Fernando Sor: Selected Studies Arranged for Electric Bass PDF Download
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Author: Paul Ballam-Cross
Publisher: Mel Bay Publications
ISBN: 1513459511
Category : Music
Languages : en
Pages : 56
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Book Description
This book presents selected studies by masterful 19th-century classical guitar composer Fernando Sor, arranged and edited for bass. Drawn from several of Sor’s collections of studies, this publication aims to provide electric bass players with material that is both didactic and enjoyable to play but could also be used in recital programs. A set of duets provides more advanced players with further study material. Written in standard notation and tablature.
Author: Paul Ballam-Cross
Publisher: Mel Bay Publications
ISBN: 1513459511
Category : Music
Languages : en
Pages : 56
Get Book Here
Book Description
This book presents selected studies by masterful 19th-century classical guitar composer Fernando Sor, arranged and edited for bass. Drawn from several of Sor’s collections of studies, this publication aims to provide electric bass players with material that is both didactic and enjoyable to play but could also be used in recital programs. A set of duets provides more advanced players with further study material. Written in standard notation and tablature.
Author: Paul Ballam-Cross
Publisher:
ISBN: 9781513467887
Category : Music
Languages : en
Pages : 0
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Book Description
This book presents selected studies by masterful 19th-century classical guitar composer Fernando Sor, arranged and edited for bass. Drawn from several of Sor's collections of studies, this publication aims to provide electric bass players with material that is both didactic and enjoyable to play but could also be used in recital programs. A set of duets provides more advanced players with further study material. Written in standard notation and tablature.
Author: Fred Paterno
Publisher: Mel Bay Publications
ISBN: 1619118785
Category : Music
Languages : en
Pages : 81
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Book Description
We have all heard bass lines that literally make the song. The purpose of this book is to integrate sight-reading ability with the facility to create such original and memorable bass lines. The author includes studies and examples in rock, blues, jazz, reggae, funk, Calypso and other styles- all while imparting new playing skills and essential music theory. This book is not a shortcut method, but rather offers a clear overall perspective of learning to play the bass in popular styles. The appendix includes information on key signatures, scale patterns, and a versatile chart of chord spellings from major triads to 13th chords. Written primarily in standard notation with a few fretboard scale diagrams, this book will give you the comprehensive fretboard knowledge and improved sight-reading ability you need to become The Literate Bassist you were meant to be!
Author: Frederick M. Noad
Publisher: Knopf Books for Young Readers
ISBN: 9780394731384
Category :
Languages : en
Pages :
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Book Description
Taken from original sources, and carefully fingered for the modern player, this guitar anthology is as faithful as possible to the original while offering a practical performing score. All the pieces are graded in difficulty, and some are appropriate for beginners. Includes works by Sor, Giuliani and other guitar masters from the early 19th Century.
Author: Fernando Sor
Publisher: Chanterelle
ISBN: 9780786637058
Category : Music
Languages : en
Pages : 192
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Book Description
The present new Urtext edition of Sor's didactic pieces takes a different approach to that taken by other editions even recent ones. In preparing the material for publication, Chanterelle strove to maintain a close adherence to the composer's own statements regarding the pieces as they appear in his various writings. At the same time, each individual reference was evaluated against other available historical evidence to determine the extent to which it truly repesents Sor's applied technique, the way he actually performed these pieces himself. Opp.6, 12, 29, 31, 35, 44 & 60, with Historical Notes, Full Commentary, Thematic Index, and Playing Suggestions.
Author: Neville H. Fletcher
Publisher: Springer Science & Business Media
ISBN: 0387216030
Category : Science
Languages : en
Pages : 763
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Book Description
While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
Author: Stanley Yates
Publisher: Mel Bay Publications
ISBN: 1609742656
Category : Music
Languages : en
Pages : 193
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Book Description
This comprehensive edition brings together all of the standard pieces in the adopted Albeniz guitar repertoire along with additional pieces that complete many of the suites and other groupings as published during the composer's lifetime. These solo arrangements were made while consulting the earliest editions of the piano originals, and are faithful to Albeniz tempo indications, dynamics, phrasing slurs, and other expression markings. the selections are: Pavana-Capriccio, Op. 12 (1992); Suite espanola, Op. 47 (1886); Recuerdos de viaje, Op. 92 (1888); Doce piezas espanolas, Op. 164 (1889); Espana, seis hojas de album, Op. 165 (1890); Serenata espanola (Cadiz, cancion), Op. 181 (1890); Mallorca, barcarola, Op. 202 (1890); Zambra granadina, danse orientale, WoO (1891); Cadiz-gaditana, WoO (1891); and Chants d'Espagne, Op. 232 (1891-1894). Carefully researched and meticulously fingered in the scholarly manner one would expect from Stanley Yates.
Author: Gerald P. Koocher
Publisher: Oxford University Press
ISBN: 019995769X
Category : Business & Economics
Languages : en
Pages : 673
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Book Description
Revised edition of the authors' Ethics in psychology and the mental health professions, 2008.
Author: Bernhard Siegert
Publisher: Fordham Univ Press
ISBN: 0823263770
Category : Social Science
Languages : en
Pages : 287
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Book Description
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
Author: Thomas D. Rossing
Publisher: Springer Science & Business Media
ISBN: 1441971106
Category : Science
Languages : en
Pages : 469
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Book Description
Thomas D. Rossing String instruments are found in almost all musical cultures. Bowed string instruments form the backbone of symphony orchestras, and they are used widely as solo inst- ments and in chamber music as well. Guitars are used universally in pop music as well as in classical music. The piano is probably the most versatile of all musical inst- ments, used widely not only in ensemble with other musical instruments but also as a solo instrument and to accompany solo instruments and the human voice. In this book, various authors will discuss the science of plucked, bowed, and hammered string instruments as well as their electronic counterparts. We have tried to tell the fascinating story of scienti?c research with a minimum of mathematics to maximize the usefulness of the book to performers and instrument builders as well as to students and researchers in musical acoustics. Sometimes, however, it is dif?cult to “translate” ideas from the exact mathematical language of science into words alone, so we include some basic mathematical equations to express these ideas. It is impossible to discuss all families of string instruments. Some instruments have been researched much more than others. Hopefully, the discussions in this book will help to encourage further scienti?c research by both musicians and scientists alike. 1.1 A Brief History of the Science of String Instruments Quite a number of good histories of acoustics have been written (Lindsay 1966, 1973; Hunt 1992; Beyer 1999), and these histories include musical acoustics.
