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Author: Marley Brant
Publisher: Billboard Books
ISBN: 9780823084203
Category : Music
Languages : en
Pages : 288
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Book Description
Provides a history of Southern rock, documenting the lives and careers of rockers such as the Allman Brothers, Lynyrd Skynyrd, the Charlie Daniels Band, and .38 Special
Author: Marley Brant
Publisher: Billboard Books
ISBN: 9780823084203
Category : Music
Languages : en
Pages : 288
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Book Description
Provides a history of Southern rock, documenting the lives and careers of rockers such as the Allman Brothers, Lynyrd Skynyrd, the Charlie Daniels Band, and .38 Special
Author: Jason T. Eastman
Publisher: Rowman & Littlefield
ISBN: 1498531148
Category : Music
Languages : en
Pages : 225
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Book Description
While some people find new opportunities in the postindustrial economy, many working-class men find their social and economic well-being collapse as blue-collar jobs are outsourced and offshored to the global labor market. Faced with limited options to earn a living-wage, many of these blue-collar workers are instead changing who they are, embracing a deviant, rebellious identity expressed by the contemporary southern rock revival musicians studied in this book. Although loosely based in the traditional culture and lifestyle of the southeastern United States, contemporary southerness has little to do with region but instead is a way to rebel from the very institutions blue-collar men traditionally used as the basis of their masculine pride: family, education, employment, military service, and religion. This contemporary form of southerness reflected in their music also involves deviance, as many of these men adorn themselves with the highly controversial confederate flag, binge drink alcohol, brawl with one another and use drugs. Combining interviews, participant observation and a lyrical analysis, this book explores these aspects of rebellious southerness through music as it exists in the ideal sense and as individual men try to live up to these subcultural ideals in their daily lives. The southern rock revival is a new social movement carving out a place for an alternative way to live while simultaneously perpetuating stereotypes about poor men, reinforcing social disadvantage and marginalization.
Author: Michael Ray FitzGerald
Publisher: University Press of Florida
ISBN: 0813065704
Category : Music
Languages : en
Pages : 194
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Book Description
The enduring achievement and legacy of a rock movement Florida Book Awards, Bronze Medal for Florida Nonfiction The Allman Brothers Band and Lynyrd Skynyrd helped usher in a new kind of southern music from Jacksonville, Florida. Together, they and fellow bands like Blackfoot, 38 Special, and Molly Hatchet would reset the course of seventies rock. Yet Jacksonville seemed an unlikely hotbed for a new musical movement. Michael FitzGerald blends eyewitness detail with in-depth history to tell the story of how the River City bred this generation of legendary musicians. As he profiles essential bands alongside forerunners like Gram Parsons and Cowboy, FitzGerald reveals how the powerful local AM radio station worked with newspapers and television stations to nurture talent. Media attention in turn created a public hungry for live performances by area bands. What became the southern rock elite welded relentless determination to a ferocious work ethic, honing their gifts on a testing ground that brooked no weakness and took no prisoners. FitzGerald looks at the music as the diverse soundtrack to a neo-southern lifestyle that reconciled different segments of society in Jacksonville, and across the nation, in the late sixties and early seventies. A vivid journey into a crucible of American music, Jacksonville and the Roots of Southern Rock shines a light on the artists and songs that powered a phenomenon.
Author: C. Eric Banister
Publisher: Rowman & Littlefield
ISBN: 1442245409
Category : Music
Languages : en
Pages : 217
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Book Description
When Southern rock acts like the Allman Brothers and Lynyrd Skynrd stormed American concert stages, detractors immediately came to the fore declaring the genre to be little more than a marketing gimmick. But those on stage themselves would have called its appearance not only inevitable but also a way of life. In the end, the musicians who played Southern rock reflected a robust and broad variety of influences, drawing deeply from the wellsprings of blues, rock, country, and even jazz. Listeners gravitated to the sounds of the New South, a place that had captured pop culture’s imagination amid the turbulence following President Nixon’s successful Southern strategy and silent majorities. Southern rock garnered a second wave of enthusiasm with the rise of the urban cowboy and Bill Clinton’s ascension to the presidency. For nearly half a century, Southern rock has captured and expressed the energy of the New South, inspiring a legacy that listeners can still hear from jam bands, indie acts, and mainstream country musicians. In Counting Down Southern Rock: The 100 Best Songs, C. Eric Banister considers the best songs to emerge from the bands who made Southern rock what it is. Banister examines the impact of the songs on the society and culture of devoted fans and delves deep into the history and production of each song. Featuring such well-known bands as the Allman Brothers Band and Lynyrd Skynyrd as well as less visible groups like Blackhorse and Heartsfield, this book is the perfect introduction for both newbies and dedicated fans.
Author: Rien Fertel
Publisher: Bloomsbury Publishing USA
ISBN: 1501331795
Category : Music
Languages : en
Pages : 153
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Book Description
The Drive-By Truckers' Southern Rock Opera takes listeners on a road trip through the American South, with stops along mean old highways and soul-sucking swamps, iconic recording studios and doomed chartered jets, and even Heaven and Hell. Along the way, the Truckers attempt to untangle the mess that is southern history by exploring the contradictory, dualistic nature of the region. Like twin paths intersecting and diverging before meeting again, the opera's libretto focuses on the lives of two bands: the fictional Betamax Guillotine, a stand-in for the Truckers themselves, and Southern rock gods Lynyrd Skynyrd. Rien Fertel takes us for a ride along the Truckers' winding road through the opera's Southlands, a region filled with youthful rockstar aspirations, fatal crashes, the wreckage of one band gone too soon, and the ambitions of another wrestling with the great hope and tragedy that is America.
Author: Michael Ray FitzGerald
Publisher:
ISBN: 9780813066653
Category :
Languages : en
Pages : 224
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Book Description
Author: Harry L. Watson
Publisher: UNC Press Books
ISBN: 0807899747
Category : History
Languages : en
Pages : 165
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Book Description
The Special Roots Music Issue features: B.B. King on Bukka White's legacy; The Top Ten Folk Singers of All Time; Bob Dylan backstage in '63 and other rare photographic gems; Swamp bluesman Jimmy Anderson's first published interview in the U.S.; Lynyrd Skynyrd vs. the Allman Brothers; Pete, Peggy, & Mike--and all the rest that Charles Seeger gave to the world of music; Willie Lowery--musician, songwriting sensation, and humanitarian; Saxie Dowell, the great saxophonist and war hero; a sneak peek at NASHVILLE CHROME, the sizzling new novel from Rick Bass; and much more. The Roots Music Issue comes with a classic FREE CD full of great roots musicians, including BUKKA WHITE, ETTA BAKER, THE BYRDS' ROGER MCGUINN, WILLIE LOWERY, IDYLL SWORDS, ALABAMA SLIM & LITTLE FREDDIE KING, JIMMY ANDERSON & THE MOJO BLUES BAND, MICHAEL HURLEY, FILTHYBIRD, MEGAFAUN, PRESTON FULP, JOE BROWN, AND MORE OF THE SOUTH'S BEST ROOTS MUSICIANS—old and new. We'll mail the CD separately to our Roots Music e-book customers at no extra charge. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
Author: David Luhrssen
Publisher: Bloomsbury Publishing USA
ISBN: 1440835144
Category : Music
Languages : en
Pages : 464
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Book Description
Examining one of the most popular and enduring genres of American music, this encyclopedia of classic rock from 1965 to 1975 provides an indispensable resource for cultural historians and music fans. More than movies, literature, television, or theater, rock music set the stage for the cultural shifts that occurred from 1965 to 1975. Led by The Beatles and Bob Dylan, rock became a self-conscious art form during these years, daring to go places unimaginable to earlier rock and roll musicians. The music and outspokenness of classic rock artists inspired and moved the era's social, cultural, and political developments with a power once possessed by authors and playwrights—and influenced many artists in younger generations of rock musicians. This single-volume work tracks the careers of well-known as well as many lesser-known but influential rock artists from the period, providing readers with a handy reference to the music from a critical, groundbreaking period in popular culture and its enduring importance. The book covers rock artists who emerged or came to prominence in the period ranging 1965–1975 and follows their careers through the present. It also specifically defines the term "classic rock" and identifies the criteria that a song must meet in order to be considered as within the genre. While the coverage naturally includes the cultural importance and legacy of most well-known American and British bands of the era, it also addresses the influence of artists from Western and Eastern Europe, Africa, Asia, and Latin America. Readers will grasp how the music of the classic rock era was notably more sophisticated than what preceded it—an artistic peak from which most of contemporary rock has descended.
Author: Mark Kemp
Publisher: Simon and Schuster
ISBN: 1416590463
Category : Music
Languages : en
Pages : 336
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Book Description
Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs. In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.
Author: Bill C. Malone
Publisher: University Press of Kentucky
ISBN: 0813184347
Category : Music
Languages : en
Pages : 397
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Book Description
The South—an inspiration for songwriters, a source of styles, and the birthplace of many of the nation's greatest musicians—plays a defining role in American musical history. It is impossible to think of American music of the past century without such southern-derived forms as ragtime, jazz, blues, country, bluegrass, gospel, rhythm and blues, Cajun, zydeco, Tejano, rock'n'roll, and even rap. Musicians and listeners around the world have made these vibrant styles their own. Southern Music/American Music is the first book to investigate the facets of American music from the South and the many popular forms that emerged from it. In this substantially revised and updated edition, Bill C. Malone and David Stricklin bring this classic work into the twenty-first century, including new material on recent phenomena such as the huge success of the soundtrack to O Brother, Where Art Thou? and the renewed popularity of Southern music, as well as important new artists Lucinda Williams, Alejandro Escovedo, and the Dixie Chicks, among others. Extensive bibliographic notes and a new suggested listening guide complete this essential study.
