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Author: Andrew Thomas Kuster
Publisher: Andrew Kuster
ISBN: 1411664582
Category : Music
Languages : en
Pages : 218
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Book Description
Stravinsky's Topology is an innovative explanation of the music of the great composer Igor Stravinsky (1882-1971). Specifically, this book examines Stravinsky's implementation of certain twelve-tone row forms for particular formal events and to enhance the poetry in his later works with poetic texts. This book, reprinted from a doctoral dissertation, presents a new analytical method called Object-Oriented analysis to study Stravinsky's smaller works Epitaphium, Anthem, Elegy for J. F. K., Fanfare for a New Theater, and The Owl and the Pussy-Cat. The remainder of this book is devoted to a detailed examination of Stravinsky's expanded Object-Oriented compositional technique in The Flood and in his largest late work, Threni. This investigation concludes with remarks about how a conductor can apply Object-Oriented analysis in performance. 216 pages.
Author: Andrew Thomas Kuster
Publisher: Andrew Kuster
ISBN: 1411664582
Category : Music
Languages : en
Pages : 218
Get Book Here
Book Description
Stravinsky's Topology is an innovative explanation of the music of the great composer Igor Stravinsky (1882-1971). Specifically, this book examines Stravinsky's implementation of certain twelve-tone row forms for particular formal events and to enhance the poetry in his later works with poetic texts. This book, reprinted from a doctoral dissertation, presents a new analytical method called Object-Oriented analysis to study Stravinsky's smaller works Epitaphium, Anthem, Elegy for J. F. K., Fanfare for a New Theater, and The Owl and the Pussy-Cat. The remainder of this book is devoted to a detailed examination of Stravinsky's expanded Object-Oriented compositional technique in The Flood and in his largest late work, Threni. This investigation concludes with remarks about how a conductor can apply Object-Oriented analysis in performance. 216 pages.
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 293
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Book Description
Author: Helen Sills
Publisher: BRILL
ISBN: 9004518533
Category : Biography & Autobiography
Languages : en
Pages : 372
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Book Description
This ground-breaking study of Stravinsky’s spirituality presents a new view of his music as unified, challenging the current view which describes it as often discontinuous and static. Stravinsky’s spirituality is the origin of his radical restoration of time in music.
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 2301
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Book Description
Author: Moreno Andreatta
Publisher: CRC Press
ISBN: 1040156703
Category : Mathematics
Languages : en
Pages : 130
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Book Description
This book introduces path-breaking applications of concepts from mathematical topology to music-theory topics including harmony, chord progressions, rhythm, and music classification. Contributions address topics of voice leading, Tonnetze (maps of notes and chords), and automatic music classification. Focusing on some geometrical and topological aspects of the representation and formalisation of musical structures and processes, the book covers topological features of voice-leading geometries in the most recent advances in this mathematical approach to representing how chords are connected through the motion of voices, leading to analytically useful simplified models of high-dimensional spaces; It generalizes the idea of a Tonnetz, a geometrical map of tones or chords, and shows how topological aspects of these maps can correspond to many concepts from music theory. The resulting framework embeds the chord maps of neo-Riemannian theory in continuous spaces that relate chords of different sizes and includes extensions of this approach to rhythm theory. It further introduces an application of topology to automatic music classification, drawing upon both static topological representations and time-series evolution, showing how static and dynamic features of music interact as features of musical style. This volume will be a key resource for academics, researchers, and advanced students of music, music analyses, music composition, mathematical music theory, computational musicology, and music informatics. It was originally published as a special issue of the Journal of Mathematics and Music.
Author: Pieter C. van den Toorn
Publisher: Cambridge University Press
ISBN: 1316154335
Category : Music
Languages : en
Pages : 337
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Book Description
Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music.
Author: Pieter C. van den Toorn
Publisher: CRC Press
ISBN: 1000821757
Category : Music
Languages : en
Pages : 515
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Book Description
The most celebrated of Western composers in the twentieth century, Igor Stravinsky may have been the greatest as well. Stretching across forty or so years, the essays in this volume address the dynamics of Igor Stravinsky’s music from a variety of analytical, critical, and aesthetic angles. Underscored are the features of melody, harmony, rhythm, and form that would remain consistently a part of Stravinsky’s oeuvre regardless of the changes in orientation from the Russian period to the neoclassical and the early serial. The Rite of Spring (1913), Les Noces (1917–23), the Symphony of Psalms (1930), and the Symphony in Three Movements (1945) are discussed in detail, as are many of the circumstances attending their conception. Other concerns include the composer’s "formalist" aesthetics and the strict performing style he pursued as an interpreter and conductor of his music.
Author: Adam Geczy
Publisher: Bloomsbury Publishing
ISBN: 1350102717
Category : Philosophy
Languages : en
Pages : 225
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Book Description
Pop art has traditionally been the most visible visual art within popular culture because its main transgression is easy to understand: the infiltration of the “low” into the “high”. The same cannot be said of contemporary art of the 21st century, where the term “Gaga Aesthetics” characterizes the condition of popular culture being extensively imbricated in high culture, and vice-versa. Taking Adorno and Horkheimer's "The Culture Industry" and Adorno's Aesthetic Theory as key touchstones, this book explores the dialectic of high and low that forms the foundation of Adornian aesthetics and the extent to which it still applied, and the extent to which it has radically shifted, thereby 'upending tradition'. In the tradition of philosophical aesthetics that Adorno began with Lukács, this explores the ever-urgent notion that high culture has become deeply enmeshed with popular culture. This is “Gaga Aesthetics”: aesthetics that no longer follows clear fields of activity, where “fine art” is but one area of critical activity. Indeed, Adorno's concepts of alienation and the tragic, which inform his reading of the modernist experiment, are now no longer confined to art. Rather, stirring examples can be found in phenomena such as fashion and music video. In addition to dealing with Lady Gaga herself, this book traverses examples ranging from Madonna's Madam X to Moschino and Vetements, to deliberate on the strategies of subversion in the culture industry.
Author:
Publisher:
ISBN:
Category : Choral music
Languages : en
Pages : 100
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Book Description
Author: David Carson Berry
Publisher:
ISBN:
Category : Serialism (Music)
Languages : en
Pages : 504
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Book Description
