Stage Effect; or, the principles which command dramatic success in the theatre PDF Download
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Author: Edward MAYHEW (Miscellaneous Writer.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
Author: Edward MAYHEW (Miscellaneous Writer.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
Author: Donald S. Hair
Publisher: University of Toronto Press
ISBN: 148758962X
Category : Literary Criticism
Languages : en
Pages : 445
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Book Description
What are the influences that shaped the language used by one of the nineteenth century's greatest writers? How did his religious beliefs, the books he owned, the paintings and music he loved, affect almost sixty years' output of poems, plays, essays, and letters? This book attempts to define Browning's understanding of the nature and use of words and syntax by considering not only a full range of texts from the 1833 Pauline to the 1889 Asolando, but also the ideas important to Browning, the historical context in which he lived, and the other artistic passions that played a part in his life. In this companion volume to Tennyson's Language, Donald Hair establishes Browning's place at the crossroads between empirical and idealist traditions and explains his "double view" of language, arguing that both Locke and the Congregationalists found language to be at the same time empty and a God-given essential. The Victorian age's anti-theatrical bias, which Browning came to share, and his reading of predecessors, principally Quarles, Bunyan, Donne, and Smart, also shaped his understanding of the diction of poetry. Hair conceives of Browning's language as a theoretical whole, encompassing words, genres, rhyme, syntax, and phonetics. He also links Browning's interest in music with his rhyming, the most essential and characteristic feature of his prosody, and relates his interest in painting to the interpretation of the visual image in the emblem and in typology.
Author: Edward Mayhew
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 112
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Book Description
Author: Ben Brewster
Publisher: Oxford University Press, USA
ISBN: 9780198182672
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
On the relationship between early cinema and 19th century theatre.
Author: David Worrall
Publisher: OUP Oxford
ISBN: 0191534900
Category : Literary Criticism
Languages : en
Pages : 416
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Book Description
The theatre and drama of the late Georgian period have been the focus of a number of recent studies, but such work has tended to ignore its social and political contexts. Theatric Revolution redresses the balance by considering the role of stage censorship during the Romantic period, an era otherwise associated with the freedom of expression. Looking beyond the Royal theatres at Covent Garden and Drury Lane which have dominated most recent accounts of the period, this book examines the day-to-day workings of the Lord Chamberlain's Examiner of Plays and shows that radicalized groups of individuals continuously sought ways to evade the suppression of both playhouses and dramatic texts. Incorporating a wealth of new research, David Worrall reveals the centrality of theatre within busy networks of print culture, politics of all casts, elite and popular cultures, and metropolitan and provincial audiences. Ranging from the drawing room of Queen Caroline's private theatrical to the song-and-supper dens of Soho and radical free and easies, Theatric Revolution deals with the complex vitality of Romantic theatrical culture, and its intense politicization at all levels. This fascinating new study will be of great value to cultural historians, as well as to literary and theatre scholars.
Author: Richard Brinsley Sheridan
Publisher: Oxford University Press
ISBN: 0199540098
Category : Drama
Languages : en
Pages : 495
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Book Description
Offers five plays that feature witty banter, farcical situations, and flamboyant characters, including "The School for Scandal," in which the rumor mill goes into overdrive after a man marries a woman who may be involved in an extramarital affair.
Author: Allen A. Brown Collection (Boston Public Library)
Publisher: Boston : The Trustees
ISBN:
Category : Drama
Languages : en
Pages : 976
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Book Description
Author: Juliet John
Publisher: Oxford University Press, USA
ISBN: 9780199261376
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
This study argues that Dickens' villains embody the crucial fusion between the deviant and theatrical aspects of his writing.
Author: Ross Brown
Publisher: Bloomsbury Publishing
ISBN: 1350045918
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
Longlisted for the PQ Best Publication Award in Performance Design & Scenography 2023 Sound Effect tells the story of the effect of theatrical aurality on modern culture. Beginning with the emergence of the modern scenic sound effect in the late 18th century, and ending with headphone theatre which brings theatre's auditorium into an intimate relationship with the audience's internal sonic space, the book relates contemporary questions of theatre sound design to a 250-year Western cultural history of hearing. It argues that while theatron was an instrument for seeing and theorizing, first a collective hearing, or audience is convened. Theatre begins with people entering an acoustemological apparatus that produces a way of hearing and of knowing. Once, this was a giant marble ear on a hillside, turned up to a cosmos whose inaudible music accounted for all. In modern times, theatre's auditorium, or instrument for hearing, has turned inwards on the people and their collective conversance in the sonic memes, tropes, clichés and picturesques that constitute a popular, fictional ontology. This is a study about drama, entertainment, modernity and the theatre of audibility. It addresses the cultural frames of resonance that inform our understanding of SOUND as the rubric of the world we experience through our ears. Ross Brown reveals how mythologies, pop-culture, art, commerce and audio, have shaped the audible world as a form of theatre. Garrick, De Loutherbourg, Brecht, Dracula, Jekyll, Hyde, Spike Milligan, John Lennon, James Bond, Scooby-Do and Edison make cameo appearances as Brown weaves together a history of modern hearing, with an argument that sound is a story, audibility has a dramaturgy, hearing is scenographic, and the auditoria of drama serve modern life as the organon, or definitive frame of reference, on the sonic world.
Author: Catherine Burroughs
Publisher: Cambridge University Press
ISBN: 9780521662246
Category : Drama
Languages : en
Pages : 366
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Book Description
First published in 2000, this collection of essays focuses on women theatre artists in the romantic period.
