Author: Michael Hudson
Publisher: Church Publishing
ISBN: 9780898694192
Category : Music
Languages : en
Pages : 0
Book Description
"What I particularly appreciated as I read through these texts is that each one is an engaging meditation that combines sound theology with poetic skill. I think they would be an enrichment to any worshiping community and certainly food for personal reflection and prayer." The Most Rev. Frank T. Griswold, Presiding Bishop of the Episcopal Church Before Michael Hudson was ordained, he was a successful songwriter in the Contemporary Christian field with 75 hymns to his credit. As his journey led him to become a liberal Anglican, he turned his considerable skill at matching text and tune to writing hymn texts. He began a spiritual discipline of writing a text for each of the gospels of the three-year cycle of Scripture readings. The result is a collection of 153 beautiful, evocative, and very singable poetic hymn texts. Each text can be sung to at least one familiar hymn tune, making the material easily accessible to congregations. A hymn tune index and a thematic index provide additional planning possibilities. Based on the Episcopal lectionary in the Book of Common Prayer, hymn tunes are suggested for each text and are indexed metrically so that substitutions may be made when necessary. Songs may be reproduced for congregational use.
Songs for the Cycle
Author: Michael Hudson
Publisher: Church Publishing
ISBN: 9780898694192
Category : Music
Languages : en
Pages : 0
Book Description
"What I particularly appreciated as I read through these texts is that each one is an engaging meditation that combines sound theology with poetic skill. I think they would be an enrichment to any worshiping community and certainly food for personal reflection and prayer." The Most Rev. Frank T. Griswold, Presiding Bishop of the Episcopal Church Before Michael Hudson was ordained, he was a successful songwriter in the Contemporary Christian field with 75 hymns to his credit. As his journey led him to become a liberal Anglican, he turned his considerable skill at matching text and tune to writing hymn texts. He began a spiritual discipline of writing a text for each of the gospels of the three-year cycle of Scripture readings. The result is a collection of 153 beautiful, evocative, and very singable poetic hymn texts. Each text can be sung to at least one familiar hymn tune, making the material easily accessible to congregations. A hymn tune index and a thematic index provide additional planning possibilities. Based on the Episcopal lectionary in the Book of Common Prayer, hymn tunes are suggested for each text and are indexed metrically so that substitutions may be made when necessary. Songs may be reproduced for congregational use.
Publisher: Church Publishing
ISBN: 9780898694192
Category : Music
Languages : en
Pages : 0
Book Description
"What I particularly appreciated as I read through these texts is that each one is an engaging meditation that combines sound theology with poetic skill. I think they would be an enrichment to any worshiping community and certainly food for personal reflection and prayer." The Most Rev. Frank T. Griswold, Presiding Bishop of the Episcopal Church Before Michael Hudson was ordained, he was a successful songwriter in the Contemporary Christian field with 75 hymns to his credit. As his journey led him to become a liberal Anglican, he turned his considerable skill at matching text and tune to writing hymn texts. He began a spiritual discipline of writing a text for each of the gospels of the three-year cycle of Scripture readings. The result is a collection of 153 beautiful, evocative, and very singable poetic hymn texts. Each text can be sung to at least one familiar hymn tune, making the material easily accessible to congregations. A hymn tune index and a thematic index provide additional planning possibilities. Based on the Episcopal lectionary in the Book of Common Prayer, hymn tunes are suggested for each text and are indexed metrically so that substitutions may be made when necessary. Songs may be reproduced for congregational use.
The Song Cycle
Author: Laura Tunbridge
Publisher: Cambridge University Press
ISBN: 0521896444
Category : Music
Languages : en
Pages : 255
Book Description
Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --
Publisher: Cambridge University Press
ISBN: 0521896444
Category : Music
Languages : en
Pages : 255
Book Description
Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --
A Cycle Of Life: Five Songs
Author: Landon Ronald
Publisher: Legare Street Press
ISBN: 9781015540699
Category : History
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781015540699
Category : History
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Song
Author: Carol Kimball
Publisher: Hal Leonard Corporation
ISBN: 9781423412809
Category : Music
Languages : en
Pages : 604
Book Description
Naslagwerk van de liedkunst en de literatuur hierover.
Publisher: Hal Leonard Corporation
ISBN: 9781423412809
Category : Music
Languages : en
Pages : 604
Book Description
Naslagwerk van de liedkunst en de literatuur hierover.
Essays on the Song Cycle and on Defining the Field
Author:
Publisher: BRILL
ISBN: 900448874X
Category : History
Languages : en
Pages : 272
Book Description
This volume assembles twelve interdisciplinary essays that were originally presented at the Second International Conference on Word and Music Studies at Ann Arbor, MI, in 1999, a conference organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on two centres of interest. The first deals with general issues of literature and music relations from culturalist, historical, reception-aesthetic and cognitive points of view. It covers issues such as conceptual problems in devising transdisciplinary histories of both arts, cultural functions of opera as a means of reflecting postcolonial national identity, the problem of verbalizing musical experience in nineteenth-century aesthetics and of understanding reception processes triggered by musicalized fiction. The second centre of interest deals with a specific genre of vocal music as an obvious area of word and music interaction, namely the song cycle. As a musico-literary genre, the song cycle not only permits explorations of relations between text and music in individual songs but also raises the question if, and to what extent words and/or music contribute to creating a larger unity beyond the limits of single songs. Elucidating both of these issues with stimulating diversity the essays in this section highlight classic nineteenth- and twentieth-century song cycles by Franz Schubert, Robert Schumann, Hugo Wolf, Richard Strauss and Benjamin Britten and also include the discussion of a modern successor of the song cycle, the concept album as part of today’s popular culture.
Publisher: BRILL
ISBN: 900448874X
Category : History
Languages : en
Pages : 272
Book Description
This volume assembles twelve interdisciplinary essays that were originally presented at the Second International Conference on Word and Music Studies at Ann Arbor, MI, in 1999, a conference organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on two centres of interest. The first deals with general issues of literature and music relations from culturalist, historical, reception-aesthetic and cognitive points of view. It covers issues such as conceptual problems in devising transdisciplinary histories of both arts, cultural functions of opera as a means of reflecting postcolonial national identity, the problem of verbalizing musical experience in nineteenth-century aesthetics and of understanding reception processes triggered by musicalized fiction. The second centre of interest deals with a specific genre of vocal music as an obvious area of word and music interaction, namely the song cycle. As a musico-literary genre, the song cycle not only permits explorations of relations between text and music in individual songs but also raises the question if, and to what extent words and/or music contribute to creating a larger unity beyond the limits of single songs. Elucidating both of these issues with stimulating diversity the essays in this section highlight classic nineteenth- and twentieth-century song cycles by Franz Schubert, Robert Schumann, Hugo Wolf, Richard Strauss and Benjamin Britten and also include the discussion of a modern successor of the song cycle, the concept album as part of today’s popular culture.
Schumann's Eichendorff Liederkreis and the Genre of the Romantic Cycle
Author: David Ferris
Publisher: Oxford University Press
ISBN: 0195352408
Category : Music
Languages : en
Pages : 281
Book Description
This new study draws on analysis, literary criticism, and source studies to propose a new conception of the nineteenth-century romantic cycle. Rather than a unified whole, the cycle is seen as a fragmentary and open-ended form, which enables Schumann to express the romantic themes of transcendence and ineffability in musical terms.
Publisher: Oxford University Press
ISBN: 0195352408
Category : Music
Languages : en
Pages : 281
Book Description
This new study draws on analysis, literary criticism, and source studies to propose a new conception of the nineteenth-century romantic cycle. Rather than a unified whole, the cycle is seen as a fragmentary and open-ended form, which enables Schumann to express the romantic themes of transcendence and ineffability in musical terms.
The Faure Song Cycles
Author: Stephen Rumph
Publisher: Univ of California Press
ISBN: 0520969901
Category : Music
Languages : en
Pages : 277
Book Description
Gabriel Fauré’s mélodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Fauré moved systematically through his poetic contemporaries, exhausting Baudelaire’s Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural issues of the period, Fauré reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Fauré Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré’s musical readings. This book offers not only close readings of Fauré’s musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.
Publisher: Univ of California Press
ISBN: 0520969901
Category : Music
Languages : en
Pages : 277
Book Description
Gabriel Fauré’s mélodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Fauré moved systematically through his poetic contemporaries, exhausting Baudelaire’s Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural issues of the period, Fauré reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Fauré Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré’s musical readings. This book offers not only close readings of Fauré’s musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.
Songs of Old Ireland
Author: Charles Villiers Stanford
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 158
Book Description
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 158
Book Description
All Music Guide to Classical Music
Author: Chris Woodstra
Publisher: Hal Leonard Corporation
ISBN: 9780879308650
Category : Music
Languages : en
Pages : 1620
Book Description
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Publisher: Hal Leonard Corporation
ISBN: 9780879308650
Category : Music
Languages : en
Pages : 1620
Book Description
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Franz Liszt’s Songs for Voice and Piano
Author: Małgorzata Gamrat
Publisher: BRILL
ISBN: 9004548866
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
How does a Romantic composer approach the poetry he sets: as raw material to be remade, a pretext for self-expression, a sanctified artefact, or a message to be illustrated with music? In my book, I examine Franz Liszt’s songs for voice and piano, which remain little known to scholars, artists, and music lovers alike. The objective is to present Liszt’s songs in all their complexity and diversity as well as identifying the key elements of the composer’s broadly understood song-writing technique – both those that make him unique and those that relate him to the European tradition. This approach also makes it possible to shed light on a major though previously neglected aspect of the composer’s workshop, namely, his work with the poetic text, which to Liszt was just as important as the musical setting.
Publisher: BRILL
ISBN: 9004548866
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
How does a Romantic composer approach the poetry he sets: as raw material to be remade, a pretext for self-expression, a sanctified artefact, or a message to be illustrated with music? In my book, I examine Franz Liszt’s songs for voice and piano, which remain little known to scholars, artists, and music lovers alike. The objective is to present Liszt’s songs in all their complexity and diversity as well as identifying the key elements of the composer’s broadly understood song-writing technique – both those that make him unique and those that relate him to the European tradition. This approach also makes it possible to shed light on a major though previously neglected aspect of the composer’s workshop, namely, his work with the poetic text, which to Liszt was just as important as the musical setting.