Author: Thomas Campion
Publisher:
ISBN:
Category : Songs with lute
Languages : en
Pages : 56
Book Description
Songs from Rosseter's Book of Airs, 1601
Author: Thomas Campion
Publisher:
ISBN:
Category : Songs with lute
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Songs with lute
Languages : en
Pages : 56
Book Description
Songs from Rosseter's Book of Airs, 1601
Author: Philip Rosseter
Publisher:
ISBN:
Category : Songs with lute
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Songs with lute
Languages : en
Pages : 52
Book Description
The Songs from Rosseter's Book of Airs (1601)
Author: Thomas Campion
Publisher:
ISBN:
Category : Songs with lute
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Songs with lute
Languages : en
Pages : 52
Book Description
Songs from Rosseter's Book of Airs
Author: Philip Rosseter
Publisher:
ISBN:
Category : Songs (Medium voice) with lute
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Songs (Medium voice) with lute
Languages : en
Pages : 44
Book Description
Songs from Rosseter's Book of Airs: Sweet, come again. And would you see my mistress' face? No grave for woe. If I urge my kind desires. What heart's content? Let him that will be free. Reprove not love. And would you fain the reason know? When Laura smiles. Long have mine eyes gazed
Author: Philip Rosseter
Publisher:
ISBN:
Category : Songs (Medium voice) with lute
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Songs (Medium voice) with lute
Languages : en
Pages : 40
Book Description
First Book of Songs Or Airs, 1605
Author: Francis Pilkington
Publisher:
ISBN:
Category : Songs (Medium voice) with lute
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Songs (Medium voice) with lute
Languages : en
Pages : 60
Book Description
First Booke of Songs Or Airs
Author: Francis Pilkington
Publisher:
ISBN:
Category : Songs with lute
Languages : en
Pages : 68
Book Description
Publisher:
ISBN:
Category : Songs with lute
Languages : en
Pages : 68
Book Description
Lyrics from the Song-books of the Elizabethan Age
Author: Arthur Henry Bullen
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 250
Book Description
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 250
Book Description
Songs Included in Michael Cavendish's Booke of Ayres and Madrigalles, 1598
Author: Michael Cavendish
Publisher:
ISBN:
Category : Ayres
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Ayres
Languages : en
Pages : 56
Book Description
Gender and Song in Early Modern England
Author: Leslie C. Dunn
Publisher: Routledge
ISBN: 1317130472
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.
Publisher: Routledge
ISBN: 1317130472
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.