The Manuscripts of Piers Plowman: the B-Version PDF Download
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Author: C. David Benson
Publisher: Boydell & Brewer Ltd
ISBN: 9781843841852
Category : Literary Collections
Languages : en
Pages : 356
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Book Description
The B-version of 'Piers Plowman', perhaps the only version authorised by Langland, is the one most frequently read today, and the most influential form of the poem. This catalogue of the extant medieval manuscripts, now locaed in Cambridge, London, Oxford, Tokyo, and San Marino, California, offers both individual manuscript descriptions and a record of the annotations. The new and detailed codicological descriptions include information on provenance and ownership, a full list of the contents, and a description of the physical make-up and the presentation of each manuscript. The first published accounts of the various textual annotations on each manuscript (whether produced by the original scribes or later readers) provides the best record available of how 'piers plowman' was understoon by its earliest audience. Professor C. DAVID BENSON teaches in the English Department at the University of Connecticut; Dr LYNNE BLANCHFIELD is an Associate Lecturer at the Open University.
Author: C. David Benson
Publisher: Boydell & Brewer Ltd
ISBN: 9781843841852
Category : Literary Collections
Languages : en
Pages : 356
Get Book Here
Book Description
The B-version of 'Piers Plowman', perhaps the only version authorised by Langland, is the one most frequently read today, and the most influential form of the poem. This catalogue of the extant medieval manuscripts, now locaed in Cambridge, London, Oxford, Tokyo, and San Marino, California, offers both individual manuscript descriptions and a record of the annotations. The new and detailed codicological descriptions include information on provenance and ownership, a full list of the contents, and a description of the physical make-up and the presentation of each manuscript. The first published accounts of the various textual annotations on each manuscript (whether produced by the original scribes or later readers) provides the best record available of how 'piers plowman' was understoon by its earliest audience. Professor C. DAVID BENSON teaches in the English Department at the University of Connecticut; Dr LYNNE BLANCHFIELD is an Associate Lecturer at the Open University.
Author: Thomas Merton
Publisher: Lutterworth Press
ISBN: 0718896394
Category : Religion
Languages : en
Pages : 247
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Book Description
Thomas Merton gave numerous conferences during his decade (1955-1965) as novice master at the Cistercian Abbey of Gethsemani. In A Monastic Introduction to Sacred Scripture, Patrick F. O'Connell presents one of these, a wide-ranging introduction to biblical studies. Drawing on church tradition, teaching of recent papal documents, and scholarly resources of the time, Merton reveals the central importance of the Scriptures for the spiritual growth of his listeners. For Merton, at the heart of any meaningful reading of the Scriptures, not only for monks but for all Christians, is the invitation to respond not just intellectually but with the whole self, to recognize the gospel as 'good news', as a saving, liberating, consoling, challenging word, reflecting his fundamental belief that 'the Holy Spirit enlightens us, in our reading, to see how our own lives are part of these great mysteries - how we are one with Jesus in them'. O'Connell's extensive introduction situates this reflection in the context of Merton's evolving engagement with the Bible from his own days as a student monk through the mature reflections from his final years on the biblical renewal in the wake of the Second Vatican Council..
Author: Fitzwilliam Museum. Library
Publisher:
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 280
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Book Description
Author: William Langland
Publisher:
ISBN:
Category : Piers Plowman
Languages : en
Pages : 496
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Book Description
Author: William Langland
Publisher:
ISBN:
Category :
Languages : en
Pages : 642
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Book Description
Author: William Langland
Publisher:
ISBN:
Category :
Languages : en
Pages : 644
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Book Description
Author: William Langland
Publisher:
ISBN:
Category : Christian pilgrims and pilgrimages
Languages : en
Pages : 724
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Book Description
Author: William Langland
Publisher:
ISBN:
Category : Christian pilgrims and pilgrimages
Languages : en
Pages : 644
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Book Description
Author: Walter W. Skeat
Publisher: BoD – Books on Demand
ISBN: 3752505079
Category : Fiction
Languages : en
Pages : 502
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Book Description
Reprint of the original, first published in 1869.
Author: Michaelangelo Buonarroti
Publisher: Library of Alexandria
ISBN: 1465584269
Category : Fiction
Languages : en
Pages : 124
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Book Description
Michelangelo, who considered himself as primarily sculptor, afterwards painter, disclaimed the character of poet by profession. He was nevertheless prolific in verse; the pieces which survive, in number more than two hundred, probably represent only a small part of his activity in this direction. These compositions are not to be considered merely as the amusement of leisure, the byplay of fancy; they represent continued meditation, frequent reworking, careful balancing of words; he worked on a sonnet or a madrigal in the same manner as on a statue, conceived with ardent imagination, undertaken with creative energy, pursued under the pressure of a superabundance of ideas, occasionally abandoned in dissatisfaction, but at other times elaborated to that final excellence which exceeds as well as includes all merits of the sketch, and, as he himself said, constitutes a rebirth of the idea into the realm of eternity. In the sculptor’s time, the custom of literary society allowed and encouraged interchange of verses. If the repute of the writer or the attraction of the rhymes commanded interest, these might be copied, reach an expanding circle, and achieve celebrity. In such manner, partly through the agency of Michelangelo himself, the sonnets of Vittoria Colonna came into circulation, and obtained an acceptance ending in a printed edition. But the artist did not thus arrange his own rhymes, does not appear even to have kept copies; written on stray leaves, included in letters, they remained as loose memoranda, or were suffered altogether to disappear. The fame of the author secured attention for anything to which he chose to set his hand; the verses were copied and collected, and even gathered into the form of books; one such manuscript gleaning he revised with his own hand. The sonnets became known, the songs were set to music, and the recognition of their merit induced a contemporary author, in the seventy-first year of the poet’s life, to deliver before the Florentine Academy a lecture on a single sonnet. Diffusion through the printing-press, however, the poems did not attain. Not until sixty years after the death of their author did a grand-nephew, also called Michelangelo Buonarroti, edit the verse of his kinsman; in this task he had regard to supposed literary proprieties, conventionalizing the language and sentiment of lines which seemed harsh or impolite, supplying endings for incomplete compositions, and in general doing his best to deprive the verse of an originality which the age was not inclined to tolerate. The recast was accepted as authentic, and in this mutilated form the poetry remained accessible. Fortunately the originals survived, partly in the handwriting of the author, and in 1863 were edited by Guasti. The publication added to the repute of the compositions, and the sonnets especially have become endeared to many English readers.
