Author: Vance Randolph
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 456

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Author: John Harrington Cox
Publisher:
ISBN:
Category : American ballads and songs
Languages : en
Pages : 606

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Author: Jim Korkis
Publisher:
ISBN: 9780984341559
Category : African Americans in motion pictures
Languages : en
Pages : 276

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Brer Rabbit. Uncle Remus. Song of the South. Racist? Disney thinks so. And that's why it has forbidden the theatrical re-release of its classic film Song of the South since 1986. But is the film racist? Are its themes, its characters, even its music so abominable that Disney has done us a favor by burying the movie in its infamous Vault, where the Company claims it will remain for all time? Disney historian Jim Korkis does not think so. In his newest book, Who's Afraid of the Song of the South?, Korkis examines the film from concept to controversy, and reveals the politics that nearly scuttled the project. Through interviews with many of the artists and animators who created Song of the South, and through his own extensive research, Korkis delivers both the definitive behind-the-scenes history of the film and a balanced analysis of its cultural impact. What else would Disney prefer you did not know? Plenty. Korkis also pulls back the curtain on such dubious chapters in Disney history as: Disney's cinematic attack on venereal disease Ward Kimball's obsession with UFOs Tim Burton's depressed stint at the Disney Studios Walt Disney's nightmares about his stomping an owl to death Wally Wood's Disneyland Memorial Orgy poster J. Edgar Hoover's hefty FBI file on Walt Disney Little Black Sunflower's animated extinction Plus 10 more forbidden tales that Disney wishes would go away. Whether you're a film buff, an armchair academic, or a Disney fan eager to peek behind Disney's magical (and tightly controlled) curtain, you'll discover lots you never knew about Disney. With a foreword by Disney Legend Floyd Norman, Who's Afraid of the Song of the South? is both authoritative and entertaining. Jim Korkis is the best-selling author of Vault of Walt, and has been researching and writing about Disney for over three decades. The Disney Company itself uses his expertise for special projects. Korkis resides in Orlando, Florida.

Author: Vance Randolph
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 456

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Author: Howard Washington Odum
Publisher: Chapel Hill : University of North Carolina Press
ISBN:
Category : African American songs
Languages : en
Pages : 336

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Author: Qu Yuan
Publisher: Penguin UK
ISBN: 0141971266
Category : Poetry
Languages : en
Pages : 465

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The Songs of the South is an anthology first compiled in the second century A.D. Its poems, originating from the state of Chu and rooted in Shamanism, are grouped under seventeen titles and contain all that we know of Chinese poetry's ancient beginnings. The earliest poems were composed in the fourth century B.C. and almost half of them are traditionally ascribed to Qu Yuan.

Author: Ed Southern
Publisher: Blair
ISBN: 9781958888087
Category :
Languages : en
Pages : 0

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A wry and witty commentary on college sports and identity in the complicated social landscape of the South. Ed Southern, lifelong fan of the Wake Forest University Demon Deacons, the smallest school in the NCAA's Power 5, set out to tell the story of how he got tangled, in vines of history and happenstance, with the two giants of his favorite sport: the Crimson Tide and the Clemson Tigers. He set out to tell how a North Carolina native crossed the shifty, unmarked border between Tobacco Road and the Deep South. He set out to tell how the legendary Paul "Bear" Bryant, from beyond the grave, introduced him to his wife, a Birmingham native and die-hard Alabama fan. While he was writing that story, though, 2020 came along. Suddenly his questions had a new and urgent focus: Why do sports mean so much that so many will play and watch them in the face of a global pandemic? How have the South's histories shaped its fervor for college sports? How have college sports shaped how southerners construct their identities, priorities, and allegiances? Why is North Carolina passionate about college basketball when its neighbors to the South live and die by college football? Does this have anything to do with North Carolina's reputation as the most "progressive" southern state, a state many in the Deep South don't think is "really" southern? If college sports really do mean so much in the South, then why didn't everyone down south wear masks or recognize that Black Lives Matter, even after the coaches told us to? Fight Songs explores the connections and contradictions between the teams we root for and the places we plant our roots; between the virtues that sports are supposed to teach and the cutthroat business they've become; between the hopes of fans and the demands of the past, present, and future.

Author: Freeman Edwin Miller
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 220

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Author: Josiah H. Combs
Publisher: University of Texas Press
ISBN: 0292772718
Category : Music
Languages : en
Pages : 283

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“The spirit of balladry is not dead, but slowly dying. The instincts, sentiments, and feelings which it represents are indeed as immortal as romance itself, but their mode of expression, the folksong, is fighting with its back to the wall, with the odds against it in our introspective age.” This statement by Josiah Henry Combs is that of a man who grew up among the members of a singing family in one of the last strongholds of the ballad-making tradition, the Southern Highlands of the United States. Combs was born in 1886 in Hazard, Kentucky, the heart of the mountain feud area—a significant background for one who was to take a prominent part in the “ballad war” of the 1900s. Combs’s intimate knowledge of folk culture and his grasp of the scholarly literature enabled him to approach the ballad controversy with common sense as well as with some of the heat generated by the dispute. Although in the early twentieth century there was probably no more controversy about the nature of the folk and folksong than there is today, it was a different kind of controversy. Many theories of the origins of folksong current at that time, such as the alleged relationship of traditional ballads to “primitive poetry,” did not take into account contemporary evidence. Combs said, “Here as elsewhere, I go directly to the folk for much of my information, allowing the songs, language, names, customs . . . of the people to help settle the problem of ancestry. . . . In brief, a conscientious study of the lore of the folk cannot be separated from the folk itself.” Folk-Songs du Midi des États-Unis, published as a doctoral dissertation at the University of Paris in 1925, was an introduction to the study of the folksong of the Southern Appalachians, together with a selection of folksong texts collected by Combs. Folk-Songs of the Southern United States, the first publication of that work in English, is based on the French text and Combs’s English draft. To this edition is appended an annotated listing of all songs in the Josiah H. Combs Collection in the Western Kentucky Folklore Archive at the University of California, Los Angeles. The appendix also includes the texts of selected songs. The aim of this edition is to make the contents of the original volume more readily available in English and to provide an index to the Combs Collection that may be drawn upon by students of folksong. The book also offers texts of over fifty songs of British and American origin as sung in the Southern Highlands.

Author: Jennie Thornley Clarke
Publisher: Philadelphia, J. B. Lippincott Company
ISBN:
Category : American literature Southern States
Languages : en
Pages : 396

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