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Author: Jane Chin Davidson
Publisher: Rethinking Art's Histories
ISBN: 9781526139788
Category : Art
Languages : en
Pages : 0
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Book Description
Questioning what the term 'Chinese art' means in the era of global art, this book situates Chinese contemporary art in the matrix of global expositions and political transnationalisms. Its case studies explore the changing political concept of Chineseness by examining performative, body-oriented video and eco-feminist works.
Author: Jane Chin Davidson
Publisher: Rethinking Art's Histories
ISBN: 9781526139788
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Questioning what the term 'Chinese art' means in the era of global art, this book situates Chinese contemporary art in the matrix of global expositions and political transnationalisms. Its case studies explore the changing political concept of Chineseness by examining performative, body-oriented video and eco-feminist works.
Author: Adrian Cheng
Publisher: Assouline Publishing
ISBN: 1614288844
Category : Travel
Languages : en
Pages : 6
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Book Description
While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.
Author: Orian Brook
Publisher: Manchester University Press
ISBN: 1526144174
Category : Social Science
Languages : en
Pages : 361
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Book Description
Culture will keep you fit and healthy. Culture will bring communities together. Culture will improve your education. This is the message from governments and arts organisations across the country; however, this book explains why we need to be cautious about culture. Offering a powerful call to transform the cultural and creative industries, Culture is bad for you examines the intersections between race, class, and gender in the mechanisms of exclusion in cultural occupations. Exclusion from culture begins at an early age, the authors argue, and despite claims by cultural institutions and businesses to hire talented and hardworking individuals, women, people of colour, and those from working class backgrounds are systematically disbarred. While the inequalities that characterise both workforce and audience remain unaddressed, the positive contribution culture makes to society can never be fully realised.
Author: Jane Chin Davidson
Publisher: Manchester University Press
ISBN: 1526139804
Category : Art
Languages : en
Pages : 371
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Book Description
This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist’s residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book’s case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation.
Author: Liana Chen (Assistant professor)
Publisher:
ISBN: 9781621965480
Category : China
Languages : en
Pages : 340
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Book Description
"Theatrical performance occupied a central place in the emotional and political life of the Qing dynasty imperial household. For over two centuries, the Qing court poured a tremendous amount of human and material resources into institutionalizing the theatrical arts for the purposes of entertainment and edification. The emperors and empresses were ardent patrons and key players in establishing an artistic form that the court theatre called its own. They went to great lengths to cultivate a discerning taste in theatre and oversaw the artistic and managerial aspects of court theatrical activities. In the imperial theatrical spaces within and outside the Forbidden City, which were designed and built with the capacity to produce stunning visual effects, theatrical productions were staged to entertain imperial family members and to impress obeisance-paying guests from near and afar. Treating Qing dynasty court theatre as a unique site in which to examine important but uncharted realms of Chinese theatrical experience, Staging for the Emperor examines two distinct and interlocking dimensions of the Qing court theatre-the vicissitudes of the palace troupe and the multifaceted functions of court-commissioned ceremonial dramas-to highlight the diverse array of views held by individual rulers as they used theatrical means to promote their personal and political agendas. Drawing on recently discovered materials from a variety of court administrative bureaus, memoirs, diaries, and play scripts written for court ceremonial occasions, this study places the history of Qing court theatre in the broader context of Qing cultural and political history. Staging for the Emperors would appeal to readers interested in China studies and performance studies. It would also appeal to those outside the field of China studies who are interested in developing a cross-cultural perspective on the interplay between state rituals, power, identity formation, and theatrical experiences"--
Author: Guojun Wang
Publisher: Columbia University Press
ISBN: 0231549571
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
After toppling the Ming dynasty, the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. Yet China’s new rulers tolerated the use of traditional Chinese attire in performances, making theater one of the only areas of life where Han garments could still be seen and where Manchu rule could be contested. Staging Personhood uncovers a hidden history of the Ming–Qing transition by exploring what it meant for the clothing of a deposed dynasty to survive onstage. Reading dramatic works against Qing sartorial regulations, Guojun Wang offers an interdisciplinary lens on the entanglements between Chinese drama and nascent Manchu rule in seventeenth-century China. He reveals not just how political and ethnic conflicts shaped theatrical costuming but also the ways costuming enabled different modes of identity negotiation during the dynastic transition. In case studies of theatrical texts and performances, Wang considers clothing and costumes as indices of changing ethnic and gender identities. He contends that theatrical costuming provided a productive way to reconnect bodies, clothes, and identities disrupted by political turmoil. Through careful attention to a variety of canonical and lesser-known plays, visual and performance records, and historical documents, Staging Personhood provides a pathbreaking perspective on the cultural dynamics of early Qing China.
Author: Xiaomei Chen
Publisher:
ISBN: 9780231166386
Category : Biography
Languages : en
Pages : 363
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Book Description
Introduction: Propaganda performance, history, and landscape -- The place of Chen Duxiu: political theater, dramatic history, and the question of representation -- Returning a people's hero: a "new" legacy in the plays of Mao -- Staging Deng Xiaoping: the "incorrigible capitalist roader" -- Performing the "red classics": three revolutionary music-and-dance epics and their peaceful restorations -- Epilogue: Where are the "founding mothers"?
Author: Kam Louie
Publisher: UBC Press
ISBN: 0774825936
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
As China rose to its position of global superpower, Chinese groups in the West watched with anticipation and trepidation. In this volume, international scholars examine how artists, writers, filmmakers, and intellectuals from the Chinese diaspora represented this new China to global audiences. The chapters, often personal in nature, focus on the nexus between the political and economic rise of China and the cultural products this period produced, where new ideas of nation, identity, and diaspora were forged.
Author: Wang-Ngai Siu
Publisher: Hong Kong University Press
ISBN: 9888208268
Category : Performing Arts
Languages : en
Pages : 227
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Book Description
Chinese opera embraces over 360 different styles of theatre that make one of the richest performance arts in the world. It combines music, speech, poetry, mime, acrobatics, stage fighting, vivid face-painting and exquisite costumes. First experiences of Chinese opera can be baffling because its vocabulary of stagecraft is familiar only to the seasoned aficionado. Chinese Opera: The Actor’s Craft makes the experience more accessible for everyone. This book uses breath-taking images of Chinese opera in performance by Hong Kong photographer Siu Wang-Ngai to illustrate and explain Chinese opera stage technique. The book explores costumes, gestures, mime, acrobatics, props and stage techniques. Each explanation is accompanied by an example of its use in an opera and is illustrated by in-performance photographs. Chinese Opera: The Actor’s Craft provides the reader with a basic grammar for understanding uniquely Chinese solutions to staging drama.
Author: Lily Chumley
Publisher: Princeton University Press
ISBN: 1400881323
Category : Social Science
Languages : en
Pages : 257
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Book Description
The last three decades have seen a massive expansion of China's visual culture industries, from architecture and graphic design to fine art and fashion. New ideologies of creativity and creative practices have reshaped the training of a new generation of art school graduates. Creativity Class is the first book to explore how Chinese art students develop, embody, and promote their own personalities and styles as they move from art school entrance test preparation, to art school, to work in the country's burgeoning culture industries. Lily Chumley shows the connections between this creative explosion and the Chinese government's explicit goal of cultivating creative human capital in a new "market socialist" economy where value is produced through innovation. Drawing on years of fieldwork in China's leading art academies and art test prep schools, Chumley combines ethnography and oral history with analyses of contemporary avant-garde and official art, popular media, and propaganda. Examining the rise of a Chinese artistic vanguard and creative knowledge-based economy, Creativity Class sheds light on an important facet of today's China.
