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Author: John Frederick Whitehead
Publisher: Penn State Press
ISBN: 0271046317
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
In 1773, John Frederick Whitehead and Johann Carl B]ttner, two young German men, arrived in America on the same ship. Each man sold himself into servitude to a different master, and, years later, each wrote a memoir of his experiences, leaving invaluable historical records of their attitudes, perceptions, and goals. Despite their common voyage to America and similar working conditions as servants, their backgrounds and personalities differed. Their divergent interpretations of their experiences are the substance of rich and varied firsthand accounts of the transatlantic migration process, the servant labor experience of Germans in colonial America, and post-servitude life. Souls for Sale presents these parallel memoirs -- Whitehead's published here for the first time -- to illustrate the condition of German redemptioners as well as their religious, familial, and literary contexts during a crucial period of migration in Europe and America. The editors provide helpful introductions to the works as well as notes to guide the reader.
Author: John Frederick Whitehead
Publisher: Penn State Press
ISBN: 0271046317
Category : Biography & Autobiography
Languages : en
Pages : 290
Get Book Here
Book Description
In 1773, John Frederick Whitehead and Johann Carl B]ttner, two young German men, arrived in America on the same ship. Each man sold himself into servitude to a different master, and, years later, each wrote a memoir of his experiences, leaving invaluable historical records of their attitudes, perceptions, and goals. Despite their common voyage to America and similar working conditions as servants, their backgrounds and personalities differed. Their divergent interpretations of their experiences are the substance of rich and varied firsthand accounts of the transatlantic migration process, the servant labor experience of Germans in colonial America, and post-servitude life. Souls for Sale presents these parallel memoirs -- Whitehead's published here for the first time -- to illustrate the condition of German redemptioners as well as their religious, familial, and literary contexts during a crucial period of migration in Europe and America. The editors provide helpful introductions to the works as well as notes to guide the reader.
Author: Rupert Hughes
Publisher:
ISBN:
Category : Hollywood (Los Angeles, Calif.)
Languages : en
Pages : 424
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 978
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Author: Joceline Andersen
Publisher: Wayne State University Press
ISBN: 0814346928
Category : Performing Arts
Languages : en
Pages : 333
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Book Description
Extensive account of the cameo’s production history and how audiences affirm their mastery of celebrity culture. Stars and Silhouettes: The History of the Cameo Role in Hollywood traces the history of the cameo as it emerged in twentieth-century cinema. Although the cameo has existed in film culture for over a century, Joceline Andersen explains that this role cannot be strictly defined because it exists as a constellation of interactions between duration and recognition, dependent on who is watching and when. Even audiences of the twenty-first century who are inundated by the lives of movie stars and habituated to images of their personal friends on screens continue to find cameos surprising and engaging. Cameos reveal the links between our obsession with celebrity and our desire to participate in the powerful cultural industries within contemporary society. Chapter 1 begins with the cameo’s precedents in visual culture and the portrait in particular—from the Vitagraph executives in the 1910s to the emergence of actors as movie stars shortly after. Chapter 2 explores the fan-centric desire for behind-the-scenes visions of Hollywood that accounted for the success of cameo-laden, Hollywood-set films that autocratic studios used to make their glamorous line-up of stars as visible as possible. Chapter 3 traces the development of the cameo in comedy, where cameos began to show not only glimpses of celebrities at their best but also of celebrities at their worst. Chapter 4 examines how the television guest spot became an important way for stars and studios to market both their films and stars from other media in trades that reflected an increasingly integrated mediascape. In Chapter 5, Andersen examines auteur cameos and the cameo as a sign of authorship. Director cameos reaffirm the fan’s interest in the film not just as a stage for actors but as a forum for the visibility of the director. Cameos create a participatory space for viewers, where recognizing those singled out among extras and small roles allows fans to demonstrate their knowledge. Stars and Silhouettes belongs on the shelf of every scholar, student, and reader interested in film history and star studies.
Author: Justin Gautreau
Publisher: Oxford University Press
ISBN: 0190944587
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
The Last Word argues that the Hollywood novel opened up space for cultural critique of the film industry at a time when the industry lacked the capacity to critique itself. While the young studio system worked tirelessly to burnish its public image in the wake of celebrity scandal, several industry insiders wrote fiction to fill in what newspapers and fan magazines left out. Throughout the 1920s and 1930s, these novels aimed to expose the invisible machinery of classical Hollywood cinema, including not only the evolving artifice of the screen but also the promotional discourse that complemented it. As likeminded filmmakers in the 1940s and 1950s gradually brought the dark side of the industry to the screen, however, the Hollywood novel found itself struggling to live up to its original promise of delivering the unfilmable. By the 1960s, desperate to remain relevant, the genre had devolved into little more than erotic fantasy of movie stars behind closed doors, perhaps the only thing the public couldn't already find elsewhere. Still, given their unique ability to speak beyond the institutional restraints of their time, these earlier works offer a window into the industry's dynamic creation and re-creation of itself in the public imagination.
Author: Adah Isaacs Menken
Publisher: Broadview Press
ISBN: 1770480226
Category : Fiction
Languages : en
Pages : 287
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Book Description
Adah Isaacs Menken was the most highly paid and most scandalous stage performer of the 1860s. She is also one of the most fascinating and unconventional writers in American literary history, and the first to follow the revolution in poetry started by Whitman's Leaves of Grass. This edition presents, for the first time, a generous selection of Menken's uncollected poems and essays, along with the first edition of Infelicia (1868), her only book. Also included is a range of carefully selected appendices that help contextualize Menken's writings in terms of theater, Judaism, Bohemianism, women's rights, and women writers.
Author: Sherri Snyder
Publisher: University Press of Kentucky
ISBN: 0813174279
Category : Performing Arts
Languages : en
Pages : 432
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Book Description
Barbara La Marr's (1896–1926) publicist once confessed: "There was no reason to lie about Barbara La Marr. Everything she said, everything she did was colored with news-value." When La Marr was sixteen, her older half-sister and a male companion reportedly kidnapped her, causing a sensation in the media. One year later, her behavior in Los Angeles nightclubs caused law enforcement to declare her "too beautiful" to be on her own in the city, and she was ordered to leave. When La Marr returned to Hollywood years later, her loveliness and raw talent caught the attention of producers and catapulted her to movie stardom. In the first full-length biography of the woman known as the "girl who was too beautiful," Sherri Snyder presents a complete portrait of one of the silent era's most infamous screen sirens. In five short years, La Marr appeared in twenty-six credited films, including The Prisoner of Zenda (1922), Trifling Women (1922), The Eternal City (1923), The Shooting of Dan McGrew (1924), and Thy Name Is Woman (1924). Yet by 1925—finding herself beset by numerous scandals, several failed marriages, a hidden pregnancy, and personal prejudice based on her onscreen persona—she fell out of public favor. When she was diagnosed with a fatal lung condition, she continued to work, undeterred, until she collapsed on set. She died at the age of twenty-nine. Few stars have burned as brightly and as briefly as Barbara La Marr, and her extraordinary life story is one of tempestuous passions as well as perseverance in the face of adversity. Drawing on never-before-released diary entries, correspondence, and creative works, Snyder's biography offers a valuable perspective on her contributions to silent-era Hollywood and the cinematic arts.
Author: Ryan Jay Friedman
Publisher: Rutgers University Press
ISBN: 081359359X
Category : Art
Languages : en
Pages : 265
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Book Description
The Movies as a World Force is the first analysis of utopian cinema writing; situating it in its proper intellectual contexts, theology, and political philosophy; and illustrating the ways in which its utopian imagination shapes and is shaped by the era's most prestigious film genre, the historical crowd epic.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 418
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Book Description
Author: Robert Emmet Sherwood
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 410
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Book Description
