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Author: Alberto Testa
Publisher: Gremese Editore
ISBN: 9788884403926
Category : Art
Languages : it
Pages : 302
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 346
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Author: Carlo Blasis
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
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Author: AA.VV.
Publisher: Accademia University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 234
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Performing Memory Through Dance. Anthropological Perspectives Dossier edited by Susanne Franco and Franca Tamisari Introduction Susanne Franco, Franca Tamisari An autoethnographic spiral: dancing “showerhead” Elizabeth Waterhouse Dancing with and for others in the field and postcolonial encounter Franca Tamisari Performing Salome in the Pacific. Three works by Yuki Kihara Susanne Franco Afterword Ann R. David Saggi “Voi non mi conoscete, ci scommetto!” Giro a vuoto (1960) di Laura Betti, tra cabaret letterario e riforma della canzone Benedetta Zucconi Artisanal inventiveness. The dynamics of rewriting in the plays of northern Italian puppeteers (19th-20th century) Francesca Di Fazio The sound and visual dramaturgy of Romeo Castellucci Carlo Fanelli The City as a Score: Dialoguing with the Ex-Ghetto Ebraico of Bologna through Museum Research and Choreographic Practice Silvia Garzarella, Sarah Minisohn L’Orfeo di Trisha Brown: il mito tra danza pura ed eloquenza mimica Aline Nari Re-enactment e Bildung: il caso etico de La reprise di Milo Rau Andrea Vecchia
Author: Anthony R. DelDonna
Publisher: Routledge
ISBN: 1317085396
Category : Music
Languages : en
Pages : 341
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Book Description
The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. The considerable resonance of 'Neapolitan' opera in Europe was verified early in the eighteenth century not only through voluminous reports offered by locals and visitors in gazettes, newspapers, correspondence or diaries, but also, and more importantly, through the rich and tangible artistic patrimony produced for local audiences and then exported to the Italian peninsula and abroad. Naples was not simply a city of entertainment, but rather a cultural epicenter and paradigm producing highly innovative and successful genres of stage drama reflecting every facet of contemporary society. Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select yet representative compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples. It also defines how the cultural milieu of Naples - aristocratic and sacred, private and public - exercises a profound yet idiosyncratic influence on the repertory studied, the creation of which could not have occurred elsewhere on the Continent.
Author: Alexandre Farnoux
Publisher: Routledge
ISBN: 1351570781
Category : History
Languages : en
Pages : 206
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Since its rediscovery in the early 20th century, through spectacular finds such as those by Sir Arthur Evans at Knossos, Minoan Crete has captured the imagination not only of archaeologists but also of a wider public. This is shown, among other things, by its appearance and uses in a variety of modern cultural practices: from the innovative dances of Sergei Diaghilev and Ted Shawn, to public and vernacular architecture, psychoanalysis, literature, sculpture, fashion designs, and even neo-pagan movements, to mention a few examples.Cretomania is the first volume entirely devoted to such modern responses to (and uses of) the Minoan past. Although not an exhaustive and systematic study of the reception of Minoan Crete, it offers a wide range of intriguing examples and represents an original contribution to a thus far underexplored aspect of Minoan studies: the remarkable effects of Minoan Crete beyond the narrow boundaries of recondite archaeological research.The volume is organised in three main sections: the first deals with the conscious, unconscious, and coincidental allusions to Minoan Crete in modern architecture, and also discusses archaeological reconstructions; the second presents examples from the visual and performing arts (as well as other cultural practices) illustrating how Minoan Crete has been enlisted to explore and challenge questions of Orientalism, religion, sexuality, and gender relations; the third focuses on literature, and shows how the distant Minoan past has been used to interrogate critically more recent Greek history.
Author: Jennifer Nevile
Publisher: BRILL
ISBN: 9004377735
Category : Performing Arts
Languages : en
Pages : 299
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Book Description
Footprints of the Dance — An Early Seventeenth-Century Dance Master’s Notebook by Jennifer Nevile provides new, fascinating and detailed information on the life of an early-seventeenth-century dance master in Brussels. The dance master’s handwritten notebook contains unique material: a canon of dance figures and instructions for an exhibition with a pike; as well as signatures and general descriptions of his students, ballet plots and music associated with dancing. Reproduced for the first time are facsimile images of all the dance-related material, with transcriptions and translations of the ballet plots and instructions for the pike exhibition. The dance master is revealed as an active choreographer and performer, with strong ties to the French court musical establishment, and interested in fireworks and alchemy.
Author: Francesco Ciabattoni
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111406490
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Through an historical and philological lens, this book explores passages from Dante's Commedia which reveal elements inspired byprocessions, pageants, liturgical drama, psalm singing, or dance performance. The sacred poem finds influence in medieval theories of the performing arts as well as actual performances which Dante would have seen in churches or town squares. Dante's Performance opens a new perspective from which to consider the Commedia: Dante expected his contemporary readers to recognize references to and echoes of psalms, sacred plays, and performative practices. Twenty-first-century readers are tasked with reconstructing a cultural framework which allows us to grasp those same textual references. From the dramatization of the harrowing of hell in Inferno IX, to Beatrice's celebratory return on top of Mount Purgatory, to the songs of the blessed, this study connects Dante's language to coeval theoretical and practical texts about performance. If hell is "the Middle Age's theatrum diaboli," purgatory stages a performed purification through songs and acting, while paradise offers the spectacle of blessed spirits within the heavenly spheres as an aid to human understanding (Par. IV 28-39).
Author: Alessandro Arcangeli
Publisher: Bloomsbury Publishing
ISBN: 1350283045
Category : History
Languages : en
Pages : 257
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Book Description
A Cultural History of Sport in the Renaissance covers the period 1450 to 1650. Outwardly, Renaissance sports resembled their medieval forebears, but the incorporation of athletics into the educational curriculum signalled a change. As part of the scientific revolution, sport now became the object of intellectual analysis. Numerous books were written on the medical benefits of sport and on the best way to joust, fence, train horses and ride, play ball games, swim, practice archery, wrestle, or become an acrobat. Sport became the visible sign of the mind's control over the physical body, such control often becoming an end in itself with some sports shaped more by decorum than exercise. The 6 volume set of the Cultural History of Sport presents the first comprehensive history from classical antiquity to today, covering all forms and aspects of sport and its ever-changing social, cultural, political, and economic context and impact. The themes covered in each volume are the purpose of sport; sporting time and sporting space; products, training and technology; rules and order; conflict and accommodation; inclusion, exclusion and segregation; minds, bodies and identities; representation. Alessandro Arcangeli is Associate Professor at the University of Verona, Italy. Volume 3 in the Cultural History of Sport set General Editors: Wray Vamplew, Mark Dyreson, and John McClelland
Author: Selma Jeanne Cohen
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 678
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Book Description
"Exciting and fascinating, this reference work succeeds in its goal of bringing "joy as well as enlightenment" about all forms of dance in all countries of the world. An extremely useful synoptic outline of contents" with nine sections (including "Ritual and Religion" and "Popular Entertainment") enables the user to explore dance in its cultural and social aspects, while topical essays complement the 2,000-plus entries. Heavily illustrated with black-and-white photographs, the encyclopedia captures the fluid movement of dance; with its depth and scope, this outstanding work has carved a well-deserved niche."--"Outstanding Reference Sources: the 1999 Selection of New Titles," American Libraries, May 1999. Comp. by the Reference Sources Committee, RUSA, ALA.
Author: A. William Smith
Publisher: Pendragon Press
ISBN: 9780945193258
Category : Juvenile Nonfiction
Languages : en
Pages : 340
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Book Description
Vol. 1: Treatises and music ; vol. 2: choreographic descriptions with concordances of variants.
