Songs of the Royal Zhōu and the Royal Shào PDF Download
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Author: Dirk Meyer
Publisher: BRILL
ISBN: 9004512438
Category : Poetry
Languages : en
Pages : 234
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Book Description
The songs of the Royal Zhōu (“Zhōu Nán” 周南) and of the Royal Shào (“Shào Nán” 召南) have formed a conceptual unit since at least the late Spring and Autumn period (771–453 BC). With this book Meyer and Schwartz provide a first complete reading of their earliest, Warring States (453–221 BC), iteration as witnessed by the Ānhuī University manuscripts. As a thought experiment, the authors seek to establish an emic reading of these songs, which they contextualise in the larger framework of studies of the Shī (Songs) and of meaning production during the Warring States period more broadly. The analysis casts light on how the Songs were used by different groups during the Warring States period.
Author: Dirk Meyer
Publisher: BRILL
ISBN: 9004512438
Category : Poetry
Languages : en
Pages : 234
Get Book Here
Book Description
The songs of the Royal Zhōu (“Zhōu Nán” 周南) and of the Royal Shào (“Shào Nán” 召南) have formed a conceptual unit since at least the late Spring and Autumn period (771–453 BC). With this book Meyer and Schwartz provide a first complete reading of their earliest, Warring States (453–221 BC), iteration as witnessed by the Ānhuī University manuscripts. As a thought experiment, the authors seek to establish an emic reading of these songs, which they contextualise in the larger framework of studies of the Shī (Songs) and of meaning production during the Warring States period more broadly. The analysis casts light on how the Songs were used by different groups during the Warring States period.
Author: Qu Yuan
Publisher: Penguin UK
ISBN: 0141971266
Category : Poetry
Languages : en
Pages : 465
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Book Description
The Songs of the South is an anthology first compiled in the second century A.D. Its poems, originating from the state of Chu and rooted in Shamanism, are grouped under seventeen titles and contain all that we know of Chinese poetry's ancient beginnings. The earliest poems were composed in the fourth century B.C. and almost half of them are traditionally ascribed to Qu Yuan.
Author: Joseph Roe Allen
Publisher: Grove Press
ISBN: 9780802134776
Category : Fiction
Languages : en
Pages : 420
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Book Description
Joseph R. Allen's new edition of The Book of Songs restores Arthur Waley's definitive English translations to the original order and structure of the two-thousand-year-old Chinese text. One of the five Confucian classics, The Book of Songs is the oldest collection of poetry in world literature and the finest treasure of traditional songs that antiquity has left us. Arthur Waley's translations, now supplemented by fifteen new translations by Allen, are superb; the songs speak to us across millennia with remarkable directness and power. Where the other Confucian classics treat "outward things, deeds, moral precepts, the way the world works", Stephen Owen tells us in his foreword, The Book of Songs is "the Classic of the human heart and the human mind".
Author: Ping-Chiu Yen
Publisher: Upa
ISBN:
Category : Health & Fitness
Languages : en
Pages : 328
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Book Description
This book offers a comparative analysis of the Canadian and American health care systems, and it also explicates and criticizes both Norman Daniels' fair equality of opportunity argument for a right to health care and Allan Buchanon's enforced beneficence argument for a right to a decent minimum of health care. Cust advances an argument, based on David Gauthier's Morals by Agreement, that people have a right to a just minimum of health care. The significance of Cust's book is that the main argument is based on four important notions central to contemporary social, moral, and political theory: namely, the notions of liberty, equality, consent, and mutual advantage.
Author: Kang-i Sun Chang
Publisher: Cambridge University Press
ISBN: 9780521855587
Category : Literary Criticism
Languages : en
Pages : 748
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Book Description
Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.
Author: Fritz-Heiner Mutschler
Publisher: Cambridge Scholars Publishing
ISBN: 1527523799
Category : Literary Criticism
Languages : en
Pages : 509
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Book Description
The Homeric epics and the Book of Songs are not just the fountainheads of the Western and Chinese literary traditions; for centuries they played a central role in education and communal life, and thus exercised a lasting influence on both civilizations. This volume presents the first systematic comparison of the two corpora. Part One analyzes their genesis and their reception, while Part Two discusses their characteristics as poetic creations. The book brings together Chinese and Western sinologists and classicists, and so promotes significant interdisciplinary and intercultural dialogue. Though the contributors rank among the leading experts in their fields, the essays here are accessible not only to their peers, but also to the interested ‘general reader’, and so to all those who seek a deeper understanding of Chinese and Western civilizations, their common human basis and their characteristic differences.
Author:
Publisher:
ISBN: 0511217773
Category :
Languages : en
Pages :
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Book Description
Author: Hongkyung Kim
Publisher: Oxford University Press
ISBN: 0197550940
Category : Philosophy
Languages : en
Pages :
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Book Description
For its extensive research and novel interpretations, Dasan's Noneo gogeum ju (Old and New Commentaries of the Analects) is considered in Korean Studies a crystallization of Dasan's study of the Confucian classics. Dasan (Jeong Yak-yong: 1762-1836) attempted to synthesize and supersede the lengthy scholarly tradition of the classical studies of the Analects, leading to work that not only proved to be one of the greatest achievements of Korean Confucianism but also definitively demonstrated innovative prospects for the study of Confucian philosophy. It is one of the most groundbreaking works among all Confucian legacies in East Asia. Originally consisting of forty volumes in traditional bookbinding, Noneo gogeum ju contains one hundred and seventy-five new interpretations on the Analects, hundreds of arguments about the neo-Confucian commentaries on the Analects, hundreds of references to scholarly works on the Analects, thousands of supporting quotations from various East Asian classics for the author's arguments, and hundreds of philological discussions. This book is the fourth volume of an English translation of Noneo gogeum ju and includes the translator's comments on the innovative ideas and interpretations of Dasan's commentaries.
Author: Robert N. Bellah
Publisher: Harvard University Press
ISBN: 0674061438
Category : History
Languages : en
Pages : 777
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Book Description
A New York Times Book Review Editors’ Choice An ABC Australia Best Book on Religion and Ethics of the Year Distinguished Book Award, Sociology of Religion Section of the American Sociological Association Religion in Human Evolution is a work of extraordinary ambition—a wide-ranging, nuanced probing of our biological past to discover the kinds of lives that human beings have most often imagined were worth living. It offers what is frequently seen as a forbidden theory of the origin of religion that goes deep into evolution, especially but not exclusively cultural evolution. “Of Bellah’s brilliance there can be no doubt. The sheer amount this man knows about religion is otherworldly...Bellah stands in the tradition of such stalwarts of the sociological imagination as Emile Durkheim and Max Weber. Only one word is appropriate to characterize this book’s subject as well as its substance, and that is ‘magisterial.’” —Alan Wolfe, New York Times Book Review “Religion in Human Evolution is a magnum opus founded on careful research and immersed in the ‘reflective judgment’ of one of our best thinkers and writers.” —Richard L. Wood, Commonweal
Author: YANG YUANZHENG
Publisher: Hong Kong University Press
ISBN: 9888805665
Category : Music
Languages : en
Pages : 317
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Book Description
Grounded in a desire to bring back to life rare items from the University of Hong Kong’s Fung Ping Shan Library that are entwined within the world of music and to place them in a context of books and images in American, British, and other Asian collections, Chinese Music in Print views the library as a repository not of information but of artifact, and then uses these artifacts as a means for generating scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis Shen Cai’s calligraphy and poetry. Confucianism was itself a crucial aspect of courtly life, and an exploration of its ritual is the book’s second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favourite instrument, the qin. The final chapter ends the journey with discussion of the legacy of generations of Europeans who have visited China and their contribution to the understanding of a more vernacular instrument, the erhu. “Like the 2021 exhibition called ‘Music in Print’ that preceded it, this exploration of Chinese music history introduces many rare books from the University of Hong Kong Libraries. The essays combine professional expertise in musicology with an excellent grasp of traditional bibliography, which allows the one to illuminate the other. Bravo!” —J. S. Edgren, Princeton University “I am most impressed by the critical reading of the author who excels in classical studies, whose expertise in calligraphy, seals, editions, and other related disciplines in Sinology is admirable. His meticulous investigation into the complicated situation regarding the book printing business of dynastic China is professional and convincing.” —Yu Siu-wah, chief editor of Anthology of Chinese Folk and Ethnic Instrumental Music: The Hong Kong Volume “Such a wide-ranging but meticulously researched book that now contextualizes the dissemination and transmission of music into the discussion of manuscript and printed culture in China will clearly be an important addition to the holdings of libraries supporting Chinese studies and book studies broadly taken, as well as those supporting the study of music. Obviously, it will be of direct importance for specialists in East Asian book studies and for musicologists of East Asian traditions.” —Elizabeth Markham, University of Arkansas “This beautifully illustrated and carefully edited book is the first English-language monograph dedicated exclusively to the history of Chinese music as captured through the medium of print. It introduces a host of new sources and methodologies to the English-speaking public, fruitfully complicates established narratives of music history and of print cultures in both East and West, and offers a vital building-block for the creation of a truly global music history.” —Karl Kügle, University of Oxford
