Souvenir of the Athenaeum Press

Souvenir of the Athenaeum Press PDF Author: Ginn and Company
Publisher:
ISBN:
Category :
Languages : en
Pages : 32

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Souvenir of the Athenaeum Press

Souvenir of the Athenaeum Press PDF Author: Ginn and Company
Publisher:
ISBN:
Category :
Languages : en
Pages : 32

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The Printing Art

The Printing Art PDF Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 614

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Printing Art Quarterly

Printing Art Quarterly PDF Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 634

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The Athenaeum

The Athenaeum PDF Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 820

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The Athenaeum

The Athenaeum PDF Author: James Silk Buckingham
Publisher:
ISBN:
Category : England
Languages : en
Pages : 832

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“The” Athenaeum

“The” Athenaeum PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 920

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The School Journal

The School Journal PDF Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 766

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The Nation and the Athenaeum

The Nation and the Athenaeum PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 558

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New York School Journal

New York School Journal PDF Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 884

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Panoramas and Compilations in Nineteenth-Century Britain

Panoramas and Compilations in Nineteenth-Century Britain PDF Author: Helen Kingstone
Publisher: Springer Nature
ISBN: 3031156846
Category : Literary Criticism
Languages : en
Pages : 278

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Book Description
This book shows how in nineteenth-century Britain, confronted with the newly industrialized and urbanized modern world, writers, artists, journalists and impresarios tried to gain an overview of contemporary history. They drew on two successive but competing conceptual models of overview: the panorama and the compilation. Both models claimed to offer a holistic picture of the present moment, but took very different approaches. This book shows that panoramas (360° views previously associated with the Romantic period) and compilations (big data projects previously associated with the Victorian fin de siècle) are intertwined, relevant across the entire century, and often remediated, making them crucial lenses through which to view a broad range of genre and forms. It brings together interdisciplinary research materials belonging to different period silos to create new understandings of how nineteenth-century audiences dealt with information overload. It argues for a new politics of distance: one that recognizes the value of immersing oneself in a situation, event or phenomenon, but which also does not chastise us for trying to see the big picture. This book is essential reading for students and scholars of nineteenth-century literature, history, visual culture and information studies.