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Author: Greg Giesekam
Publisher: Palgrave
ISBN: 9781403916983
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work
Author: Greg Giesekam
Publisher: Palgrave
ISBN: 9781403916983
Category : Performing Arts
Languages : en
Pages : 296
Get Book Here
Book Description
The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work
Author: Greg Giesekam
Publisher: Bloomsbury Publishing
ISBN: 1137090995
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work
Author: Mason Evans
Publisher: Marcelo Marins Rodrigues
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 145
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Book Description
Dive into the world of Peter Brook, one of the most influential and groundbreaking figures in theatre history. This captivating biography explores the life and work of this visionary director, whose impact on stage and screen continues to resonate today. Journey through Brook's early years, witnessing his passion ignite, his talent flourish, and his unique approach to theatre take shape. From his groundbreaking work at the Old Vic to his internationally acclaimed productions, witness the evolution of a true theatrical innovator. Discover the profound influence of his landmark productions, including "Marat/Sade," "The Mahabharata," and "The Empty Space," which revolutionized the way we think about and experience theatre. Experience the power of Brook's collaborations, delve into his philosophy, and witness his relentless pursuit of the "essential" in performance. Explore his adaptations of classic and modern texts, and gain insights into his approach to directing, his unique vision, and his profound impact on the world of theatre. This book is an essential read for anyone who loves theatre, appreciates groundbreaking artistry, and seeks inspiration from a master of his craft.
Author: Egil Törnqvist
Publisher: Amsterdam University Press
ISBN: 9053561374
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
Ingmar Bergman is worldwide known as a film and stage director. Yet no-one has attempted to compare his stage and screen activities. In Between Stage and Screen Egil Törnqvist examines formal and thematical correspondences and differences between a number of Bergman's stage, screen, and radio productions. In the prologue Bergman's spiritual and aesthetic heritage and his position in the twentieth century media landscape is outlined. In the epilogue the question is answered to what extent one can speak of Bergman's directorial 'method' irrespective of the chosen medium.
Author: Annette Lust
Publisher: Scarecrow Press
ISBN: 0810882124
Category : Performing Arts
Languages : en
Pages : 365
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Book Description
As stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. And in order to bring authenticity and believability to a character, it has become increasingly vital for actors to be aware of movement and physical acting. Stage and screen artists must now call upon physical presence, movement on stage, non-verbal interactions, and gestures to fully convey themselves. In Bringing the Body to the Stage and Screen, Annette Lust provides stage and screen artists with a program of physical and related expressive exercises that can empower their art with more creativity. In this book, Lust provides a general introduction to movement, including definitions and differences between movement on the stage and screen, how to conduct a class or learn on one's own, and choosing a movement style. Throughout the book and in the appendixes, Lust incorporates learning programs that cover the use of basic physical and expressive exercises for the entire body. In addition, she provides original solo and group pantomimes; improvisational exercises; examples of plays, fiction, poetry, and songs that may be interpreted with movement; a list of training centers in America and Europe; and an extensive bibliography and videography. With 15 interviews and essays by prominent stage and screen actors, mimes, clowns, dancers, and puppeteers who describe the importance of movement in their art and illustrated with dozens of photos of renowned world companies and artists, Bringing the Body to the Stage and Screen will be a valuable resource for theater teachers and students, as well as anyone engaged in the performing arts.
Author: Michael Ingham
Publisher: Taylor & Francis
ISBN: 131755521X
Category : Performing Arts
Languages : en
Pages : 239
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Book Description
Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.
Author: Sarah Hatchuel
Publisher: Cambridge University Press
ISBN: 1139454323
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
How is a Shakespearean play transformed when it is directed for the screen? In this 2004 book, Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to appropriate the plays. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all the major films from the 1899 King John, through the adaptations by Olivier, Welles and Branagh, to Taymor's 2000 Titus and beyond. This book is aimed at scholars, teachers and students of Shakespeare and film studies, providing a clear and logical apparatus with which to examine Shakespearean screen adaptations.
Author: Bert Cardullo
Publisher: A&C Black
ISBN: 1441168699
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
Classic and new essays examining the historical, cultural, and aesthetic relationships between theater and film.
Author: J. Stanley
Publisher: Springer
ISBN: 0230610455
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
If directing dramatic productions interests you, this book is a basic guide to show you know to apply the principles of directing to any dramatic medium - stage, television, or film. The authors, who have worked in all three media, illustrated how the principles of one medium relate to the other two.
Author: Erick Vaughn Wolfe
Publisher: Routledge
ISBN: 1000531155
Category : Performing Arts
Languages : en
Pages : 140
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Book Description
The Art of Knife Fighting for Stage and Screen: An Actor’s and Director’s Guide to Staged Violence provides detailed information for the safe use of knives and daggers in a theatrical setting and an in-depth understanding of safe theatrical weapons. The book starts with an extensive safety review, then moves on to the basic techniques of dagger fighting, starting with grip and body postures. Readers will then learn about the basic actions of cuts, parries, blocks, and disarms. During this process, they will explore the connection between body and weapon and start learning the elements of storytelling through choreography. Special attention is given to suicides, threats, and murder and how directors, choreographers, performers, teachers, and students can approach these techniques in a way that is physically and mentally safe. The book also covers the use of throwing knives, knife flips, and other tricks to help add a little flair to your fight. The Art of Knife Fighting for Stage and Screen teaches the safe theatrical use of the knife for directors, performers, educators, and students of stage combat.
