to his colorful career behind the scenes at two preeminent American orchestras, Judson was important for a number of innovations in arts management. In 1922, he founded a nationwide network of local managers and later became involved in the relatively unexplored medium of radio, working first with WEAF in New York City and then later forming his own national radio network in 1927. Providing valuable insight into the workings of these orchestras and the formative years of arts management, The Great Orchestrator is a valuable portrait of one of the most powerful managers in American musical history.
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 511
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Book Description
Author: Nancy November
Publisher: Oxford University Press
ISBN: 0190059230
Category : Music
Languages : en
Pages : 153
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Book Description
Beethoven's String Quartet in C-sharp minor Op. 131 (1826) is not only firmly a part of the scholarly canon, the performing canon, and the pedagogical canon, but also makes its presence felt in popular culture. Yet in recent times, the terms in which the C-sharp minor quartet is discussed and presented tend to undermine the multivalent nature of the work. Although it is held up as a masterpiece, Op. 131 has often been understood in monochrome terms as a work portraying tragedy, struggle, and loss. In Beethoven's String Quartet in C-sharp Minor, Op. 13, author Nancy November takes the modern-day listener well beyond these categories of adversity or deficit. The book goes back to early reception documents, including Beethoven's own writings about the work, to help the listener reinterpret and re-hear it. This book reveals the diverse musical ideas present in Op. 131 and places the work in the context of an emerging ideology of silent or 'serious' listening in Beethoven's Europe. It considers how this particular 'late' quartet could speak with special eloquence to a highly select but passionately enthusiastic audience and examines how and why the reception of Op. 131 has changed so profoundly from Beethoven's time to our own.
