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Author: Shane Homan
Publisher: Bloomsbury Publishing USA
ISBN: 1501345346
Category : Music
Languages : en
Pages : 496
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Book Description
The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, the volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts.
Author: Shane Homan
Publisher: Bloomsbury Publishing USA
ISBN: 1501345346
Category : Music
Languages : en
Pages : 496
Get Book Here
Book Description
The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, the volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts.
Author: Frédéric Ramel
Publisher: Springer
ISBN: 3319631632
Category : Political Science
Languages : en
Pages : 303
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Book Description
This volume explores the interrelation of international relations, music, and diplomacy from a multidisciplinary perspective. Throughout history, diplomats have gathered for musical events, and musicians have served as national representatives. Whatever political unit is under consideration (city-states, empires, nation-states), music has proven to be a component of diplomacy, its ceremonies, and its strategies. Following the recent acoustic turn in IR theory, the authors explore the notion of “musical diplomacies” and ask whether and how it differs from other types of cultural diplomacy. Accordingly, sounds and voices are dealt with in acoustic terms but are not restricted to music per se, also taking into consideration the voices (speech) of musicians in the international arena. Read an interview with the editors here: https://www.sciencespo.fr/ceri/en/content/international-relations-music-and-diplomacy-sounds-and-voices-international-stage
Author:
Publisher:
ISBN:
Category : New Thought
Languages : en
Pages : 1112
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Book Description
Author: Mark R. Amstutz
Publisher: Routledge
ISBN: 1317252624
Category : Political Science
Languages : en
Pages : 266
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Book Description
Anyone interested in the forces behind globalization, terrorism, job outsourcing, or the price of gas needs at least a fundamental understanding of international relations. Using the relevant and accessible metaphor of a game, The Rules of the Game provides an introductory explanation of international relations. The book is broken into three inviting parts. First, it examines the basics of the international relations game by explaining the nature of the game, its players, its goals, and its strategies. Then, the book looks at the rules of the game from the perspectives of politics, economics, law, and morality. The book ends with a pertinent discussion of the future of the international relations game in the context of globalization. Intended for general readers, this book provides a succinct, jargon-free framework for understanding contemporary international relations.
Author: Andrea Baker
Publisher: Springer
ISBN: 331996352X
Category : Music
Languages : en
Pages : 331
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Book Description
In the 1960s, as gentrification took hold of New York City, Jane Jacobs predicted that the city would become the true player in the global system. Indeed, in the 21st century more meaningful comparisons can be made between cities than between nations and states. Based on case studies of Melbourne, Austin and Berlin, this book is the first in-depth study to combine academic and industry analysis of the music cities phenomenon. Using four distinctly defined algorithms as benchmarks, it interrogates Richard Florida’s creative cities thesis and applies a much-needed synergy of urban sociology and musicology to the concept, mediated by a journalism lens. Building on seminal work by Robert Park, Lewis Mumford and Jane Jacobs, it argues that journalists are the cultural branders and street theorists whose ethnographic approach offers critical insights into the urban sociability of music activity.
Author: Jessica C. E. Gienow-Hecht
Publisher: University of Chicago Press
ISBN: 0226292177
Category : Music
Languages : en
Pages : 353
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Book Description
The German-American relationship was special long before the Cold War; it was rooted not simply in political actions, but also long-term traditions of cultural exchange that date back to the nineteenth century. Between 1850 and 1910, the United States was a rising star in the international arena, and several European nations sought to strengthen their ties to the republic by championing their own cultures in America. While France capitalized on its art and Britain on its social ties and literature, Germany promoted its particular breed of classical music. Delving into a treasure trove of archives that document cross-cultural interactions between America and Germany, Jessica Gienow-Hecht retraces these efforts to export culture as an instrument of nongovernmental diplomacy, paying particular attention to the role of conductors, and uncovers the remarkable history of the musician as a cultural symbol of German cosmopolitanism. Considered sexually attractive and emotionally expressive, German players and conductors acted as an army of informal ambassadors for their home country, and Gienow-Hecht argues that their popularity in the United States paved the way for an emotional elective affinity that survived broken treaties and several wars and continues to the present.
Author: Shain Shapiro
Publisher: Watkins Media Limited
ISBN: 1915672066
Category : Music
Languages : en
Pages : 203
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Book Description
This Must Be the Place explores how music can make cities better. This Must Be the Place introduces and examines music’s relationship to cities. Not the influence cities have on music, but the powerful impact music can have on how cities are developed, built, managed and governed. Told in an accessible way through personal stories from cities around the world — including London, Melbourne, Nashville, Austin and Zurich — This Must Be the Place takes a truly global perspective on the ways music is integral to everyday life but neglected in public policy. Arguing for the transformative role of artists and musicians in a post-pandemic world, This Must Be The Place not only examines the powerful impact music can have on our cities, but also serves as a how-to guide and toolkit for music-lovers, artists and activists everywhere to begin the process of reinventing the communities they live in.
Author: Tara Browner
Publisher: University of Illinois Press
ISBN: 0252051157
Category : Music
Languages : en
Pages : 359
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Book Description
In Rethinking American Music, Tara Browner and Thomas L. Riis curate essays that offer an eclectic survey of current music scholarship. Ranging from Tin Pan Alley to Thelonious Monk to hip hop, the contributors go beyond repertory and biography to explore four critical yet overlooked areas: the impact of performance; patronage's role in creating music and finding a place to play it; personal identity; and the ways cultural and ethnographic circumstances determine the music that emerges from the creative process. Many of the articles also look at how a piece of music becomes initially popular and then exerts a lasting influence in the larger global culture. The result is an insightful state-of-the-field examination that doubles as an engaging short course on our complex, multifaceted musical heritage. Contributors: Karen Ahlquist, Amy C. Beal, Mark Clagu,. Esther R. Crookshank, Todd Decker, Jennifer DeLapp-Birkett, Joshua S. Duchan, Mark Katz, Jeffrey Magee, Sterling E. Murray, Guthrie P. Ramsey Jr., David Warren Steel, Jeffrey Taylor, and Mark Tucker
Author: Derek Drinkwater
Publisher: Oxford University Press
ISBN: 0199273855
Category : Biography & Autobiography
Languages : en
Pages : 261
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Book Description
Sir Harold Nicolson (1886-1968) is well known as a diarist, man of letters, diplomatic historian, gardener, and broadcaster. Nicolson's bestselling diaries and letters, his many biographies, including the highly acclaimed official life of King George V, and his numerous essays and broadcasts have made him, in the words of his friend and fellow MP Robert Bernays, an international figure of the 'second degree'.Yet there was more to this urbane man than his finely observed diary, stylish writing, and Sissinghurst Castle Garden in Kent, the joint creation of Nicolson and his wife, the writer V. Sackville-West. He also produced a rich and ambitious corpus of writing on the theory and practice of international relations. Nicolson's aristocratic background and upbringing in a diplomatic household, followed by an Oxford classical education and twenty years in diplomacy, combined to forge his distinctivephilosophy of international affairs. As a young attaché in Constantinople before the Great War, and in Whitehall during the conflict, at the Paris Peace Conference of 1919, and en poste in Persia and Germany throughout the 1920s, Nicolson was ideally placed to observe the maelstrom of internationalpolitics. As an anti-appeasement and wartime MP (1935-1945), he became a highly regarded authority on international relations. During and after World War II, he turned his mind to the issues of European integration, world government, and the ultimate possibility of global peace. Nicolson has been the subject of two fine biographies.This is the first study of his contribution to international thought. He emerges from it as an important international thinker, alongside theorists as diverse as E. H. Carr and Leonard Woolf. Nicolson's international thought contains elements of realism and idealism, while retaining a distinctive character and a breadth and consistency that render it unique.
Author: Klaus Nathaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110648210
Category : History
Languages : en
Pages : 455
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Book Description
Music has gained the increasing attention of historians. Research has branched out to explore music-related topics, including creative labor, economic histories of music production, the social and political uses of music, and musical globalization. This handbook both covers the history of music in Europe and probes its role for the making of Europe during a "long" twentieth century. It offers concise guidance to key historical trends as well as the most important research on central topics within the field.
