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Author: Edwin Seroussi
Publisher: Taylor & Francis
ISBN: 1000597555
Category : Music
Languages : en
Pages : 240
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Book Description
Sonic Ruins of Modernity shows how social, cultural and cognitive phenomena interact in the making and distribution of folksongs beyond their time. Through Judeo-Spanish (or Ladino) folksongs, the author illustrates a methodology for the interplay of individual memories, artistic initiatives, political and media policies, which ultimately shape “tradition” for the past century. He fleshes out in a series of case studies how folksongs can be conceived, performed and circulated in the post-tradition era – constituting each song as a “sonic ruin,” as an imagined place. At the same time, the book overall provides a unique perspective on the history of the Judeo-Spanish folksong.
Author: Edwin Seroussi
Publisher: Taylor & Francis
ISBN: 1000597555
Category : Music
Languages : en
Pages : 240
Get Book Here
Book Description
Sonic Ruins of Modernity shows how social, cultural and cognitive phenomena interact in the making and distribution of folksongs beyond their time. Through Judeo-Spanish (or Ladino) folksongs, the author illustrates a methodology for the interplay of individual memories, artistic initiatives, political and media policies, which ultimately shape “tradition” for the past century. He fleshes out in a series of case studies how folksongs can be conceived, performed and circulated in the post-tradition era – constituting each song as a “sonic ruin,” as an imagined place. At the same time, the book overall provides a unique perspective on the history of the Judeo-Spanish folksong.
Author: Heather Sparling
Publisher: Taylor & Francis
ISBN: 1000825752
Category : Music
Languages : en
Pages : 210
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Book Description
Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 600 songs relating to Atlantic Canadian disasters from 1891 up until the present and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials – informal memorials collectively and spontaneously created from a variety of objects by the general public – and disaster songs. The author identifies the features that define vernacular memorials and applies them to disaster songs: spontaneity, ephemerality, importance of place, motivations and meaning-making, content, as well as the role of media in inspiring and disseminating memorials and songs. Visit the companion website: www.disastersongs.ca.
Author: Tina Frühauf
Publisher: Oxford University Press
ISBN: 0197528627
Category : Music
Languages : en
Pages : 753
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Book Description
The Oxford Handbook of Jewish Music Studies is the most comprehensive and expansive critical handbook of Jewish music published to date. It is the first endeavor to address the diverse range of sounds, texts, archives, traditions, histories, geographic and political contexts, and critical discourses in the field. The thirty-one experts from thirteen countries who prepared the thirty original and groundbreaking chapters in this handbook are leaders in the disciplines of musicology and Jewish studies as well as adjacent fields. Chapters in the handbook provide a broad coverage of the subject area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections -- Land, City, Ghetto, Stage, Sacred and Ritual Spaces, Destruction / Remembrance, and Spirit -- the range and scope of The Oxford Handbook of Jewish Music Studies most significantly suggests a new framework for the study of Jewish music centered on spatiality and taking into consideration temporality and collectivity. Within each chapter, authors have selected what they consider to be the most important material relevant to their topic and, drawing on the most authoritative insights from historical and ethnomusicology, Jewish studies, history, anthropology, philology, religious studies, and the visual arts, have taken a genuinely inter- or transdisciplinary approach. Integrated chapter bibliographies provide material for further reading. Together the chapters form a first truly global look at Jewish music, incorporating studies from Central and East Asia, Europe, Australia, the Americas, and the Arab world. Together they span world history, from antiquity until the present day. As such, the Handbook provides a resource that researchers, scholars, and educators will use as the most important and authoritative overview of work within music and Jewish studies.
Author: William Tallotte
Publisher: Taylor & Francis
ISBN: 1000829251
Category : Music
Languages : en
Pages : 293
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Book Description
Music and Temple Ritual in South India: Performing for Śiva documents the musical practices of the periya mēḷam, a South Indian instrumental ensemble of professional musicians who perform during the rituals and festivals of high-caste (Brahmanical) Tamil Hindu temples dedicated to the Pan-Indian god Śiva – an important patron of music since at least the tenth century. It explores the ways in which music and ritual are mutually constitutive, illuminating the cultural logics whereby performing and listening are integral to the kinetic, sensory and affective experiences that enable, shape and stimulate ritual communication in present-day devotional Hinduism. More than a rich and vivid ethnographic description of a local tradition, the book also develops a comprehensive and original analytical model, in which music is understood as both a situated and creative activity, and where the fluid relationship between humans and non-humans, in this case divine beings, is truly taken into consideration.
Author: Ritwik Sanyal
Publisher: Taylor & Francis
ISBN: 1000845435
Category : Music
Languages : en
Pages : 422
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Book Description
Dhrupad is believed to be the oldest style of classical vocal music performed today in North India. This detailed study of the genre considers the relationship between the oral tradition, its transmission from generation to generation, and its re-creation in performance. There is an overview of the historical development of the dhrupad tradition and its performance style from the sixteenth to the nineteenth centuries, and of the musical lineages that carried it forward into the twentieth century, followed by analyses of performance techniques, processes and styles. The authors examine the relationship between the structures provided by tradition and their realization by the performer to throw light on the nature of tradition and creativity in Indian music; and the book ends with an account of the ‘revival’ movement of the late twentieth century that re-established the genre in new contexts. Augmented with an analytical transcription of a complete dhrupad performance, this is the first book-length study of an Indian vocal genre to be co-authored by an Indian practitioner and a Western musicologist.
Author: Nancy E. Berg
Publisher: University of Pennsylvania Press
ISBN: 1512827126
Category : Religion
Languages : en
Pages : 287
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Book Description
This volume explores the history of Jewish life and experience in the modern Islamic world Longing and Belonging investigates the histories of Jews living among Muslims from 1900 until 1950, both inside and outside the Ottoman Empire and after its demise. Here, modern Jewish protagonists are revealed as active participants in an expansive Islamic civilization, reflecting a mutuality and cross-fertilization in the region that raises new lines of inquiry and which offers enduring lessons for the world today. This collection both foregrounds the experiences of Jewish communities that have long been relegated to the margins of historical and literary studies and, critically, uses these experiences to complicate prevailing narratives from both Jewish and Middle Eastern Studies. By following communities from the coffeeshops of Cairo to the villages of Yemen, from the local marriage market in Izmir to the global commerce of the Sassoons, readers gain intimate insight into a world that resists a simple understanding of the modern Islamic world and of the history of Judaism. Just as much as the Sephardi and Mizrahi experience complicates prevailing paradigms in the study of Jewish modernity, so too does it enrich understandings of modernity across Muslim societies. The volume tells a story of longing, belonging, and longing to belong, of multiple affinities in a world that no longer exists. Contributors: Esra Almas, Nancy E. Berg, Dina Danon, Keren Dotan, Annie Greene, Alma Rachel Heckman, Hadar Feldman Samet, Joseph Sassoon, Edwin Seroussi, Alon Tam, Alan Verskin, Mark Wagner.
Author: Edwin Seroussi
Publisher: Routledge
ISBN: 9781032276540
Category : History
Languages : en
Pages : 0
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Book Description
Sonic Ruins of Modernity shows how social, cultural and cognitive phenomena interact in the making and distribution of folksongs beyond their time. Through Judeo-Spanish (or Ladino) folksongs, the author illustrates a methodology for the interplay of individual memories, artistic initiatives, political and media policies, which ultimately shape "tradition" for the past century. He fleshes out in a series of case studies how folksongs can be conceived, performed and circulated in the post-tradition era - constituting each song as a "sonic ruin," as an imagined place. At the same time, the book overall provides a unique perspective on the history of the Judeo-Spanish folksong.
Author: Aviad Moreno
Publisher: Indiana University Press
ISBN: 0253069688
Category : History
Languages : en
Pages : 263
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Book Description
Entwined Homelands, Empowered Diasporas explores how the 30,000 Jews in northern Morocco developed a sense of kinship with modern Spain, medieval Sepharad, and the broader Hispanophone world that was unlike anything experienced elsewhere. The Hispanic Moroccan Jewish diaspora, as this group is often called by its scholars and its community leaders, also became one of the most mobile and globally dispersed North African groups in the twentieth century, with major hubs in Venezuela, Argentina, Brazil, Peru, Spain, Israel, Canada, France, and the US, among others. Drawing on an array of communal sources from across this diaspora, Aviad Moreno explores how narratives of ancestry in Spain, Israel, Morocco, and several Latin American countries interconnected the diaspora, empowering its hubs across the globe throughout the twentieth century and beyond. By investigating these mechanisms of diaspora formation in a small community that once shared the same space in Morocco,Entwined Homelands, Empowered Diasporas challenges national accounts of the broader Jewish diasporas and adds complexity to the annals of multilayered ethnic communities on the move.
Author: Katelyn Barney
Publisher: Taylor & Francis
ISBN: 1000813401
Category : Music
Languages : en
Pages : 163
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Book Description
This book demonstrates the processes of intercultural musical collaboration and how these processes contribute to facilitating positive relationships between Indigenous and non-Indigenous peoples in Australia. Each of the chapters in this edited collection examines specific examples in diverse contexts, and reflects on key issues that underpin musical exchanges, including the benefits and challenges of intercultural music making. The collection demonstrates how these musical collaborations allow Indigenous and non-Indigenous people to work together, to learn from each other, and to improve and strengthen their relationships. The metaphor of the “third space” of intercultural music making is interwoven in different ways throughout this volume. While focusing on Indigenous Australian/non-Indigenous intercultural musical collaboration, the book will be of interest globally as a resource for scholars and postgraduate students exploring intercultural musical communication in countries with histories of colonisation, such as New Zealand and Canada.
Author: Jennifer Shryane
Publisher: Routledge
ISBN: 1317173708
Category : Music
Languages : en
Pages : 395
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Book Description
At the end of his life, Pierre Schaeffer commented that his musical and sound experiments had attempted to go beyond 'do-re-mi'. This had a direct bearing on Einstürzende Neubauten's musical philosophy and work, with the musicians always striving to extend the boundaries of music in sound, instrumentation and purpose. The group are one of the few examples of 'rock-based' artists who have been able to sustain a breadth and depth of work in a variety of media over a number of years while remaining experimental and open to development. Jennifer Shryane provides a much-needed analysis of the group's important place in popular/experimental music history. She illustrates their innovations with found- and self-constructed instrumentation, their Artaudian performance strategies and textual concerns, as well as their methods of independence. Einstürzende Neubauten have also made a consistent and unique contribution to the development of the independent German Language Contemporary Music scene, which although often acknowledged as influential, is still rarely examined.
