Sterling A. Brown's A Negro Looks at the South PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Sterling A. Brown's A Negro Looks at the South PDF full book. Access full book title Sterling A. Brown's A Negro Looks at the South by Sterling Allen Brown. Download full books in PDF and EPUB format.
Author: Sterling Allen Brown
Publisher: Oxford University Press on Demand
ISBN: 0195313992
Category : History
Languages : en
Pages : 396
Get Book
Book Description
A Negro Looks at the South brings together for the first time Sterling A. Brown's essays, interviews, sketches, and vignettes depicting African American life in the South at mid-century.
Author: Sterling Allen Brown
Publisher: Oxford University Press on Demand
ISBN: 0195313992
Category : History
Languages : en
Pages : 396
Get Book
Book Description
A Negro Looks at the South brings together for the first time Sterling A. Brown's essays, interviews, sketches, and vignettes depicting African American life in the South at mid-century.
Author: Sterling A. Brown
Publisher: Northwestern University Press
ISBN: 9780810150454
Category : Poetry
Languages : en
Pages : 284
Get Book
Book Description
Arguably the greatest African American poet of the century, Sterling Brown was instrumental in bringing the traditions of African American folk life to readers all over the world. This is the definitive collection of Brown's poems, and the only edition available in the United States.
Author: Sterling A. Brown
Publisher: UPNE
ISBN: 9781555532758
Category : Fiction
Languages : en
Pages : 340
Get Book
Book Description
Essays on African-American politics, literature and music by Sterling A. Brown (1901-1989), which point out the biases against black Americans in white cultural expression and argue for a recognition of the cultural contributions of African Americans.
Author: Joanne V. Gabbin
Publisher: University of Virginia Press
ISBN: 9780813915319
Category : Biography & Autobiography
Languages : en
Pages : 268
Get Book
Book Description
Sterling A. Brown's achievement and influence in the field of American literature and culture are unquestionably significant. His poetry has been translated into Spanish, French, German, and Russian and has been read in literary circles throughout the world. He is also one of the principal architects of black criticism. His critical essays and books are seminal works that give an insider's perspective of literature by and about blacks. Leopold Sedar Senghor, who became familiar with Brown's poetry and criticism in the 1920s and 1930s, called him "an original militant of Negritude, a precursor of our movement." Yet Joanne V. Gabbin's book, originally published in 1985, remains the only study of Brown's work and influence. Gabbin sketches Brown's life, drawing on personal interviews and viewing his achievements as a poet, critic, and cultural griot. She analyzes in depth the formal and thematic qualities of his poetry, revealing his subtle adaptation of song forms, especially the blues. To articulate the aesthetic principles Brown recognized in the writings of black authors, Gabbin explores his identification of the various elements that have come together to create American culture.
Author: Mark A. Sanders
Publisher: University of Georgia Press
ISBN: 9780820320502
Category : Literary Criticism
Languages : en
Pages : 244
Get Book
Book Description
Sterling A. Brown’s poetry and aesthetics are central to a proper understanding of African American art and politics of the early twentieth century. This study redefines the relationship between modernism and the New Negro era in light of Brown’s uniquely hybrid poetry and vision of a heterodox, pluralist modernism. Brown, also a folklorist and critic, saw the Harlem Renaissance and modernism as interactive rather than mutually exclusive and perceived the New Negro era as the dawning of African American modernity. Reading Brown’s three collections of poetry in light of their respective historical contexts, Sanders examines the ways in which Brown reconfigured black being and created alternative conceptual space for African Americans amid the prevailing racial discourses of American culture. Brown’s poetics call for revised conceptions of the Harlem Renaissance, black identity, artistic expression, and modernity that recognize the range, depth, and complexity of African American life.
Author: Sterling Allen Brown
Publisher: HarperCollins Publishers
ISBN:
Category : Poetry
Languages : en
Pages : 278
Get Book
Book Description
Arguably the greatest African-American poet of the century, and one of the most important American poets, Sterling A. Brown was a contemporary of Langston Hughes, Claude McKay, and Jean Toomer; as a part of this group, and individually, he has been instrumental in bringing the traditions of African-American folklife to readers all over the world. Copyright © Libri GmbH. All rights reserved.
Author: Sterling A. Brown
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 160
Get Book
Book Description
Author: Claudrena N. Harold
Publisher: University of Georgia Press
ISBN: 0820335126
Category : African Americans
Languages : en
Pages : 195
Get Book
Book Description
Cover -- Contents -- Acknowledgments -- Introduction -- One: The Hour Has Come -- Two: Now Comes the Test -- Three: Making Way for Democracy -- Four: On the Firing Line -- Five: The South Will Be Invaded -- Six: New Negro Southerners -- Seven: Stormy Weather -- Epilogue: In the Whirlwind -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y
Author: John Edgar Tidwell
Publisher: Oxford University Press
ISBN: 0195365798
Category : Literary Criticism
Languages : en
Pages : 497
Get Book
Book Description
For more than sixty years, Sterling A. Brown -- poet, folklorist, cultural critic, literary historian, teacher, and raconteur -- profoundly shaped the development of African American literary and cultural studies. A collection of new and exemplary writings, this volume represents an unprecedented effort to recover, reassess, and reassert Brown's enduring significance for contemporary scholars, students, and nonacademic readers. This engaging recuperative project is structured around four distinctive features: new and previously published essays that sum up contemporary approaches to the various genres of Brown's works; interviews with Brown and with his acquaintances and contemporaries; two discographies of source material that innovatively extend the study of Brown's acclaimed poetry; and an updated version of the most comprehensive bibliography of Brown's published writings. "After Winter" aptly demonstrates how Brown, in words from one of his familiar poems, continues to "just get hold of us dataway." -- From publisher's description.
Author: Stacy I. Morgan
Publisher: University of Texas Press
ISBN: 1477312102
Category : History
Languages : en
Pages : 272
Get Book
Book Description
Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore—and "Frankie and Johnny" in particular—became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan's research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.
