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Author: Susan Eilenberg
Publisher: Oxford University Press, USA
ISBN: 0195068564
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Eilenberg's subject is the relationship between tropes of literary property and signification in the writings and literary politics of Wordsworth and Coleridge. She argues that a complex of ideas about property, propriety, and possession informs the images of literary authority, textual identity, and poetic figuration found in the two writers' major work. During the period of their closest collaboration as well as at points later in their careers, Wordsworth and Coleridge took as their primary material the images of property and propriety upon which definitions of meaning and figuration have traditionally depended, grounding these images in writings about landed and spiritual property, material and intellectual theft, dispossession by banks and possession by demons. The writings and the politics generated by the literalization of such images can be read as allegorical of the structures and processes of signification. Each such gesture addresses in some way the fundamental question - who owns language, or who controls meaning?; Eilenberg's approach brings to bear a combination of deconstructive, psychoanalytic, and both new and literary historical methods to provide a deeper understanding of the relationship between two of the major figures of English Romanticism as well as fresh insight into what is at stake in the analogy between the verbal and the material or the literary and the economic.
Author: Susan Eilenberg
Publisher: Oxford University Press, USA
ISBN: 0195068564
Category : Literary Criticism
Languages : en
Pages : 301
Get Book Here
Book Description
Eilenberg's subject is the relationship between tropes of literary property and signification in the writings and literary politics of Wordsworth and Coleridge. She argues that a complex of ideas about property, propriety, and possession informs the images of literary authority, textual identity, and poetic figuration found in the two writers' major work. During the period of their closest collaboration as well as at points later in their careers, Wordsworth and Coleridge took as their primary material the images of property and propriety upon which definitions of meaning and figuration have traditionally depended, grounding these images in writings about landed and spiritual property, material and intellectual theft, dispossession by banks and possession by demons. The writings and the politics generated by the literalization of such images can be read as allegorical of the structures and processes of signification. Each such gesture addresses in some way the fundamental question - who owns language, or who controls meaning?; Eilenberg's approach brings to bear a combination of deconstructive, psychoanalytic, and both new and literary historical methods to provide a deeper understanding of the relationship between two of the major figures of English Romanticism as well as fresh insight into what is at stake in the analogy between the verbal and the material or the literary and the economic.
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 184
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Book Description
Author: Paul Youngquist
Publisher: U of Minnesota Press
ISBN: 9780816639809
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Paul Youngquist reveals the cultural politics of embodiment in Britain in the late 18th & early 19th centuries. Drawing on the histories of medicine, economics, liberalism & nationalism, his work shows that bodies are not simply born, but rather built bycultural practices directed toward particular social ends.
Author: Clayton Koelb
Publisher: Cornell University Press
ISBN: 1501743996
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
No detailed description available for "The Incredulous Reader".
Author: Charles J. Rzepka
Publisher: iUniverse
ISBN: 158348440X
Category :
Languages : en
Pages : 306
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Book Description
The Romantic poetas exemplified by Wordsworth, Coleridge, and Keatsis attracted to and made anxious by two opposite ideas of the self. On the one hand, he identifies with the inner self as a mind wholly at one with its perceptions and with the world as an image within it. On the other hand, since this inner self is wholly private, the poet turns to others for confirmation of its reality, either literally in direct confrontations, or figuratively, in the "voice" and workmanship of his text. Because his dependence on others for a sense of his own reality jeopardizes the poet's feelings of self-possession, however, he tries to minimize this threat by manipulating of preempting others' responses to him. Previous discussions of the Romantic self have focused on the self as a mental power immanent in the vision of the world it shapes. Charles Rzepka now draws our attention to the poet's attitude toward the self as socially formed and confirmed, and the effects of this attitude on Romantic poetry and perception.
Author: Christopher Ricks
Publisher:
ISBN: 0199250324
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
Christopher Ricks is among the best known living critics. His third collection of essays, several newly written for this book, is strongly focused on the theme of how writers--especially but not exclusively poets--make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism.
Author: Arthur Edward Waite
Publisher: Jazzybee Verlag
ISBN:
Category : Religion
Languages : en
Pages : 810
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Book Description
The author was among the first to study western occultism as a spiritual tradition rather than as pseudoscience or religion. This 1909 survey of the Holy Grail legend weaves together the history of how a pagan folk-tale became a vital Christian allegory. Waite makes it a point to extensively describe all source texts of the Grail legend--employing readable yet interesting prose.
Author: Samuel Taylor Coleridge
Publisher: Good Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 6032
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Book Description
The Complete Works of Samuel Taylor Coleridge is a collection of the esteemed poet's most renowned poems, essays, and critical writings. Coleridge's literary style is characterized by vivid imagery, philosophical introspection, and a profound exploration of human nature. His works are often associated with the Romantic Movement, emphasizing the beauty of nature and the power of imagination. This comprehensive collection provides insight into Coleridge's evolution as a writer and his contributions to English literature. Readers will find themselves captivated by the timeless themes and intricate language that define Coleridge's body of work. Samuel Taylor Coleridge, a central figure of the Romantic era, drew inspiration from his own personal struggles and experiences to create works that continue to resonate with readers today. His deep understanding of the human condition and his unique approach to poetic expression set him apart as a literary genius. Coleridge's passion for language and storytelling is evident in the rich tapestry of his writings, inviting readers to explore the complexities of existence and the power of the creative spirit. I highly recommend The Complete Works of Samuel Taylor Coleridge to anyone interested in exploring the depths of Romantic poetry and its enduring influence on literature. This collection serves as a valuable resource for scholars, students, and poetry enthusiasts alike, offering a comprehensive overview of Coleridge's literary legacy and his place in the canon of English literature.
Author: John Livingstone Lowes
Publisher: Read Books Ltd
ISBN: 1447497376
Category : Literary Criticism
Languages : en
Pages : 513
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Book Description
This vintage book contains John Livingston Lowes's most famous work, 'The Road to Xanadu'. In this text Lowes examines the various sources of Coleridge's 'The Rime of the Ancient Mariner' and 'Kubla Khan', exploring the books that he believed Coleridge would have read. It offers a fascinating insight into the creative process of the master poet. This is a text that will appeal to those with an interest in Coleridge and his most famous poems, and is a book not to be missed by the discerning poet and student of poetry. The chapters of this book include: 'Chaos', 'The Falcon's Eye', 'The Deep Well', 'The Shaping Spirit', 'The Magical Synthesis', 'Joiner's Work: An Interlude', 'The Loom', 'The Pattern', 'The Fields of Ice', 'The Courts of the Sun', 'The Journeying Moon', etcetera. We are republishing this vintage book now in a modern, affordable edition - complete with a specially commissioned new biography of the author.
Author: Samuel Taylor Coleridge
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 6031
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Book Description
Samuel Taylor Coleridge, a prominent figure of the Romantic era, presents readers with a comprehensive collection of his literary works in 'The Complete Works: Poetry, Plays, Literary Essays, Lectures, Autobiography and Letters (Classic Illustrated Edition)'. Coleridge's intricate and elegantly crafted poetry, insightful literary essays, and thought-provoking lectures offer readers a glimpse into the creativity and depth of Romantic literature. His works often explore themes of nature, imagination, and the supernatural, resonating with audiences both past and present. This edition provides readers with a wealth of material that showcases Coleridge's versatile talent and profound understanding of the human experience. The collection is a valuable resource for scholars and enthusiasts of Romantic literature alike. Samuel Taylor Coleridge's expertise as a poet, critic, and lecturer shines through in this comprehensive collection, giving readers a profound insight into his artistic vision and literary contributions. Whether you are a dedicated scholar of Coleridge's work or a newcomer to Romantic literature, 'The Complete Works' offers a rich and rewarding reading experience that is sure to captivate and inspire.
