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Author: Sterling A. Brown
Publisher: Northwestern University Press
ISBN: 9780810150454
Category : Poetry
Languages : en
Pages : 284
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Book Description
Arguably the greatest African American poet of the century, Sterling Brown was instrumental in bringing the traditions of African American folk life to readers all over the world. This is the definitive collection of Brown's poems, and the only edition available in the United States.
Author: Sterling A. Brown
Publisher: Northwestern University Press
ISBN: 9780810150454
Category : Poetry
Languages : en
Pages : 284
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Book Description
Arguably the greatest African American poet of the century, Sterling Brown was instrumental in bringing the traditions of African American folk life to readers all over the world. This is the definitive collection of Brown's poems, and the only edition available in the United States.
Author: Joanne V. Gabbin
Publisher: University of Virginia Press
ISBN: 9780813915319
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
Sterling A. Brown's achievement and influence in the field of American literature and culture are unquestionably significant. His poetry has been translated into Spanish, French, German, and Russian and has been read in literary circles throughout the world. He is also one of the principal architects of black criticism. His critical essays and books are seminal works that give an insider's perspective of literature by and about blacks. Leopold Sedar Senghor, who became familiar with Brown's poetry and criticism in the 1920s and 1930s, called him "an original militant of Negritude, a precursor of our movement." Yet Joanne V. Gabbin's book, originally published in 1985, remains the only study of Brown's work and influence. Gabbin sketches Brown's life, drawing on personal interviews and viewing his achievements as a poet, critic, and cultural griot. She analyzes in depth the formal and thematic qualities of his poetry, revealing his subtle adaptation of song forms, especially the blues. To articulate the aesthetic principles Brown recognized in the writings of black authors, Gabbin explores his identification of the various elements that have come together to create American culture.
Author: John Edgar Tidwell
Publisher: Oxford University Press
ISBN: 0190295376
Category : Literary Collections
Languages : en
Pages : 590
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Book Description
Using oral history and the printed word, Sterling A. Brown set out during the Second World War to capture the response of African Americans, primarily living in the South, to America's involvement in the war and how it affected them. These responses, brought together in extended, non-fiction essays of many different types, illustrate the diversity of opinions in the Black South about the war and the war period in America. For nearly sixty years, the excerpts that were never published languished in Brown's manuscript collection at Howard University. Now, for the first time, all of the completed pieces of unpublished writings are combined with the few published sections into the book that Brown envisioned. The legacy Brown left us is not only a superb portrait of the way in which African Americans of the mid-century talked and lived; he also provided a methodology that oral and written historians will find extremely useful. This is clearly a document from another time, as its now outdated title reminds us, but it reveals a world that still informs our sense of ourselves as a nation. In fact, it is an unforgettable history, which Brown has cast in a bright, elucidating new light.
Author: Sterling A. Brown
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 160
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Book Description
Author: Sterling A. Brown
Publisher: Oxford University Press
ISBN: 0195313992
Category : History
Languages : en
Pages : 396
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Book Description
Using oral history and the printed word, Sterling A. Brown set out during the Second World War to capture the response of African Americans, primarily living in the South, to America's involvement in the war and how it affected them. These responses, brought together in extended, non-fiction essays of many different types, illustrate the diversity of opinions in the Black South about the war and the war period in America. For nearly sixty years, the excerpts that were never published languished in Brown's manuscript collection at Howard University. Now, for the first time, all of the completed pieces of unpublished writings are combined with the few published sections into the book that Brown envisioned. The legacy Brown left us is not only a superb portrait of the way in which African Americans of the mid-century talked and lived; he also provided a methodology that oral and written historians will find extremely useful. This is clearly a document from another time, as its now outdated title reminds us, but it reveals a world that still informs our sense of ourselves as a nation. In fact, it is an unforgettable history, which Brown has cast in a bright, elucidating new light.
Author: Sterling Allen Brown
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 209
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Book Description
Author: Eve Dunbar
Publisher:
ISBN: 1108472559
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
This book illustrates African American writers' cultural production and political engagement despite the economic precarity of the 1930s.
Author: Jerrold Hirsch
Publisher: Univ of North Carolina Press
ISBN: 9780807854891
Category : History
Languages : en
Pages : 318
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Book Description
How well do we know our country? Whom do we include when we use the word "American"? These are not just contemporary issues but recurring and seemingly permanent questions Americans have asked themselves throughout their history-and questions that were ad
Author: Henry Louis Gates Jr.
Publisher: Liveright Publishing
ISBN: 0871407566
Category : Literary Collections
Languages : en
Pages : 1437
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Book Description
Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images
Author: Scott L. Matthews
Publisher: UNC Press Books
ISBN: 1469646463
Category : History
Languages : en
Pages : 329
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Book Description
In his expansive history of documentary work in the South during the twentieth century, Scott L. Matthews examines the motivations and methodologies of several pivotal documentarians, including sociologist Howard Odum, photographers Jack Delano and Danny Lyon, and music ethnographer John Cohen. Their work salvaged and celebrated folk cultures threatened by modernization or strived to reveal and reform problems linked to the region's racial caste system and exploitative agricultural economy. Images of alluring primitivism and troubling pathology often blurred together, neutralizing the aims of documentary work carried out in the name of reform during the Progressive era, New Deal, and civil rights movement. Black and white southerners in turn often resisted documentarians' attempts to turn their private lives into public symbols. The accumulation of these influential and, occasionally, controversial documentary images created an enduring, complex, and sometimes self-defeating mythology about the South that persists into the twenty-first century.
