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Author: Richard Wagner
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 330
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Book Description
Author: Hélène Adeline Guerber
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 232
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Book Description
Author: Richard Wagner
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 330
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Book Description
Author: Richard Wagner
Publisher: Palala Press
ISBN: 9781355295488
Category :
Languages : en
Pages : 334
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Ernest Newman
Publisher: Princeton University Press
ISBN: 9780691027166
Category : Music
Languages : en
Pages : 748
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Book Description
In this classic guide, the foremost Wagner expert of our century discusses ten of Wagner's most beloved operas, illuminates their key themes and the myths and literary sources behind the librettos, and demonstrates how the composer's style changed from work to work. Acclaimed as the most complete and intellectually satisfying analysis of the Wagner operas, the book has met with unreserved enthusiasm from specialist and casual music lover alike. Here, available for the first time in a single paperback volume, is the perfect companion for listening to, or attending, The Flying Dutchman, Tannhäuser, Lohengrin, Tristan and Isolde, Die Meistersinger, the four operas of the Ring Cycle, and Parsifal. Newman enriches his treatment of the stories, texts, and music of the operas with biographical and historical materials from the store of knowledge that he acquired while completing his numerous books on Wagner, including the magisterial Life of Richard Wagner. The text of The Wagner Operas is filled with hundreds of musical examples from the scores, and all the important leitmotifs and their interrelationships are made clear in Newman's lucid prose. "This is as fine an introduction as any ever written about a major composer's masterpieces. Newman outlines with unfailing clarity and astuteness each opera's dramatic sources, and he takes the student through the completed opera, step by step, with all manner of incidental insight along the way."--Robert Bailey, New York University
Author: Gladys Davidson
Publisher: Read Books Ltd
ISBN: 1473340950
Category : Music
Languages : en
Pages : 106
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Book Description
This vintage book contains a collection of stories based upon Wagner's operas told by Gladys Davidson. Wilhelm Richard Wagner (1813 - 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly famous for his operas. These masterfully retold stories are highly recommended for all fans of Wagner's work and would make for worthy additions to any collection. Contents include: "The Flying Dutchman (Der Fliegende Hollaender)", "Tannhauser", "Lohengrin", "Tristan and Isolda", "The Mastersingers of Nuremberg (Die Meistersinger von Nuernberg)", "The Nibelungs' Ring. (Der Ring der Nibelungen)", "The Rhinegold", "The Valkyrie (Der Walkuere)", et cetera. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with its original artwork and text.
Author: Hélène Adeline Guerber
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Helen A. Guerber
Publisher: Literary Licensing, LLC
ISBN: 9781497987258
Category :
Languages : en
Pages : 220
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Book Description
This Is A New Release Of The Original 1898 Edition.
Author: H. A. Guerber
Publisher:
ISBN: 9780849026744
Category :
Languages : en
Pages :
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Book Description
Author: Richard Wagner
Publisher: U of Nebraska Press
ISBN: 9780803297654
Category : Music
Languages : en
Pages : 444
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Book Description
With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. ø In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. ø This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.
Author: Mark Berry
Publisher: Boydell & Brewer Ltd
ISBN: 1843839687
Category : Music
Languages : en
Pages : 327
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Book Description
This book is both a telling of operatic histories 'after' Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The 'after' of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write 'after' himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the stheticist Richard Strauss. Discussion of Strauss's Capriccio, partly in the light of Schoenberg's Moses und Aron, reveals a more 'political' work than either first acquaintance or the composer's 'intention' might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner's Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly 'politically engaged' art. A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim's celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg's Lulu and Nono's Al gran sole carico d'amore. Throughout, the book invites us to consider how we might perceive the sthetic and political integrity of the operatic work 'after Wagner'. After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner's cultural impact on succeeding generations of composers. MARK BERRY is Senior Lecturer in Music at Royal Holloway, University of London.
