Soviet Socialist Realist Painting 1930-1960s PDF Download
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Author: Matthew Cullerne Bown
Publisher: Hyperion Books
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Paintings from Russia, the Ukraine, Belorussia, Uzbekistan, Kirgizia, Georgia, Armenia, Azerbaijan and Moldova selected in the USSR by Matthew Cullerne Bown for an exhibition at the Museum of Modern Art, Oxford, 12/1 - 15/3 1992.
Author: Matthew Cullerne Bown
Publisher: Hyperion Books
ISBN:
Category : Art
Languages : en
Pages : 100
Get Book Here
Book Description
Paintings from Russia, the Ukraine, Belorussia, Uzbekistan, Kirgizia, Georgia, Armenia, Azerbaijan and Moldova selected in the USSR by Matthew Cullerne Bown for an exhibition at the Museum of Modern Art, Oxford, 12/1 - 15/3 1992.
Author:
Publisher: Hyperion Books
ISBN: 9780785526629
Category :
Languages : en
Pages : 163
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Book Description
Author: Matthew Cullerne Bown
Publisher:
ISBN: 9780300068443
Category : Art
Languages : en
Pages : 506
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Book Description
After the Bolshevik revolution in 1917, the new government took control of Russian art, nationalizing art collections and laying down the principles that were to govern the creation of new art. Soviet Realism was the result. This book traces the style from its artistic and intellectual origins in 19th-century Russia to its decline at the end of the Soviet period. 184 color and 346 b&w illustrations.
Author: Boris Groys
Publisher: Verso Books
ISBN: 1844678091
Category : Art
Languages : en
Pages : 145
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Book Description
From the ruins of communism, Boris Groys emerges to provoke our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists’ goal of producing world-transformative art. In this new edition, Groys revisits the debate that the book has stimulated since its first publication.
Author: Louise Hardiman
Publisher: Open Book Publishers
ISBN: 1783743417
Category : Art
Languages : en
Pages : 243
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Book Description
In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.
Author: Jerome Bazin
Publisher: Central European University Press
ISBN: 9633860830
Category : Art
Languages : en
Pages : 531
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Book Description
This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ
Author: Vern G. Swanson
Publisher: Antique Collectors Club Dist
ISBN:
Category : Art
Languages : en
Pages : 472
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Book Description
A completely revised and updated edition of Soviet Impressionism.
Author: J. Hoberman
Publisher: Temple University Press
ISBN: 9781566397674
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
For most of the twentieth century, American and European intellectual life was defined by its fascination with a particular utopian vision. Both the artistic and political vanguards were spellbound by the Communist promise of a new human era—so much so that its political terrors were rationalized as a form of applied evolution and its collapse hailed as the end of history.The Red Atlantisargues that Communism produced a complex culture with a dialectical relation to both modernism and itself. Offering examples ranging from the Stalinist show trial to Franz Kafka's posthumous career as a dissident writer And The work of filmmakers, painters, and writers, which can be understood only as criticism of existing socialism made from within,The Red Atlantissuggests that Communism was an aesthetic project—perhapstheaesthetic project of the twentieth century. Author note:J. Hoberman, staff writer for theVillage Voice, writes on film and culture for theVoice, theVoice Literary Supplement,Artforum, and other publications. His books includeBridge of Light: Yiddish Film Between Two Worlds(Temple, 1995) andVulgar Modernism: Writing on Movies and Other Media(Temple, 1991), which was nominated For The National Book Critics Circle award in criticism. He is an Adjunct Professor of Cinema at the Cooper Union.
Author: Matthew Cullerne Bown
Publisher: Manchester University Press
ISBN: 9780719037351
Category : Art
Languages : en
Pages : 250
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Book Description
This work considers aspects of the art and architecture of the Soviet Union during the turbulent period of 1917 to 1922, covering a broad range of art, some modernist, some anti-modernist, but all to some degree guided by (and sometimes coerced by) the apparatus of the over-arching state.
Author: Alison Carroll
Publisher: Taylor & Francis
ISBN: 1040149421
Category : Art
Languages : en
Pages : 298
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Book Description
This study evaluates how the ideology of Socialist Realism, developed by the Soviets in policies and the practices of art, has been influential in the Asia-Pacific region from 1917 until today. Focusing primarily on Russia, then China, Vietnam, Korea, Singapore, Indonesia, the Philippines and Australia, this book demonstrates how each society adopted and adapted the Soviet example to make some of the most important imagery of recent history. Included is an examination of how the practice of Western art history, the nature of art history in Asia and the forces of the Cold War have led to this influence being inadequately acknowledged across Asia and more widely. The book will be relevant to those interested in art history, Asian studies, political history and cultural history.
