Author: Peter Stewart
Publisher: Oxford Studies in Ancient Cult
ISBN: 0199240949
Category : Art
Languages : en
Pages : 350
Book Description
Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to deities, venerated as gods,or violated as symbols of a defeated political regime, they were recognized individually and collectively as objects of enormous significance.By analysing ancient texts and images, Statues in Roman Society unravels the web of associations which surrounded Roman statues. Addressing all categories of statuary together for the first time, it illuminates them in ancient terms, explaining expectations of what statues were or ought to be anddescribing the Romans' uneasy relationship with 'the other population' in their midst.
Statues in Roman Society
Author: Peter Stewart
Publisher: Oxford Studies in Ancient Cult
ISBN: 0199240949
Category : Art
Languages : en
Pages : 350
Book Description
Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to deities, venerated as gods,or violated as symbols of a defeated political regime, they were recognized individually and collectively as objects of enormous significance.By analysing ancient texts and images, Statues in Roman Society unravels the web of associations which surrounded Roman statues. Addressing all categories of statuary together for the first time, it illuminates them in ancient terms, explaining expectations of what statues were or ought to be anddescribing the Romans' uneasy relationship with 'the other population' in their midst.
Publisher: Oxford Studies in Ancient Cult
ISBN: 0199240949
Category : Art
Languages : en
Pages : 350
Book Description
Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to deities, venerated as gods,or violated as symbols of a defeated political regime, they were recognized individually and collectively as objects of enormous significance.By analysing ancient texts and images, Statues in Roman Society unravels the web of associations which surrounded Roman statues. Addressing all categories of statuary together for the first time, it illuminates them in ancient terms, explaining expectations of what statues were or ought to be anddescribing the Romans' uneasy relationship with 'the other population' in their midst.
Statues in Roman Society
Author: Peter Stewart
Publisher: OUP Oxford
ISBN: 0191514241
Category : Art
Languages : en
Pages : 352
Book Description
Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to deities, venerated as gods, or violated as symbols of a defeated political regime, they were recognized individually and collectively as objects of enormous significance. By analysing ancient texts and images, Statues in Roman Society unravels the web of associations which surrounded Roman statues. Addressing all categories of statuary together for the first time, it illuminates them in ancient terms, explaining expectations of what statues were or ought to be and describing the Romans' uneasy relationship with 'the other population' in their midst.
Publisher: OUP Oxford
ISBN: 0191514241
Category : Art
Languages : en
Pages : 352
Book Description
Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to deities, venerated as gods, or violated as symbols of a defeated political regime, they were recognized individually and collectively as objects of enormous significance. By analysing ancient texts and images, Statues in Roman Society unravels the web of associations which surrounded Roman statues. Addressing all categories of statuary together for the first time, it illuminates them in ancient terms, explaining expectations of what statues were or ought to be and describing the Romans' uneasy relationship with 'the other population' in their midst.
Roman Sculpture
Author: Diana E. E. Kleiner
Publisher:
ISBN: 9780300059489
Category : Art
Languages : en
Pages : 477
Book Description
Roman sculpture was an integral part of Roman life, and the Romans placed statues and reliefs in their flora, basilicas, temples and public baths as well as in their houses, villas, gardens and tombs.
Publisher:
ISBN: 9780300059489
Category : Art
Languages : en
Pages : 477
Book Description
Roman sculpture was an integral part of Roman life, and the Romans placed statues and reliefs in their flora, basilicas, temples and public baths as well as in their houses, villas, gardens and tombs.
The Social History of Roman Art
Author: Peter Stewart
Publisher: Cambridge University Press
ISBN: 0521816327
Category : Art
Languages : en
Pages : 201
Book Description
An introduction to the study of ancient Roman art in its social context.
Publisher: Cambridge University Press
ISBN: 0521816327
Category : Art
Languages : en
Pages : 201
Book Description
An introduction to the study of ancient Roman art in its social context.
The Afterlife of Greek and Roman Sculpture
Author: Lea Stirling
Publisher: University of Michigan Press
ISBN: 0472121820
Category : History
Languages : en
Pages : 433
Book Description
For centuries, statuary décor was a main characteristic of any city, sanctuary, or villa in the Roman world. However, from the third century CE onward, the prevalence of statues across the Roman Empire declined dramatically. By the end of the sixth century, statues were no longer a defining characteristic of the imperial landscape. Further, changing religious practices cast pagan sculpture in a threatening light. Statuary production ceased, and extant statuary was either harvested for use in construction or abandoned in place. The Afterlife of Greek and Roman Sculpture is the first volume to approach systematically the antique destruction and reuse of statuary, investigating key responses to statuary across most regions of the Roman world. The volume opens with a discussion of the complexity of the archaeological record and a preliminary chronology of the fate of statues across both the eastern and western imperial landscape. Contributors to the volume address questions of definition, identification, and interpretation for particular treatments of statuary, including metal statuary and the systematic reuse of villa materials. They consider factors such as earthquake damage, late antique views on civic versus “private” uses of art, urban construction, and deeper causes underlying the end of the statuary habit, including a new explanation for the decline of imperial portraiture. The themes explored resonate with contemporary concerns related to urban decline, as evident in post-industrial cities, and the destruction of cultural heritage, such as in the Middle East.
Publisher: University of Michigan Press
ISBN: 0472121820
Category : History
Languages : en
Pages : 433
Book Description
For centuries, statuary décor was a main characteristic of any city, sanctuary, or villa in the Roman world. However, from the third century CE onward, the prevalence of statues across the Roman Empire declined dramatically. By the end of the sixth century, statues were no longer a defining characteristic of the imperial landscape. Further, changing religious practices cast pagan sculpture in a threatening light. Statuary production ceased, and extant statuary was either harvested for use in construction or abandoned in place. The Afterlife of Greek and Roman Sculpture is the first volume to approach systematically the antique destruction and reuse of statuary, investigating key responses to statuary across most regions of the Roman world. The volume opens with a discussion of the complexity of the archaeological record and a preliminary chronology of the fate of statues across both the eastern and western imperial landscape. Contributors to the volume address questions of definition, identification, and interpretation for particular treatments of statuary, including metal statuary and the systematic reuse of villa materials. They consider factors such as earthquake damage, late antique views on civic versus “private” uses of art, urban construction, and deeper causes underlying the end of the statuary habit, including a new explanation for the decline of imperial portraiture. The themes explored resonate with contemporary concerns related to urban decline, as evident in post-industrial cities, and the destruction of cultural heritage, such as in the Middle East.
The Oxford Handbook of Roman Sculpture
Author: Elise A. Friedland
Publisher: Oxford University Press, USA
ISBN: 0199921822
Category : Art
Languages : en
Pages : 737
Book Description
Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.
Publisher: Oxford University Press, USA
ISBN: 0199921822
Category : Art
Languages : en
Pages : 737
Book Description
Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.
Buried by Vesuvius
Author: Kenneth Lapatin
Publisher: Getty Publications
ISBN: 1606065920
Category : Art
Languages : en
Pages : 284
Book Description
The first truly comprehensive look at all aspects of the Villa dei Papiri at Herculaneum, from its original Roman context to the most recent archaeological investigations. The Villa dei Papiri at Herculaneum, the model for the Getty Villa in Malibu, is one of the world’s earliest systematically investigated archaeological sites. Buried by the eruption of Mount Vesuvius in 79 CE, the Villa dei Papiri was discovered in 1750 and excavated under the auspices of the Neapolitan court. Never fully unearthed, the site yielded spectacular colored marble floors and mosaics, frescoed walls, the largest known ancient collection of bronze and marble statuary, intricately carved ivories, and antiquity’s only surviving library, with over a thousand charred papyrus scrolls. For more than two and a half centuries, the Villa dei Papiri and its contents have served as a wellspring of knowledge for archaeological science, art history, classics, papyrology, and philosophy. Buried by Vesuvius: The Villa dei Papiri at Herculaneum offers a sweeping yet in-depth view of all aspects of the site. Presenting the latest research, the essays in this authoritative and richly illustrated volume reveal the story of the Villa dei Papiri's ancient inhabitants and modern explorers, providing readers with a multidimensional understanding of this fascinating site.
Publisher: Getty Publications
ISBN: 1606065920
Category : Art
Languages : en
Pages : 284
Book Description
The first truly comprehensive look at all aspects of the Villa dei Papiri at Herculaneum, from its original Roman context to the most recent archaeological investigations. The Villa dei Papiri at Herculaneum, the model for the Getty Villa in Malibu, is one of the world’s earliest systematically investigated archaeological sites. Buried by the eruption of Mount Vesuvius in 79 CE, the Villa dei Papiri was discovered in 1750 and excavated under the auspices of the Neapolitan court. Never fully unearthed, the site yielded spectacular colored marble floors and mosaics, frescoed walls, the largest known ancient collection of bronze and marble statuary, intricately carved ivories, and antiquity’s only surviving library, with over a thousand charred papyrus scrolls. For more than two and a half centuries, the Villa dei Papiri and its contents have served as a wellspring of knowledge for archaeological science, art history, classics, papyrology, and philosophy. Buried by Vesuvius: The Villa dei Papiri at Herculaneum offers a sweeping yet in-depth view of all aspects of the site. Presenting the latest research, the essays in this authoritative and richly illustrated volume reveal the story of the Villa dei Papiri's ancient inhabitants and modern explorers, providing readers with a multidimensional understanding of this fascinating site.
The Cambridge Companion to the Roman Republic
Author: Harriet I. Flower
Publisher: Cambridge University Press
ISBN: 1107032245
Category : History
Languages : en
Pages : 519
Book Description
This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies.
Publisher: Cambridge University Press
ISBN: 1107032245
Category : History
Languages : en
Pages : 519
Book Description
This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies.
Gender, Identity and the Body in Greek and Roman Sculpture
Author: Rosemary Barrow
Publisher: Cambridge University Press
ISBN: 1108583865
Category : Art
Languages : en
Pages : 245
Book Description
Gender and the Body in Greek and Roman Sculpture offers incisive analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, art history and other related fields. The book raises important questions about ancient sculpture and the contrasting responses that the individual works can be shown to evoke. Rosemary Barrow gives close attention to both original context and modern experience, while directly addressing the question of continuity in gender and body issues from antiquity to the early modern period through a discussion of the sculpture of Bernini. Accessible and fully illustrated, her book features new translations of ancient sources and a glossary of Greek and Latin terms. It will be an invaluable resource and focus for debate for a wide range of readers interested in ancient art, gender and sexuality in antiquity, and art history and gender and body studies more broadly.
Publisher: Cambridge University Press
ISBN: 1108583865
Category : Art
Languages : en
Pages : 245
Book Description
Gender and the Body in Greek and Roman Sculpture offers incisive analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, art history and other related fields. The book raises important questions about ancient sculpture and the contrasting responses that the individual works can be shown to evoke. Rosemary Barrow gives close attention to both original context and modern experience, while directly addressing the question of continuity in gender and body issues from antiquity to the early modern period through a discussion of the sculpture of Bernini. Accessible and fully illustrated, her book features new translations of ancient sources and a glossary of Greek and Latin terms. It will be an invaluable resource and focus for debate for a wide range of readers interested in ancient art, gender and sexuality in antiquity, and art history and gender and body studies more broadly.
Power and Privilege in Roman Society
Author: Richard Duncan-Jones
Publisher: Cambridge University Press
ISBN: 1107149797
Category : Business & Economics
Languages : en
Pages : 243
Book Description
Explores the impact of social standing on the careers of senators and knights in the Roman Empire.
Publisher: Cambridge University Press
ISBN: 1107149797
Category : Business & Economics
Languages : en
Pages : 243
Book Description
Explores the impact of social standing on the careers of senators and knights in the Roman Empire.