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Author: Frederick J. Marker
Publisher: Cambridge University Press
ISBN: 9780521039390
Category : Drama
Languages : en
Pages : 0
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Book Description
This book offers a detailed critical analysis of Strindberg's major works in performance, created after his psychic upheaval, which he called his "Inferno." Ranging from the early productions of Max Reinhardt and Olof Molander to the reinterpretations of Robert Lepage, Robert Wilson, and Ingmar Bergman, the study explores the crucial impact of this dramatist's method of playwriting. Each chapter ends with a section devoted to innovative Strindberg performances on the contemporary stage.
Author: Frederick J. Marker
Publisher: Cambridge University Press
ISBN: 9780521039390
Category : Drama
Languages : en
Pages : 0
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Book Description
This book offers a detailed critical analysis of Strindberg's major works in performance, created after his psychic upheaval, which he called his "Inferno." Ranging from the early productions of Max Reinhardt and Olof Molander to the reinterpretations of Robert Lepage, Robert Wilson, and Ingmar Bergman, the study explores the crucial impact of this dramatist's method of playwriting. Each chapter ends with a section devoted to innovative Strindberg performances on the contemporary stage.
Author: Frederick J. Marker
Publisher: University of Toronto Press
ISBN: 9780802082060
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.
Author: August Strindberg
Publisher: Amsterdam University Press
ISBN: 9053560203
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
De Zweedse August Strindberg (1849-1912) wordt gezien als een van de meest belangrijke toneelschrijvers van rond de eeuwwisseling. Zijn choquerende theaterstukken had veel weerklank bij het publiek in die tijd, en inspireert tot op de dag van vandaag toneelschrijvers en publiek. Strindberg was een onophoudelijke innovator van verschillende theatervormen, een bron van inspiratie voor onder meer Eugene O'Neill, Samuel Beckett en Ingmar Bergman en heeft een vruchtbare bodem gelegd voor het moderne toneel. Zijn voorwoord voor Miss Julie en zijn inleiding bij A Dream Play zijn alom bekend en vaak herdrukt. Wat minder bekend is, is dat Strindberg veel toneelstukken recenseerde en kritieken schreef over het theater in z'n algemeen, en zijn toneelstukken in het bijzonder. Dit boek bevat de meest belangrijke van zijn kritieken, chronologisch weergegeven en geannoteerd, waarvan vele voor het eerst in het Engels.
Author: Richard Gilman
Publisher: Yale University Press
ISBN: 9780300079029
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
This critical exploration of modern drama begins with Büchner and Ibsen and then discusses the major playwrights who have shaped modern theater. A new introduction by the author assesses developments of recent years.
Author: Michael Robinson
Publisher: Cambridge University Press
ISBN: 1139827448
Category : Drama
Languages : en
Pages : 227
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Book Description
August Strindberg is one of the most enduring of nineteenth-century dramatists, and is also an internationally recognised novelist, autobiographer, and painter. This Companion presents contributions by leading international scholars on different aspects of Strindberg's highly colourful life and work. The essays focus primarily on his most celebrated plays; these include the Naturalist Dramas, The Father and Miss Julie; the experimental dramas with which he created a true modernist theatre – To Damascus and A Dream Play; and the Chamber Plays of 1908 which, like so much of his work, exerted a powerful influence on much later twentieth-century drama. His plays are contextualised for what they contribute both to the history of drama and developments in theatre practice, and other essays clarify the enormous importance to these dramas of his other work, most notably the autobiographical novel Inferno, and his lifelong interest in science, the occult, sexual politics, and the visual arts.
Author: Yaël Farber
Publisher: Bloomsbury Publishing
ISBN: 1849437610
Category : Drama
Languages : en
Pages : 52
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Book Description
South African born internationally acclaimed director and playwright, Yaël Farber, sets her explosive new adaptation of Strindberg’s Miss Julie in the remote, bleak beauty of the Eastern Cape Karoo. Transposed to a post-apartheid kitchen – a single night, both brutal and tender, unfolds between a black farm-labourer, the daughter of his master and the woman who has raised them both. The visceral struggles of contemporary South Africa are laid bare, as John and Mies Julie spiral in a deadly battle over power, sexuality, mothers and memory. Haunting and violent, intimate and epic, the characters struggle to address issues of reprisal and the reality of what can and cannot ever be recovered. Mies Julie is the winner of a number of awards including, the Best Of Edinburgh Fringe Award, an Edinburgh Fringe First Award and an Edinburgh Herald Angel Award. In December 2012, Mies Julie was listed in the Guardian's top ten best theatre picks of 2012 and in the Top Ten Plays of 2012 by the New York Times.
Author: Robert Brustein
Publisher: Rowman & Littlefield
ISBN: 0929587537
Category : Drama
Languages : en
Pages : 454
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Book Description
First published in 1964 by Little, Brown. First Elephant paperback with a new preface by the author.
Author: David Kornhaber
Publisher: Northwestern University Press
ISBN: 0810132621
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
Nietzsche's love affair with the theater was among the most profound and prolonged intellectual engagements of his life, but his transformational role in the history of the modern stage has yet to be explored. In this pathbreaking account, David Kornhaber vividly shows how Nietzsche reimagined the theatrical event as a site of philosophical invention that is at once ancestor, antagonist, and handmaiden to the discipline of philosophy itself. August Strindberg, George Bernard Shaw, and Eugene O'Neill— seminal figures in the modern drama's evolution and avowed Nietzscheans all—came away from their encounters with Nietzsche's writings with an impassioned belief in the philosophical potential of the live theatrical event, coupled with a reestimation of the dramatist's power to shape that event in collaboration with the actor. In these playwrights' reactions to and adaptations of Nietzsche's radical rethinking of the stage lay the beginnings of a new direction in modern theater and dramatic literature.
Author: August Strindberg
Publisher: Courier Corporation
ISBN: 0486111970
Category : Drama
Languages : en
Pages : 65
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Book Description
One of the greatest classics of modern theater concerns a willful young aristocrat's seduction of her father's valet during a Midsummer's Eve celebration. Complete with Strindberg's highly-regarded critical preface.
Author: Sarah Balkin
Publisher: University of Michigan Press
ISBN: 0472131486
Category : Performing Arts
Languages : en
Pages : 199
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Book Description
Theater’s materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don’t appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism.
