Author: Samantha Ege
Publisher: University of Illinois Press
ISBN: 0252047532
Category : Music
Languages : en
Pages : 396
Book Description
Between the world wars, Chicago Race women nurtured a local yet widely resonant Black classical music community entwined with Black civic life. Samantha Ege tells the stories of the Black women whose acumen and energy transformed Chicago’s South Side into a wellspring of music making. Ege focuses on composers like Florence Price, Nora Holt, and Margaret Bonds not as anomalies but as artists within an expansive cultural flowering. Overcoming racism and sexism, Black women practitioners instilled others with the skill and passion to make classical music while Race women like Maude Roberts George, Estella Bonds, Neota McCurdy Dyett, and Beulah Mitchell Hill built and fostered institutions central to the community. Ege takes readers inside the backgrounds, social lives, and female-led networks of the participants while shining a light on the scene’s audiences, supporters, and training grounds. What emerges is a history of Black women and classical music in Chicago and the still-vital influence of the world they created. A riveting counter to a history of silence, South Side Impresarios gives voice to an overlooked facet of the Black Chicago Renaissance.
South Side Impresarios
Author: Samantha Ege
Publisher: University of Illinois Press
ISBN: 0252047532
Category : Music
Languages : en
Pages : 396
Book Description
Between the world wars, Chicago Race women nurtured a local yet widely resonant Black classical music community entwined with Black civic life. Samantha Ege tells the stories of the Black women whose acumen and energy transformed Chicago’s South Side into a wellspring of music making. Ege focuses on composers like Florence Price, Nora Holt, and Margaret Bonds not as anomalies but as artists within an expansive cultural flowering. Overcoming racism and sexism, Black women practitioners instilled others with the skill and passion to make classical music while Race women like Maude Roberts George, Estella Bonds, Neota McCurdy Dyett, and Beulah Mitchell Hill built and fostered institutions central to the community. Ege takes readers inside the backgrounds, social lives, and female-led networks of the participants while shining a light on the scene’s audiences, supporters, and training grounds. What emerges is a history of Black women and classical music in Chicago and the still-vital influence of the world they created. A riveting counter to a history of silence, South Side Impresarios gives voice to an overlooked facet of the Black Chicago Renaissance.
Publisher: University of Illinois Press
ISBN: 0252047532
Category : Music
Languages : en
Pages : 396
Book Description
Between the world wars, Chicago Race women nurtured a local yet widely resonant Black classical music community entwined with Black civic life. Samantha Ege tells the stories of the Black women whose acumen and energy transformed Chicago’s South Side into a wellspring of music making. Ege focuses on composers like Florence Price, Nora Holt, and Margaret Bonds not as anomalies but as artists within an expansive cultural flowering. Overcoming racism and sexism, Black women practitioners instilled others with the skill and passion to make classical music while Race women like Maude Roberts George, Estella Bonds, Neota McCurdy Dyett, and Beulah Mitchell Hill built and fostered institutions central to the community. Ege takes readers inside the backgrounds, social lives, and female-led networks of the participants while shining a light on the scene’s audiences, supporters, and training grounds. What emerges is a history of Black women and classical music in Chicago and the still-vital influence of the world they created. A riveting counter to a history of silence, South Side Impresarios gives voice to an overlooked facet of the Black Chicago Renaissance.
Queens Reigns Supreme
Author: Ethan Brown
Publisher: Anchor
ISBN: 0307489930
Category : Music
Languages : en
Pages : 290
Book Description
Based on police wiretaps and exclusive interviews with drug kingpins and hip-hop insiders, this is the untold story of how the streets and housing projects of southeast Queens took over the rap industry.For years, rappers from Nas to Ja Rule have hero-worshipped the legendary drug dealers who dominated Queens in the 1980s with their violent crimes and flashy lifestyles. Now, for the first time ever, this gripping narrative digs beneath the hip-hop fables to re-create the rise and fall of hustlers like Lorenzo “Fat Cat” Nichols, Gerald “Prince” Miller, Kenneth “Supreme” McGriff, and Thomas “Tony Montana” Mickens. Spanning twenty-five years, from the violence of the crack era to Run DMC to the infamous murder of NYPD rookie Edward Byrne to Tupac Shakur to 50 Cent’s battles against Ja Rule and Murder Inc., to the killing of Jam Master Jay, Queens Reigns Supreme is the first inside look at the infamous southeast Queens crews and their connections to gangster culture in hip hop today.
Publisher: Anchor
ISBN: 0307489930
Category : Music
Languages : en
Pages : 290
Book Description
Based on police wiretaps and exclusive interviews with drug kingpins and hip-hop insiders, this is the untold story of how the streets and housing projects of southeast Queens took over the rap industry.For years, rappers from Nas to Ja Rule have hero-worshipped the legendary drug dealers who dominated Queens in the 1980s with their violent crimes and flashy lifestyles. Now, for the first time ever, this gripping narrative digs beneath the hip-hop fables to re-create the rise and fall of hustlers like Lorenzo “Fat Cat” Nichols, Gerald “Prince” Miller, Kenneth “Supreme” McGriff, and Thomas “Tony Montana” Mickens. Spanning twenty-five years, from the violence of the crack era to Run DMC to the infamous murder of NYPD rookie Edward Byrne to Tupac Shakur to 50 Cent’s battles against Ja Rule and Murder Inc., to the killing of Jam Master Jay, Queens Reigns Supreme is the first inside look at the infamous southeast Queens crews and their connections to gangster culture in hip hop today.
BBC Proms 2023
Author: BBC Proms Publications
Publisher: Bloomsbury Publishing
ISBN: 191211416X
Category : Music
Languages : en
Pages : 170
Book Description
The BBC Proms is the world's biggest and longest-running classical music festival and one of the jewels in the crown for the BBC. Held every summer at the Royal Albert Hall in London, it is one of the strongest brand names in the music world and attracts a glittering array of artists and orchestras from the UK and around the world. Whether you're a first-time visitor or an experienced Prommer, watching at home or listening on radio or online, the BBC Proms Guide is an excellent companion to the festival, which you can treasure and return to in years to come. Filled with concert listings and articles by leading writers, the BBC Proms Guide offers an insight into the performers and repertoire, as well as thought-provoking opinion pieces about music, musicians and music-making. The contents for 2023 include a specially commissioned short story by Man Booker Prize-nominated author Madeleine Thien; an exploration of the mysterious art of conducting; and an investigation of the connections between music and the human body and spirit – including a 'mental health' Proms playlist. We celebrate the unashamedly Romantic and nostalgically bittersweet music of Sergey Rachmaninov, 150 years after his death; we throw the spotlight on Samuel Coleridge-Taylor and Dora Pejacevic, Croatia's first major woman composer; and we delve into the sonic space dust of experimental legend György Ligeti, whose music Stanley Kubrick used to other-worldly effect in 2001: A Space Odyssey, The Shining and Eyes Wide Shut. Plus, hear from an array of Proms artists in our series of Spotlight interviews.
Publisher: Bloomsbury Publishing
ISBN: 191211416X
Category : Music
Languages : en
Pages : 170
Book Description
The BBC Proms is the world's biggest and longest-running classical music festival and one of the jewels in the crown for the BBC. Held every summer at the Royal Albert Hall in London, it is one of the strongest brand names in the music world and attracts a glittering array of artists and orchestras from the UK and around the world. Whether you're a first-time visitor or an experienced Prommer, watching at home or listening on radio or online, the BBC Proms Guide is an excellent companion to the festival, which you can treasure and return to in years to come. Filled with concert listings and articles by leading writers, the BBC Proms Guide offers an insight into the performers and repertoire, as well as thought-provoking opinion pieces about music, musicians and music-making. The contents for 2023 include a specially commissioned short story by Man Booker Prize-nominated author Madeleine Thien; an exploration of the mysterious art of conducting; and an investigation of the connections between music and the human body and spirit – including a 'mental health' Proms playlist. We celebrate the unashamedly Romantic and nostalgically bittersweet music of Sergey Rachmaninov, 150 years after his death; we throw the spotlight on Samuel Coleridge-Taylor and Dora Pejacevic, Croatia's first major woman composer; and we delve into the sonic space dust of experimental legend György Ligeti, whose music Stanley Kubrick used to other-worldly effect in 2001: A Space Odyssey, The Shining and Eyes Wide Shut. Plus, hear from an array of Proms artists in our series of Spotlight interviews.
After Modernism
Author: Pelagia Goulimari
Publisher: Taylor & Francis
ISBN: 1000850390
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
While celebrating the centenary of the “annus mirabilis” of modernism, we now encounter modernism after postmodernist, poststructuralist, postcolonial, critical race, feminist, queer and trans writing and theory. Out of the figures, narratives and concepts they have developed, a less universal, more global, decentred, context-specific, interconnected modernism emerges. In “after modernism” the meanings of “after” include periodisation, homage and critique. This book attends to neglected genealogies and intertexts—“high” and “low,” yet offering unacknowledged ontological, epistemological, conceptual and figurative resources. How have artists of the Global South negotiated the hierarchical division of art capital into Western high art vs. Global-South culture? Modernity’s location has been the Western metropolis, but other origin stories have been centring slavery, colonialism, the nation-state. If modernity did not originate once, why not multiple and still-to-come modernities? Instead of a universalizable Western modernity vs. local non-Western traditions, the contributors to this book discern multiple modern traditions. Rather than reifying their heterogeneity, the authors tunnel for lost transnational connections. The nation-state and the citizen have together defined Western modernity and the “civilized.” Yet they have required the gender binary, gender and sexual normativity, assimilation, exclusion, forced migration, partition, segregation. In-between the public and the private, humans and the natural world, this book explores a multiple, relational modern subjectivity, collectivity and cosmic interconnectivity, whose space is indivisible, entangled, ever folding and unfolding. It was originally published as a special issue of the journal Angelaki.
Publisher: Taylor & Francis
ISBN: 1000850390
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
While celebrating the centenary of the “annus mirabilis” of modernism, we now encounter modernism after postmodernist, poststructuralist, postcolonial, critical race, feminist, queer and trans writing and theory. Out of the figures, narratives and concepts they have developed, a less universal, more global, decentred, context-specific, interconnected modernism emerges. In “after modernism” the meanings of “after” include periodisation, homage and critique. This book attends to neglected genealogies and intertexts—“high” and “low,” yet offering unacknowledged ontological, epistemological, conceptual and figurative resources. How have artists of the Global South negotiated the hierarchical division of art capital into Western high art vs. Global-South culture? Modernity’s location has been the Western metropolis, but other origin stories have been centring slavery, colonialism, the nation-state. If modernity did not originate once, why not multiple and still-to-come modernities? Instead of a universalizable Western modernity vs. local non-Western traditions, the contributors to this book discern multiple modern traditions. Rather than reifying their heterogeneity, the authors tunnel for lost transnational connections. The nation-state and the citizen have together defined Western modernity and the “civilized.” Yet they have required the gender binary, gender and sexual normativity, assimilation, exclusion, forced migration, partition, segregation. In-between the public and the private, humans and the natural world, this book explores a multiple, relational modern subjectivity, collectivity and cosmic interconnectivity, whose space is indivisible, entangled, ever folding and unfolding. It was originally published as a special issue of the journal Angelaki.
Building the South Side
Author: Robin F. Bachin
Publisher: University of Chicago Press
ISBN: 022677211X
Category : Social Science
Languages : en
Pages : 445
Book Description
Building the South Side explores the struggle for influence that dominated the planning and development of Chicago's South Side during the Progressive Era. Robin F. Bachin examines the early days of the University of Chicago, Chicago’s public parks, Comiskey Park, and the Black Belt to consider how community leaders looked to the physical design of the city to shape its culture and promote civic interaction. Bachin highlights how the creation of a local terrain of civic culture was a contested process, with the battle for cultural authority transforming urban politics and blurring the line between private and public space. In the process, universities, parks and playgrounds, and commercial entertainment districts emerged as alternative arenas of civic engagement. “Bachin incisively charts the development of key urban institutions and landscapes that helped constitute the messy vitality of Chicago’s late nineteenth- and early twentieth-century public realm.”—Daniel Bluestone, Journal of American History "This is an ambitious book filled with important insights about issues of public space and its use by urban residents. . . . It is thoughtful, very well written, and should be read and appreciated by anyone interested in Chicago or cities generally. It is also a gentle reminder that people are as important as structures and spaces in trying to understand urban development." —Maureen A. Flanagan, American Historical Review
Publisher: University of Chicago Press
ISBN: 022677211X
Category : Social Science
Languages : en
Pages : 445
Book Description
Building the South Side explores the struggle for influence that dominated the planning and development of Chicago's South Side during the Progressive Era. Robin F. Bachin examines the early days of the University of Chicago, Chicago’s public parks, Comiskey Park, and the Black Belt to consider how community leaders looked to the physical design of the city to shape its culture and promote civic interaction. Bachin highlights how the creation of a local terrain of civic culture was a contested process, with the battle for cultural authority transforming urban politics and blurring the line between private and public space. In the process, universities, parks and playgrounds, and commercial entertainment districts emerged as alternative arenas of civic engagement. “Bachin incisively charts the development of key urban institutions and landscapes that helped constitute the messy vitality of Chicago’s late nineteenth- and early twentieth-century public realm.”—Daniel Bluestone, Journal of American History "This is an ambitious book filled with important insights about issues of public space and its use by urban residents. . . . It is thoughtful, very well written, and should be read and appreciated by anyone interested in Chicago or cities generally. It is also a gentle reminder that people are as important as structures and spaces in trying to understand urban development." —Maureen A. Flanagan, American Historical Review
Bea Breaks Barriers!
Author: Caitlin DeLems
Publisher: Astra Publishing House
ISBN: 1662680651
Category : Juvenile Nonfiction
Languages : en
Pages : 52
Book Description
Here is the little-known story of Florence Beatrice “Bea” Price, who faced many obstacles, including systemic racism and sexism, as she pushed forward to become one of the greatest Black classical composers. Florence Beatrice “Bea” Price loved music from a young age. When she wasn’t practicing on the piano, she tapped her feet, drummed her fingers, and whistled. Growing up in Little Rock, Arkansas, she was surrounded by Negro spirituals, classical music, Juba dance rhythms, and folk songs and even had the chance to play piano with John William “Blind” Boone. But as a young Black girl living in the South, Bea wasn’t offered the same chances as white children. Not allowed to perform in public, Bea’s first recital was in her living room. But Bea was not deterred. She studied hard, rose to the top of her class, and was accepted to the New England Conservatory of Music—one of two Black students—and majored in both music and composition. Bea never forgot her roots and wove all kinds of musical genres into her musical compositions and spirituals.
Publisher: Astra Publishing House
ISBN: 1662680651
Category : Juvenile Nonfiction
Languages : en
Pages : 52
Book Description
Here is the little-known story of Florence Beatrice “Bea” Price, who faced many obstacles, including systemic racism and sexism, as she pushed forward to become one of the greatest Black classical composers. Florence Beatrice “Bea” Price loved music from a young age. When she wasn’t practicing on the piano, she tapped her feet, drummed her fingers, and whistled. Growing up in Little Rock, Arkansas, she was surrounded by Negro spirituals, classical music, Juba dance rhythms, and folk songs and even had the chance to play piano with John William “Blind” Boone. But as a young Black girl living in the South, Bea wasn’t offered the same chances as white children. Not allowed to perform in public, Bea’s first recital was in her living room. But Bea was not deterred. She studied hard, rose to the top of her class, and was accepted to the New England Conservatory of Music—one of two Black students—and majored in both music and composition. Bea never forgot her roots and wove all kinds of musical genres into her musical compositions and spirituals.
Dreaming in Ensemble
Author: Lucy Caplan
Publisher: Harvard University Press
ISBN: 0674268512
Category : History
Languages : en
Pages : 335
Book Description
Lucy Caplan explores the flourishing of Black composers, performers, and critics of opera in America during the early twentieth century. Working outside mainstream opera houses, these artists fostered countercultural forms of expression that reimagined opera as a medium of Black aesthetic and political creativity.
Publisher: Harvard University Press
ISBN: 0674268512
Category : History
Languages : en
Pages : 335
Book Description
Lucy Caplan explores the flourishing of Black composers, performers, and critics of opera in America during the early twentieth century. Working outside mainstream opera houses, these artists fostered countercultural forms of expression that reimagined opera as a medium of Black aesthetic and political creativity.
Strangers in the West
Author: Linda K. Jacobs
Publisher: Kalimahpress
ISBN: 9780983539278
Category :
Languages : en
Pages : 0
Book Description
Strangers in the West is the never before told story about the Syrian/Lebanese immigrants who, beginning in 1880, settled on the lower west side of Manhattan. Coming from what was then known as "Greater Syria," these immigrants gathered near the Battery where they disembarked after their long journey from the Middle East. Settling in tenements recently abandoned by Irish immigrants, these recent arrivals to the New World founded an Arabic-speaking enclave just south of the future site of the World Trade Center. They opened Syrian restaurants, half a dozen Arabic-language newspapers, oriental merchandise and food shops, and four Syrian churches. They capitalized on the orientalist craze sweeping the United States by opening Turkish smoking parlors, presenting belly dancers on vaudeville stages, and performing across the country in native costume. Peddlers and merchants, midwives and doctors, priests and journalists, belly dancers and impresarios--all were part of the small community in its first 20 years. This is their story.
Publisher: Kalimahpress
ISBN: 9780983539278
Category :
Languages : en
Pages : 0
Book Description
Strangers in the West is the never before told story about the Syrian/Lebanese immigrants who, beginning in 1880, settled on the lower west side of Manhattan. Coming from what was then known as "Greater Syria," these immigrants gathered near the Battery where they disembarked after their long journey from the Middle East. Settling in tenements recently abandoned by Irish immigrants, these recent arrivals to the New World founded an Arabic-speaking enclave just south of the future site of the World Trade Center. They opened Syrian restaurants, half a dozen Arabic-language newspapers, oriental merchandise and food shops, and four Syrian churches. They capitalized on the orientalist craze sweeping the United States by opening Turkish smoking parlors, presenting belly dancers on vaudeville stages, and performing across the country in native costume. Peddlers and merchants, midwives and doctors, priests and journalists, belly dancers and impresarios--all were part of the small community in its first 20 years. This is their story.
Myself Among Others
Author: George Wein
Publisher: Da Capo Press
ISBN: 0786745185
Category : Music
Languages : en
Pages : 582
Book Description
No one has had a better seat in the house than George Wein. The legendary impresario has known the most celebrated figures of music in general and jazz in particular--from Duke Ellington to Ella Fitzgerald to Miles Davis to Frank Sinatra. As a founder of the Newport Jazz Festival, the Newport Folk Festival, and the New Orleans Jazz and Heritage Festival, Wein has brought a dazzling spectrum of musicians to millions of fans, forever changing the musical landscape.In this highly praised memoir, Wein looks back on his life and career, describing his unforgettable relationships--sometimes smooth, sometimes tempestuous--with the great musicians he has known. From what really happened when Charlie Mingus visited the White House...to how Miles Davis and the ensemble that would eventually record the greatest jazz album of all time--Kind of Blue--came together at Wein's Storyville nightclub...to the day at Newport when Bob Dylan first "went electric," here are the personalities and forces that have shaped the past half-century of popular music.
Publisher: Da Capo Press
ISBN: 0786745185
Category : Music
Languages : en
Pages : 582
Book Description
No one has had a better seat in the house than George Wein. The legendary impresario has known the most celebrated figures of music in general and jazz in particular--from Duke Ellington to Ella Fitzgerald to Miles Davis to Frank Sinatra. As a founder of the Newport Jazz Festival, the Newport Folk Festival, and the New Orleans Jazz and Heritage Festival, Wein has brought a dazzling spectrum of musicians to millions of fans, forever changing the musical landscape.In this highly praised memoir, Wein looks back on his life and career, describing his unforgettable relationships--sometimes smooth, sometimes tempestuous--with the great musicians he has known. From what really happened when Charlie Mingus visited the White House...to how Miles Davis and the ensemble that would eventually record the greatest jazz album of all time--Kind of Blue--came together at Wein's Storyville nightclub...to the day at Newport when Bob Dylan first "went electric," here are the personalities and forces that have shaped the past half-century of popular music.
David Susskind
Author: Stephen Battaglio
Publisher: St. Martin's Press
ISBN: 1429946148
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
A rich biography of one of the most important cultural figures of the ‘50s, ‘60s and ‘70s—maverick television producer and talk show host David Susskind A flamboyant impresario who began his career as an agent, David Susskind helped define a fledgling television industry. He was a provocateur who fought to bring high-toned literary works to TV. His series East Side/West Side and N.Y.P.D. broke the color barrier in casting and brought gritty, urban realism to prime time. He indulged his passion for issues and ideas with his long running discussion program, first called Open End and then The David Susskind Show, where guests could come from The White House one week and a whore house the next. The groundbreaking program made news year in and year out. His legendary live interview with Nikita Khrushchev at the height of the Cold War inflamed both the political and media establishments. Susskind was an enfant terrible whose life—both on and off the screen—makes fascinating reading. His rough edges, appetite for women, and scorn for the business side of his profession often left his own career hanging by a thread. Through extensive original reporting and deep access to David Susskind's personal papers, family members and former associates, Stephen Battaglio creates a vivid portrait of a go-go era in American media. David Susskind is as much a biography of an expansive and glamorous time in the television business as it is the life of one of its most colorful and important players.
Publisher: St. Martin's Press
ISBN: 1429946148
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
A rich biography of one of the most important cultural figures of the ‘50s, ‘60s and ‘70s—maverick television producer and talk show host David Susskind A flamboyant impresario who began his career as an agent, David Susskind helped define a fledgling television industry. He was a provocateur who fought to bring high-toned literary works to TV. His series East Side/West Side and N.Y.P.D. broke the color barrier in casting and brought gritty, urban realism to prime time. He indulged his passion for issues and ideas with his long running discussion program, first called Open End and then The David Susskind Show, where guests could come from The White House one week and a whore house the next. The groundbreaking program made news year in and year out. His legendary live interview with Nikita Khrushchev at the height of the Cold War inflamed both the political and media establishments. Susskind was an enfant terrible whose life—both on and off the screen—makes fascinating reading. His rough edges, appetite for women, and scorn for the business side of his profession often left his own career hanging by a thread. Through extensive original reporting and deep access to David Susskind's personal papers, family members and former associates, Stephen Battaglio creates a vivid portrait of a go-go era in American media. David Susskind is as much a biography of an expansive and glamorous time in the television business as it is the life of one of its most colorful and important players.