Sound Recording Technology and American Literature PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Sound Recording Technology and American Literature PDF full book. Access full book title Sound Recording Technology and American Literature by Jessica Teague. Download full books in PDF and EPUB format.
Author: Jessica Teague
Publisher: Cambridge University Press
ISBN: 1108840132
Category : Art
Languages : en
Pages : 263
Get Book Here
Book Description
Based on the author's dissertation (doctoral)--Columbia University, 2013.
Author: Jessica Teague
Publisher: Cambridge University Press
ISBN: 1108840132
Category : Art
Languages : en
Pages : 263
Get Book Here
Book Description
Based on the author's dissertation (doctoral)--Columbia University, 2013.
Author: Jessica E. Teague
Publisher: Cambridge University Press
ISBN: 1108881394
Category : Literary Criticism
Languages : en
Pages : 263
Get Book Here
Book Description
Phonographs, tapes, stereo LPs, digital remix - how did these remarkable technologies impact American writing? This book explores how twentieth-century writers shaped the ways we listen in our multimedia present. Uncovering a rich new archive of materials, this book offers a resonant reading of how writers across several genres, such as John Dos Passos, Langston Hughes, William S. Burroughs, and others, navigated the intermedial spaces between texts and recordings. Numerous scholars have taken up remix - a term co-opted from DJs and sound engineers - as the defining aesthetic of twenty-first century art and literature. Others have examined modernism's debt to the phonograph. But in the gap between these moments, one finds that the reciprocal relationship between the literary arts and sonic technologies continued to evolve over the twentieth century. A mix of American literary history, sound studies, and media archaeology, this interdisciplinary study will appeal to scholars, students, and audiophiles.
Author: Timothy D. Taylor
Publisher: Duke University Press
ISBN: 0822349469
Category : Business & Economics
Languages : en
Pages : 428
Get Book Here
Book Description
This reader collects primary documents on the phonograph, cinema, and radio before WWII to show how Americans slowly came to grips with the idea of recorded and mediated sound. Through readings from advertisements, newspaper and magazine articles, popular fiction, correspondence, and sheet music, one gains an understanding of how early-20th-century Americans changed from music makers into consumers.
Author: Michael W. Clune
Publisher: Cambridge University Press
ISBN: 0521513995
Category : Business & Economics
Languages : en
Pages : 221
Get Book Here
Book Description
This book considers the fascination with the free market and the economic world evident within postwar literature.
Author: James Lastra
Publisher: Columbia University Press
ISBN: 0231505469
Category : Performing Arts
Languages : en
Pages : 289
Get Book Here
Book Description
Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect. Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film. Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.
Author: Ryan M. Brooks
Publisher: Cambridge University Press
ISBN: 1316519813
Category : Literary Criticism
Languages : en
Pages : 253
Get Book Here
Book Description
Argues that a new, post-postmodern aesthetic emerges in the 1990s as American writers grapple with the triumph of free-market politics.
Author: Melissa J. Strong
Publisher: Rowman & Littlefield
ISBN: 1498594786
Category : Literary Criticism
Languages : en
Pages : 177
Get Book Here
Book Description
American Lit Remixed identifies a new sound in literature emerging after the digital revolution. It reads works by Jennifer Egan, Sherman Alexie, and others through the lenses of remix theory -- the term Eduardo Navas coined to describe the remix as a form of artistic and cultural discourse -- and the music industry’s preoccupations with nostalgia and authenticity, arguing that digital-age fiction, poetry, and drama remix the music and technology of the past to offer new modes of connecting to self, others, and place. Musical features such as references to popular songs, structural similarities to music recordings, and thematic treatment of the riffing and borrowing endemic within popular music lend a retro sound, feel, and structure to contemporary American texts, even when they refer to life in the digital era. Through engaging with the musical past, literature resists nostalgia and remixes the twenty-first century’s dystopian, disconnected ethos to find possibility and hope for the future. Critics often focus on technology’s negative impact on the music industry, but American Lit Remixed emphasizes music as a source of creative potential in twenty-first-century literature, including new ways of storytelling and relating.
Author: Susan Schmidt Horning
Publisher: JHU Press
ISBN: 1421410222
Category : Business & Economics
Languages : en
Pages : 322
Get Book Here
Book Description
The recording studio, she argues, is at the center of musical culture in the twentieth century.--Emily Thompson, Princeton University "Science"
Author: Annette Kern-Stähler
Publisher: Oxford University Press
ISBN: 019265747X
Category : Literary Criticism
Languages : en
Pages : 540
Get Book Here
Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception. Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including: the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the 'Great Stink' that recurs in the Victorian novel; the taste of an eggplant registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of, the senses.
Author: Mark Whalan
Publisher: Cambridge University Press
ISBN: 1108808026
Category : Literary Criticism
Languages : en
Pages : 948
Get Book Here
Book Description
The Cambridge History of American Modernism examines one of the most innovative periods of American literary history. It offers a comprehensive account of the forms, genres, and media that characterized US modernism: coverage ranges from the traditional, such as short stories, novels, and poetry, to the new media that shaped the period's literary culture, such as jazz, cinema, the skyscraper, and radio. This volume charts how recent methodologies such as ecocriticism, geomodernism, and print culture studies have refashioned understandings of the field, and attends to the contestations and inequities of race, sovereignty, gender, sexuality, and ethnicity that shaped the period and its cultural production. It also explores the geographies and communities wherein US modernism flourished-from its distinctive regions to its metropolitan cities, from its hemispheric connections to the salons and political groupings that hosted new cultural collaborations.
