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Author: Jason T. Eastman
Publisher: Rowman & Littlefield
ISBN: 1498531148
Category : Music
Languages : en
Pages : 225
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Book Description
While some people find new opportunities in the postindustrial economy, many working-class men find their social and economic well-being collapse as blue-collar jobs are outsourced and offshored to the global labor market. Faced with limited options to earn a living-wage, many of these blue-collar workers are instead changing who they are, embracing a deviant, rebellious identity expressed by the contemporary southern rock revival musicians studied in this book. Although loosely based in the traditional culture and lifestyle of the southeastern United States, contemporary southerness has little to do with region but instead is a way to rebel from the very institutions blue-collar men traditionally used as the basis of their masculine pride: family, education, employment, military service, and religion. This contemporary form of southerness reflected in their music also involves deviance, as many of these men adorn themselves with the highly controversial confederate flag, binge drink alcohol, brawl with one another and use drugs. Combining interviews, participant observation and a lyrical analysis, this book explores these aspects of rebellious southerness through music as it exists in the ideal sense and as individual men try to live up to these subcultural ideals in their daily lives. The southern rock revival is a new social movement carving out a place for an alternative way to live while simultaneously perpetuating stereotypes about poor men, reinforcing social disadvantage and marginalization.
Author: Jason T. Eastman
Publisher: Rowman & Littlefield
ISBN: 1498531148
Category : Music
Languages : en
Pages : 225
Get Book Here
Book Description
While some people find new opportunities in the postindustrial economy, many working-class men find their social and economic well-being collapse as blue-collar jobs are outsourced and offshored to the global labor market. Faced with limited options to earn a living-wage, many of these blue-collar workers are instead changing who they are, embracing a deviant, rebellious identity expressed by the contemporary southern rock revival musicians studied in this book. Although loosely based in the traditional culture and lifestyle of the southeastern United States, contemporary southerness has little to do with region but instead is a way to rebel from the very institutions blue-collar men traditionally used as the basis of their masculine pride: family, education, employment, military service, and religion. This contemporary form of southerness reflected in their music also involves deviance, as many of these men adorn themselves with the highly controversial confederate flag, binge drink alcohol, brawl with one another and use drugs. Combining interviews, participant observation and a lyrical analysis, this book explores these aspects of rebellious southerness through music as it exists in the ideal sense and as individual men try to live up to these subcultural ideals in their daily lives. The southern rock revival is a new social movement carving out a place for an alternative way to live while simultaneously perpetuating stereotypes about poor men, reinforcing social disadvantage and marginalization.
Author: Marley Brant
Publisher: Billboard Books
ISBN: 9780823084203
Category : Music
Languages : en
Pages : 288
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Book Description
Provides a history of Southern rock, documenting the lives and careers of rockers such as the Allman Brothers, Lynyrd Skynyrd, the Charlie Daniels Band, and .38 Special
Author: Mark Kemp
Publisher: Simon and Schuster
ISBN: 1416590463
Category : Music
Languages : en
Pages : 336
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Book Description
Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs. In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.
Author: Harry L. Watson
Publisher: UNC Press Books
ISBN: 0807899747
Category : History
Languages : en
Pages : 165
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Book Description
The Special Roots Music Issue features: B.B. King on Bukka White's legacy; The Top Ten Folk Singers of All Time; Bob Dylan backstage in '63 and other rare photographic gems; Swamp bluesman Jimmy Anderson's first published interview in the U.S.; Lynyrd Skynyrd vs. the Allman Brothers; Pete, Peggy, & Mike--and all the rest that Charles Seeger gave to the world of music; Willie Lowery--musician, songwriting sensation, and humanitarian; Saxie Dowell, the great saxophonist and war hero; a sneak peek at NASHVILLE CHROME, the sizzling new novel from Rick Bass; and much more. The Roots Music Issue comes with a classic FREE CD full of great roots musicians, including BUKKA WHITE, ETTA BAKER, THE BYRDS' ROGER MCGUINN, WILLIE LOWERY, IDYLL SWORDS, ALABAMA SLIM & LITTLE FREDDIE KING, JIMMY ANDERSON & THE MOJO BLUES BAND, MICHAEL HURLEY, FILTHYBIRD, MEGAFAUN, PRESTON FULP, JOE BROWN, AND MORE OF THE SOUTH'S BEST ROOTS MUSICIANS—old and new. We'll mail the CD separately to our Roots Music e-book customers at no extra charge. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
Author: Michael Ray FitzGerald
Publisher:
ISBN: 9780813066653
Category :
Languages : en
Pages : 224
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Book Description
Author: Scott B. Bomar
Publisher: Rowman & Littlefield
ISBN: 1493064703
Category : Music
Languages : en
Pages : 309
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Book Description
Many of the architects of rock and roll in the 1950s, including Elvis Presley, Jerry Lee Lewis, and Little Richard, were Southerners who were rooted in the distinctive regional traditions of country, blues, and R&B. As the impact of the British Invasion and the psychedelic era faded at the end of the following decade, such performers as Bob Dylan and the Band returned to the simplicity of American roots music, paving the way for Southern groups to reclaim their region's rock-and-roll heritage. Embracing both Southern musical traditions and a long-haired countercultural aesthetic, such artists as the Allman Brothers Band and Lynyrd Skynyrd forged a new musical community that Charlie Daniels called “a genre of people more than a genre of music.” Focusing primarily on the music's golden age of the 1970s, Southbound profiles the musicians, producers, record labels, and movers and shakers that defined Southern rock, including the Allmans, Skynyrd, the Marshall Tucker Band, Wet Willie, the Charlie Daniels Band, Elvin Bishop, the Outlaws, the Atlanta Rhythm Section, .38 Special, ZZ Top, and many others. From the rise and fall of the mighty Capricorn Records to the music's role in helping Jimmy Carter win the White House and to its continuing legacy and influence, this is the story of Southern rock.
Author: Larry J. Griffin
Publisher: Univ of North Carolina Press
ISBN: 0807882542
Category : Reference
Languages : en
Pages : 522
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Book Description
This volume of The New Encyclopedia of Southern Culture offers a timely, authoritative, and interdisciplinary exploration of issues related to social class in the South from the colonial era to the present. With introductory essays by J. Wayne Flynt and by editors Larry J. Griffin and Peggy G. Hargis, the volume is a comprehensive, stand-alone reference to this complex subject, which underpins the history of the region and shapes its future. In 58 thematic essays and 103 topical entries, the contributors explore the effects of class on all aspects of life in the South--its role in Indian removal, the Civil War, the New Deal, and the civil rights movement, for example, and how it has been manifested in religion, sports, country and gospel music, and matters of gender. Artisans and the working class, indentured workers and steelworkers, the Freedmen's Bureau and the Knights of Labor are all examined. This volume provides a full investigation of social class in the region and situates class concerns at the center of our understanding of Southern culture.
Author: Steven Félix-Jäger
Publisher: Wipf and Stock Publishers
ISBN: 1498231802
Category : Religion
Languages : en
Pages : 197
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Book Description
Rock and roll is more than just music. Rock is a culture and an ideology, which carries its own ethos. It is forcefully countercultural and exists as a bane in the sight of dominant Western culture. As rock engages and critiques culture, it invariably encounters issues of meaning that are existential and theological. A transformational theology of rock begins with those existential and theological issues raised by and within rock music. With God On Our Side attempts to respond to these queries in a way that is faithful to the work of the kingdom of God on earth by mining our long theological tradition and seeing what cohesive responses can be made to the issues raised by rock music. At its best, rock acknowledges there is something wrong with the world, raises awareness of marginalized voices, and offers an alternative mode of existence within our present reality. By teasing out the theological issues found in rock music, this book synthesizes the findings to create a distinctive cultural theology that is sensitive to the plight of the marginalized in the West. In this way, the book offers a way forward towards a transformational theology of rock and roll.
Author: Trent Watts
Publisher: LSU Press
ISBN: 0807148687
Category : History
Languages : en
Pages : 319
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Book Description
From antebellum readers avidly consuming stories featuring white southern men as benevolent patriarchs, hell-raising frontiersmen, and callous plantation owners to post--Civil War southern writers seeking to advance a model of southern manhood and male authority as honorable, dignified, and admirable, the idea of a distinctly southern masculinity has reflected the broad regional differences between North and South. In the latter half of the twentieth century and beyond, the media have helped to shape modern models of white manhood, not only for southerners but for the rest of the nation and the world. In White Masculinity in the Recent South, thirteen scholars of history, literature, film, and environmental studies examine modern white masculinity, including such stereotypes as the good old boy, the redneck, and the southern gentleman. With topics ranging from southern Protestant churches to the music of Lynyrd Skynyrd, this cutting-edge volume seeks to do what no other single work has done: to explore the ways in which white southern manhood has been experienced and represented since World War II. Using a variety of approaches -- cultural and social history, close readings of literature and music, interviews, and personal stories -- the contributors explore some of the ways in which white men have acted in response to their own and their culture's conceptions of white manhood. Topics include neo-Confederates, the novels of William Faulkner, gay southern men, football coaching, deer hunting, church camps, college fraternities, and white men's responses to the civil rights movement. Taken together, these engaging pieces show how white southern men are shaped by regional as well as broader American ideas of what they ought to do and be. White men themselves, the contributors explain, view the idea of southern manhood in two seemingly contradictory ways -- as something natural and as something learned through rites of initiation and passage -- and believe it must be lived and displayed to one's peers and others in order to be fully realized. While economic and social conditions of the South changed dramatically in the twentieth century, white manhood as it is expressed in the contemporary South is still a complex, contingent, historicized matter, and broadly shared -- or at least broadly recognized -- notions of white southern manhood continue to be central to southern culture. Representing some of the best recent scholarship in southern gender studies, this bold collection invites further explorations into twenty-first-century white southern masculinity.
Author: Joseph R. Urgo
Publisher: Univ. Press of Mississippi
ISBN: 1604730587
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Although he spent the bulk of his life in Oxford, Mississippi-far removed from the intellectual centers of modernism and the writers who created it—William Faulkner (1897–1962) proved to be one of the American novelists who most comprehensively grasped modernism. In his fiction he tested its tenets in the most startling and insightful ways. What, then, did such contemporaries as Ernest Hemingway, Eudora Welty, and Walker Evans think of his work? How did his times affect and accept what he wrote? Faulkner and His Contemporaries explores the relationship between the Nobel laureate, ensconced in his “postage stamp of native soil,” and the world of letters within which he created his masterpieces. In this anthology, essays focus on such topics as how Faulkner's literary antecedents (in particular, Willa Cather and Joseph Conrad) influenced his writing, his literary/aesthetic feud with rival Ernest Hemingway, and the common themes he shares with fellow southerners Welty and Evans. Several essays examine the environment in which Faulkner worked. Deborah Clarke concentrates on the rise of the automobile industry. W. Kenneth Holditch shows how the city of New Orleans acted as a major force in Faulkner's fiction, and Grace Elizabeth Hale examines how the civil rights era of Faulkner's later career compelled him to deal with his ideas about race and rebellion in new ways.
