Author: Ginn and Company
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Book Description
Souvenir of the Athenaeum Press
Author: Ginn and Company
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Book Description
The Printing Art
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 614
Book Description
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 614
Book Description
Printing Art Quarterly
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 634
Book Description
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 634
Book Description
The Athenaeum
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 820
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 820
Book Description
The Athenaeum
Author: James Silk Buckingham
Publisher:
ISBN:
Category : England
Languages : en
Pages : 832
Book Description
Publisher:
ISBN:
Category : England
Languages : en
Pages : 832
Book Description
“The” Athenaeum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
Book Description
The School Journal
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 766
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 766
Book Description
The Nation and the Athenaeum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 558
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 558
Book Description
New York School Journal
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 884
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 884
Book Description
Panoramas and Compilations in Nineteenth-Century Britain
Author: Helen Kingstone
Publisher: Springer Nature
ISBN: 3031156846
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
This book shows how in nineteenth-century Britain, confronted with the newly industrialized and urbanized modern world, writers, artists, journalists and impresarios tried to gain an overview of contemporary history. They drew on two successive but competing conceptual models of overview: the panorama and the compilation. Both models claimed to offer a holistic picture of the present moment, but took very different approaches. This book shows that panoramas (360° views previously associated with the Romantic period) and compilations (big data projects previously associated with the Victorian fin de siècle) are intertwined, relevant across the entire century, and often remediated, making them crucial lenses through which to view a broad range of genre and forms. It brings together interdisciplinary research materials belonging to different period silos to create new understandings of how nineteenth-century audiences dealt with information overload. It argues for a new politics of distance: one that recognizes the value of immersing oneself in a situation, event or phenomenon, but which also does not chastise us for trying to see the big picture. This book is essential reading for students and scholars of nineteenth-century literature, history, visual culture and information studies.
Publisher: Springer Nature
ISBN: 3031156846
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
This book shows how in nineteenth-century Britain, confronted with the newly industrialized and urbanized modern world, writers, artists, journalists and impresarios tried to gain an overview of contemporary history. They drew on two successive but competing conceptual models of overview: the panorama and the compilation. Both models claimed to offer a holistic picture of the present moment, but took very different approaches. This book shows that panoramas (360° views previously associated with the Romantic period) and compilations (big data projects previously associated with the Victorian fin de siècle) are intertwined, relevant across the entire century, and often remediated, making them crucial lenses through which to view a broad range of genre and forms. It brings together interdisciplinary research materials belonging to different period silos to create new understandings of how nineteenth-century audiences dealt with information overload. It argues for a new politics of distance: one that recognizes the value of immersing oneself in a situation, event or phenomenon, but which also does not chastise us for trying to see the big picture. This book is essential reading for students and scholars of nineteenth-century literature, history, visual culture and information studies.