Author: Robert Southey
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 764
Book Description
Southey's Common-place Book
Author: Robert Southey
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 764
Book Description
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 764
Book Description
Southey's Common-place Book: Original memoranda, etc
Author: Robert Southey
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 768
Book Description
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 768
Book Description
Southey's Common-place Book: Choice passages
Author: Robert Southey
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 652
Book Description
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 652
Book Description
Southey's Common-place Book: Analytical readings
Author: Robert Southey
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 858
Book Description
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 858
Book Description
Southey's common-place book. Ed. by J.W. Warter
Author: Robert Southey
Publisher:
ISBN:
Category :
Languages : en
Pages : 710
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 710
Book Description
Southey's Common-place Book: Special collections
Author: Robert Southey
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 712
Book Description
Commonplace Books and Reading in Georgian England
Author: David Allan
Publisher: Cambridge University Press
ISBN: 1139487760
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This pioneering exploration of Georgian men and women's experiences as readers explores their use of commonplace books for recording favourite passages and reflecting upon what they had read, revealing forgotten aspects of their complicated relationship with the printed word. It shows how indebted English readers often remained to techniques for handling, absorbing and thinking about texts that were rooted in classical antiquity, in Renaissance humanism and in a substantially oral culture. It also reveals how a series of related assumptions about the nature and purpose of reading influenced the roles that literature played in English society in the ages of Addison, Johnson and Byron; how the habits and procedures required by commonplacing affected readers' tastes and so helped shape literary fashions; and how the experience of reading and responding to texts increasingly encouraged literate men and women to imagine themselves as members of a polite, responsible and critically aware public.
Publisher: Cambridge University Press
ISBN: 1139487760
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This pioneering exploration of Georgian men and women's experiences as readers explores their use of commonplace books for recording favourite passages and reflecting upon what they had read, revealing forgotten aspects of their complicated relationship with the printed word. It shows how indebted English readers often remained to techniques for handling, absorbing and thinking about texts that were rooted in classical antiquity, in Renaissance humanism and in a substantially oral culture. It also reveals how a series of related assumptions about the nature and purpose of reading influenced the roles that literature played in English society in the ages of Addison, Johnson and Byron; how the habits and procedures required by commonplacing affected readers' tastes and so helped shape literary fashions; and how the experience of reading and responding to texts increasingly encouraged literate men and women to imagine themselves as members of a polite, responsible and critically aware public.
Science, Form, and the Problem of Induction in British Romanticism
Author: Dahlia Porter
Publisher: Cambridge Studies in Romantici
ISBN: 1108418945
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
Traces the practice of induction - manipulating textual evidence by selective quotation - and its uses by Romantic-period writers.
Publisher: Cambridge Studies in Romantici
ISBN: 1108418945
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
Traces the practice of induction - manipulating textual evidence by selective quotation - and its uses by Romantic-period writers.
Album Verses and Romantic Literary Culture
Author: Samantha Matthews
Publisher: Oxford University Press
ISBN: 0192599844
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Publisher: Oxford University Press
ISBN: 0192599844
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Edinburgh History of Reading
Author: Rose Jonathan Rose
Publisher: Edinburgh University Press
ISBN: 1474461905
Category : Literary Collections
Languages : en
Pages : 312
Book Description
Reveals the experience of reading in many cultures and across the agesShows the experiences of ordinary readers in Scotland, Australasia, Russia, and ChinaExplores how digital media has transformed literary criticismPortrays everyday reading in art Includes reading across national and cultural linesCommon Readers casts a fascinating light on the literary experiences of ordinary people: miners in Scotland, churchgoers in Victorian London, workers in Czarist Russia, schoolgirls in rural Australia, farmers in Republican China, and forward to today's online book discussion groups. Chapters in this volume explore what they read, and how books changed their lives.
Publisher: Edinburgh University Press
ISBN: 1474461905
Category : Literary Collections
Languages : en
Pages : 312
Book Description
Reveals the experience of reading in many cultures and across the agesShows the experiences of ordinary readers in Scotland, Australasia, Russia, and ChinaExplores how digital media has transformed literary criticismPortrays everyday reading in art Includes reading across national and cultural linesCommon Readers casts a fascinating light on the literary experiences of ordinary people: miners in Scotland, churchgoers in Victorian London, workers in Czarist Russia, schoolgirls in rural Australia, farmers in Republican China, and forward to today's online book discussion groups. Chapters in this volume explore what they read, and how books changed their lives.