Author: Thomas Donaldson
Publisher:
ISBN:
Category : Public domain
Languages : en
Pages : 1416
Book Description
The Public Domain
Author: Thomas Donaldson
Publisher:
ISBN:
Category : Public domain
Languages : en
Pages : 1416
Book Description
Publisher:
ISBN:
Category : Public domain
Languages : en
Pages : 1416
Book Description
Sixteenth Census of the United States: 1940
Author: Malcolm Jarvis Proudfoot
Publisher:
ISBN:
Category : Area measurement
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : Area measurement
Languages : en
Pages : 140
Book Description
Extra Census Bulletin
Author: United States. Census Office
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 26
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 26
Book Description
Lost Sounds
Author: Alan Renton
Publisher: Dundurn
ISBN: 9781870325837
Category : Transportation
Languages : en
Pages : 234
Book Description
Lost Sounds visits a number of lighthouses at different times over the last 130 years to reveal the philanthropic, scientific and romantic story of the fog signal - how it came about, how the machinery worked and, for the mariner and the keeper, what it sounded like! The development of fog signals complemented the expansion of lighthouse construction worldwide from the last quarter of the 19th century and represented the attempt to provide a vital navigation aid to mariners when the beam of light from the lighthouse lens was obscured by fog. Lost Sounds reveals the practical development of sound signals from the early percussion instruments to the later succession of compressed-air sirens and diaphones through to the last remaining electric emitters. But it is much more than that - it is a record of another part of maritime history.
Publisher: Dundurn
ISBN: 9781870325837
Category : Transportation
Languages : en
Pages : 234
Book Description
Lost Sounds visits a number of lighthouses at different times over the last 130 years to reveal the philanthropic, scientific and romantic story of the fog signal - how it came about, how the machinery worked and, for the mariner and the keeper, what it sounded like! The development of fog signals complemented the expansion of lighthouse construction worldwide from the last quarter of the 19th century and represented the attempt to provide a vital navigation aid to mariners when the beam of light from the lighthouse lens was obscured by fog. Lost Sounds reveals the practical development of sound signals from the early percussion instruments to the later succession of compressed-air sirens and diaphones through to the last remaining electric emitters. But it is much more than that - it is a record of another part of maritime history.
Sounding Bodies
Author: Shannon Draucker
Publisher: State University of New York Press
ISBN: 143849839X
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
Can the concert hall be as erotic as the bedroom? Many Victorian writers believed so. In the mid-nineteenth century, acoustical scientists such as Hermann von Helmholtz and John Tyndall described music as a set of physical vibrations that tickled the ear, excited the nerves, and precipitated muscular convulsions. In turn, writers—from canonical figures such as George Eliot and Thomas Hardy, to New Women novelists like Sarah Grand and Bertha Thomas, to anonymous authors of underground pornography—depicted bodily sensations and experiences in unusually explicit ways. These writers used scenes of music listening and performance to intervene in urgent conversations about gender and sexuality and explore issues of agency, pleasure, violence, desire, and kinship. Sounding Bodies shows how both classical music and Victorian literature, while often considered bastions of conservatism and repression, represented powerful sites for feminist and queer politics.
Publisher: State University of New York Press
ISBN: 143849839X
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
Can the concert hall be as erotic as the bedroom? Many Victorian writers believed so. In the mid-nineteenth century, acoustical scientists such as Hermann von Helmholtz and John Tyndall described music as a set of physical vibrations that tickled the ear, excited the nerves, and precipitated muscular convulsions. In turn, writers—from canonical figures such as George Eliot and Thomas Hardy, to New Women novelists like Sarah Grand and Bertha Thomas, to anonymous authors of underground pornography—depicted bodily sensations and experiences in unusually explicit ways. These writers used scenes of music listening and performance to intervene in urgent conversations about gender and sexuality and explore issues of agency, pleasure, violence, desire, and kinship. Sounding Bodies shows how both classical music and Victorian literature, while often considered bastions of conservatism and repression, represented powerful sites for feminist and queer politics.
Sound Authorities
Author: Edward J. Gillin
Publisher: University of Chicago Press
ISBN: 022678777X
Category : History
Languages : en
Pages : 319
Book Description
"In Sound Authorities, Edward J. Gillin shows how experiences of music and sound played a crucial role in nineteenth-century scientific inquiry in Britain. Where other studies have focused on vision in Victorian England, Gillin focuses on hearing and aurality, making the claim that the development of the natural sciences in Britain in this era cannot be understood without attending to how the study of sound and music contributed to the fashioning of new scientific knowledge. Gillin's book is about how scientific practitioners attempted to fashion themselves as authorities on sonorous phenomena, coming into conflict with traditional musical elites as well as religious bodies. Gillin pays attention to not only musical sound but also the phenomenon of sound in non-musical contexts, specifically, the cacophony of British industrialization, and he analyzes the debates between figures from disparate fields over the proper account of musical experience. Gillin's story begins with the place of acoustics in early nineteenth-century London, examining scientific exhibitions, lectures, and spectacles, as well as workshops, laboratories, and showrooms. He goes on to explore how mathematicians mobilized sound in their understanding of natural laws and their vision of a harmonious order, as well as the convergence of aesthetic and scientific approaches to pitch standardization. In closing, Gillin delves into the era's religious and metaphysical debates over the place of music (and humanity) in nature, the relationship between music and the divine, and the tension between religious/spiritualist understandings of sound and scientific/materialist ones"--
Publisher: University of Chicago Press
ISBN: 022678777X
Category : History
Languages : en
Pages : 319
Book Description
"In Sound Authorities, Edward J. Gillin shows how experiences of music and sound played a crucial role in nineteenth-century scientific inquiry in Britain. Where other studies have focused on vision in Victorian England, Gillin focuses on hearing and aurality, making the claim that the development of the natural sciences in Britain in this era cannot be understood without attending to how the study of sound and music contributed to the fashioning of new scientific knowledge. Gillin's book is about how scientific practitioners attempted to fashion themselves as authorities on sonorous phenomena, coming into conflict with traditional musical elites as well as religious bodies. Gillin pays attention to not only musical sound but also the phenomenon of sound in non-musical contexts, specifically, the cacophony of British industrialization, and he analyzes the debates between figures from disparate fields over the proper account of musical experience. Gillin's story begins with the place of acoustics in early nineteenth-century London, examining scientific exhibitions, lectures, and spectacles, as well as workshops, laboratories, and showrooms. He goes on to explore how mathematicians mobilized sound in their understanding of natural laws and their vision of a harmonious order, as well as the convergence of aesthetic and scientific approaches to pitch standardization. In closing, Gillin delves into the era's religious and metaphysical debates over the place of music (and humanity) in nature, the relationship between music and the divine, and the tension between religious/spiritualist understandings of sound and scientific/materialist ones"--
Extra Census Bulletin. The Areas of the United States, the Several States and Territories, and Their Counties
Author: Henry Gannett
Publisher: BoD – Books on Demand
ISBN: 3385426375
Category : Fiction
Languages : en
Pages : 26
Book Description
Reprint of the original, first published in 1881.
Publisher: BoD – Books on Demand
ISBN: 3385426375
Category : Fiction
Languages : en
Pages : 26
Book Description
Reprint of the original, first published in 1881.
ICC Register
Author:
Publisher:
ISBN:
Category : Transportation, Automotive
Languages : en
Pages : 400
Book Description
Publisher:
ISBN:
Category : Transportation, Automotive
Languages : en
Pages : 400
Book Description
The Muslim Difference
Author: Youshaa Patel
Publisher: Yale University Press
ISBN: 0300268939
Category : Religion
Languages : en
Pages : 360
Book Description
A sweeping history of Muslim identity from its origins in late antiquity to the present How did Muslims across time and place define the line between themselves and their neighbors? Youshaa Patel explores why the Prophet Muhammad first advised his followers to emulate Christians and Jews, but then allegedly reversed course, urging them to “be different!” He details how subsequent generations of Muslim scholars canonized the Prophet’s admonition into an influential doctrine against imitation that enjoined ordinary believers to embody and display their religious difference in public life. Tracing this Islamic discourse from its origins in Arabia to Mamluk and Ottoman Damascus, colonial Egypt, and beyond, this sweeping intellectual and social history offers a panoramic view of Muslim identity, revealing unexpected intersections between religion and other markers of difference across ethnicity, gender, and status. Patel illustrates that contemporary debates in the West over visible expressions of Islam, from headscarves and beards to minarets and mosques, are just the latest iterations in a long history of how small differences have defined Muslim interreligious encounters.
Publisher: Yale University Press
ISBN: 0300268939
Category : Religion
Languages : en
Pages : 360
Book Description
A sweeping history of Muslim identity from its origins in late antiquity to the present How did Muslims across time and place define the line between themselves and their neighbors? Youshaa Patel explores why the Prophet Muhammad first advised his followers to emulate Christians and Jews, but then allegedly reversed course, urging them to “be different!” He details how subsequent generations of Muslim scholars canonized the Prophet’s admonition into an influential doctrine against imitation that enjoined ordinary believers to embody and display their religious difference in public life. Tracing this Islamic discourse from its origins in Arabia to Mamluk and Ottoman Damascus, colonial Egypt, and beyond, this sweeping intellectual and social history offers a panoramic view of Muslim identity, revealing unexpected intersections between religion and other markers of difference across ethnicity, gender, and status. Patel illustrates that contemporary debates in the West over visible expressions of Islam, from headscarves and beards to minarets and mosques, are just the latest iterations in a long history of how small differences have defined Muslim interreligious encounters.
Revised Printing Process on the Back Side of the $1 Federal Reserve Note
Author: United States. Congress. Senate. Committee on Banking, Housing, and Urban Affairs
Publisher:
ISBN:
Category : Dollar, American
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category : Dollar, American
Languages : en
Pages : 128
Book Description