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Author: Bob Balaban
Publisher: Titan Books (UK)
ISBN: 9781840234305
Category : Close encounters of the third kind. (Motion picture)
Languages : en
Pages : 0
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Book Description
In a rare "making of" book written from an actor's eye view, Balaban (who played Laughlin in "Close Encounters of the Third Kind," opposite the legendary Francois Truffaut as Lacombe) provides the most detailed account of Steven Spielberg at work yet published, includes a fascinating portrait of the late Truffaut, and superbly captures just what it's really like to make a sci-fi blockbuster.
Author: Joseph McBride
Publisher: Univ. Press of Mississippi
ISBN: 1604738375
Category : Biography & Autobiography
Languages : en
Pages : 641
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Book Description
Until the first edition of Steven Spielberg: A Biography was published in 1997, much about Spielberg's personality and the forces that shaped it had remained enigmatic, in large part because of his tendency to obscure and mythologize his own past. But in this first full-scale, in-depth biography of Spielberg, Joseph McBride reveals hidden dimensions of the filmmaker's personality and shows how deeply personal even his most commercial work has been. This new edition adds four chapters to Spielberg's life story, chronicling his extraordinarily active and creative period from 1997 to the present, a period in which he has balanced his executive duties as one of the partners in the film studio DreamWorks SKG with a remarkable string of films as a director. Spielberg's ambitious recent work--including Amistad, Saving Private Ryan, A. I. Artifucial Intelligence, Minority Report, The Terminal and Munich--has continually expanded his range both stylistically and in terms of adventurous, often controversial, subject matter. Steven Spielberg: A Biography brought about a reevaluation of the great filmmaker's life and work by those who viewed him as merely a facile entertainer. This new edition guides readers through the mature artistry of Spielberg's later period in which he manages, against considerable odds, to run a successful studio while maintaining and enlarging his high artistic standards as one of America's most thoughtful, sophisticated, and popular filmmakers.
Author: Bob Balaban
Publisher: Titan Books (UK)
ISBN: 9781840234305
Category : Close encounters of the third kind. (Motion picture)
Languages : en
Pages : 0
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Book Description
In a rare "making of" book written from an actor's eye view, Balaban (who played Laughlin in "Close Encounters of the Third Kind," opposite the legendary Francois Truffaut as Lacombe) provides the most detailed account of Steven Spielberg at work yet published, includes a fascinating portrait of the late Truffaut, and superbly captures just what it's really like to make a sci-fi blockbuster.
Author: Nigel Morris
Publisher: John Wiley & Sons
ISBN: 1118726812
Category : Performing Arts
Languages : en
Pages : 535
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Book Description
A Companion to Steven Spielberg provides an authoritative collection of essays exploring the achievements and legacy of one of the most influential film directors of the modern era. Offers comprehensive coverage of Spielberg’s directorial output, from early works including Duel, The Sugarland Express, and Jaws, to recent films Explores Spielberg’s contribution to the development of visual effects and computer games, as well as the critical and popular reception of his films Topics include in-depth analyses of Spielberg’s themes, style, and filming techniques; commercial and cultural significance of the Spielberg ‘brand’ and his parallel career as a producer; and collaborative projects with artists and composers Brings together an international team of renowned scholars and emergent voices, balancing multiple perspectives and critical approaches Creates a timely and illuminating resource which acknowledges the ambiguity and complexity of Spielberg’s work, and reflects its increasing importance to film scholarship
Author: Julian Rice
Publisher: Rowman & Littlefield
ISBN: 1442278196
Category : Performing Arts
Languages : en
Pages : 309
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Book Description
In 1963 Stanley Kubrick declared, “Dr. Strangelove came from my desire to do something about the nuclear nightmare.” Thirty years later, he was preparing to film another story about the human impulse for self-destruction. Unfortunately, the director passed away in 1999, before his project could be fully realized. However, fellow visionary Steven Spielberg took on the venture, and A.I. Artificial Intelligence debuted in theaters two years after Kubrick’s death. While Kubrick’s concept shares similarities with the finished film, there are significant differences between his screenplay and Spielberg's production. In Kubrick’s Story, Spielberg’s Film: A.I. Artificial Intelligence, Julian Rice examines the intellectual sources and cinematic processes that expressed the extraordinary ideas of one great artist through the distinctive vision of another. A.I. is decidedly a Kubrick film in its concern for the future of the world, and it is both a Kubrick and a Spielberg film in the alienation of its central character. However, Spielberg’s alienated characters evolve through friendships, while Kubrick’s protagonists are markedly alone. Rice explores how the directors’ disparate sensibilities aligned and where they diverged. By analyzing Kubrick’s treatment and Spielberg’s finished film, Rice compares the imaginations of two gifted but very different filmmakers and draws conclusions about their unique conceptions. Kubrick’s Story, Spielberg’s Film is a fascinating look into the creative process of two of cinema’s most profound auteurs and will appeal to scholars of film as well as to fans of both directors.
Author: Warren Buckland
Publisher: A&C Black
ISBN: 9780826416926
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Although the blockbuster is the most popular and commercially successful type of filmmaking, it has yet to be studied seriously from a formalist standpoint. This is in opposition to classical Hollywood cinema and International Art cinema, whose form has been analyzed and deconstructed in great detail. Directed By Steven Spielberg fills this gap by examining the distinctive form of the blockbuster. The book focuses on Spielberg's blockbusters, because he is the most consistent and successful director of this type of film - he defines the standard by which other Hollywood blockbusters are judged and compared. But how did Spielberg attain this position? Film critics and scholars generally agree that Spielberg's blockbusters have a unique look and use visual storytelling techniques to their utmost effectiveness. In this book, Warren Buckland examines Spielberg's distinct manipulation of film form, and his singular use of stylistic and narrative techniques. The book demonstrates the aesthetic options available to Spielberg, and particularly the choices he makes in structuring his blockbusters. Buckland emphasizes the director's activity in making a film (particularly such a powerful director as Spielberg), including: visualizing the scene on paper via storyboards; staging and blocking the scene; selecting camera placement and movement; determining the progression or flow of the film from shot to shot; and deciding how to narrate the story to the spectator. Directed By Steven Spielberg combines film studies scholarship with the approach taken by many filmmaking manuals. The unique value of the book lies in its grounding of formal film analysis in filmmaking.
Author: Laurent Bouzereau
Publisher: Simon and Schuster
ISBN: 1647225175
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
"In the first ten years of his career, Steven Spielberg directed some of the most influential and beloved films in cinema history. Movies such as Jaws, Close Encounters of the Third Kind, Raiders of the Lost Ark, and E.T. The Extra-Terrestrial introducedaudiences to the modern blockbuster and cemented Spielberg as a monumental figure in pop culture. Through exclusive imagery and unparalleled insight from Spielberg's longtime documentarian, Laurent Bouzereau, this deluxe volume explores how a young filmmaker reinvented American cinema within just ten years. Featuring a fresh perspective on films including Duel, The Sugarland Express, Jaws, Close Encounters of the Third Kind, 1941, Raiders of the Lost Ark, and E.T. The Extra-Terrestrial, this book is an essential exploration of an iconic filmmaker's early career"--
Author: Antoine De Baecque
Publisher: Knopf
ISBN: 0593535693
Category : Biography & Autobiography
Languages : en
Pages : 681
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Book Description
One of the most celebrated filmmakers of all time, Francois Truffaut was an intensely private individual who cultivated the public image of a man completely consumed by his craft. But his personal story—from which he drew extensively to create the characters and plots of his films—is itself an extraordinary human drama. Now, with captivating immediacy, Antoine de Baecque and Serge Toubiana give us the definitive story of this beloved artist. They begin with the unwanted, mischievous child who learned to love movies and books as an escape from sadness and confusion: as a boy, Francois came to identify with screen characters and to worship actresses. Following his early adult years as a journalist, during which he gained fame as France's most iconoclastic film critic, the obsessive prodigy began to make films of his own, and before he was thirty, notched the two masterpieces The 400 Blows and Jules and Jim. As Truffaut's dazzling body of work evolves, in the shadow of the politics of his day, including the student uprisings of 1968, we watch him learning the lessons of his masters Fellini and Hitchcock. And we witness the progress of his often tempestuous personal relationships, including his violent falling-out with Jean-Luc Godard (who owed Truffaut the idea for Breathless) and his rapturous love affairs with the many glamorous actresses he directed, among them Jacqueline Bisset and Jeanne Moreau. With Fanny Ardant, Truffaut had a child only thirteen months before dying of a brain tumor at the age of fifty-two. Here is a life of astonishing emotional range, from the anguish of severe depression to the exaltation of Oscar victory. Based on unprecedented access to Truffaut's papers, including notes toward an unwritten autobiography, de Baecque and Toubiana's richly detailed work is an incomparably authoritative revelation of a singular genius.
Author: Adrian Schober
Publisher: Lexington Books
ISBN: 1498518850
Category : Social Science
Languages : en
Pages : 296
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Book Description
To say that children matter in Steven Spielberg's films is an understatement. Think of the possessed Stevie in Something Evil (TV), Baby Langston in The Sugarland Express, the alien-abducted Barry in Close Encounters,Elliott and his unearthly alter-ego in E.T, the war-damaged Jim in Empire of the Sun, the little girl in the red coat in Schindler’s List, the mecha child in A.I., the kidnapped boy in Minority Report, and the eponymous boy hero of The Adventures of Tintin. (There are many other instances across his oeuvre). Contradicting his reputation as a purveyor of ‘popcorn’ entertainment, Spielberg’s vision of children/childhood is complex. Discerning critics have begun to note its darker underpinnings, increasingly fraught with tensions, conflicts and anxieties. But, while childhood is Spielberg’s principal source of inspiration, the topic has never been the focus of a dedicated collection of essays. The essays in Children in the Films of Steven Spielberg therefore seek to address childhood in the full spectrum of Spielberg’s cinema. Fittingly, the scholars represented here draw on a range of theoretical frameworks and disciplines—cinema studies, literary studies, audience reception, critical race theory, psychoanalysis, sociology, and more. This is an important book for not only scholars but teachers and students of Spielberg's work, and for any serious fan of the director and his career.
Author: Ray Morton
Publisher: Hal Leonard Corporation
ISBN: 9781557837103
Category : Performing Arts
Languages : en
Pages : 436
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Book Description
(Applause Books). "Morton has written the definitive book on this innovative movie by Steven Spielberg...Meticulous research of this caliber is not found in other books on Close Encounters . Fans will find Morton's take informative and fascinating." Library Journal . Steven Spielberg's 1977 masterpiece used all of the power and magic of cinema to tell a story of man's first meeting with extraterrestrial beings. Renouncing the fear and pessimism of the day, writer/director Spielberg boldly envisioned this as a peaceful, spiritual event full of hope and possibility. This awe-inspiring message made a powerful impact on audiences desperate for something to believe in. The film was a massive box-office hit and revolutionized the movie industry; along with Star Wars , it helped to create the modern blockbuster and ushered in a new era of hi-tech effects. Based on in-depth research and the recollections of many of the film's principal creators, Close Encounters is the first book to chronicle the making of this classic film from its inception through its tumultuous production to its many releases in "special" editions. The book features new interviews with star Teri Garr, producer Michael Phillips, photographic effects supervisor Douglas Trumbull, production designer Joe Alves, and several cinematographers, screenwriters, and special-effects legends. John Hill, Jerry Belson, Hal Barwood, and Matthew Robbins; and special effects legends Richard Yuricich, Robert Swarthe, Dennis Muren, Scott Squires, Greg Jein, and Rocco Gioffre.
Author: Parley Ann Boswell
Publisher: McFarland
ISBN: 0786473665
Category : Performing Arts
Languages : en
Pages : 247
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Book Description
This exploration of the ways in which pregnancy affects narrative begins with two canonical American texts, Nathaniel Hawthorne's The Scarlet Letter (1848) and Harriet Jacobs's Incidents in the Life of a Slave Girl (1861). Relying on such diverse works as Frankenstein, Peyton Place, Beloved, and I Love Lucy, the book chronicles how pregnancy evolves from a conventional plot device into a mature narrative form. Especially in the 20th and 21st centuries, the pregnancy narrative in fiction and film acts as a lightning rod with the power to electrify all genres of fiction and film, from early melodrama (Way Down East) to noir (Leave Her to Heaven); from horror (Rosemary's Baby) to science fiction and dystopia (Alien, The Handmaid's Tale); and from iconic (Lolita) to independent (Juno, Precious). Ultimately, the pregnancy narrative in popular film and fiction provides a remarkably clear lens by which we can gauge how popular American film and fiction express our most profound--and most private--fears, values and hopes.
