Songs and Masques PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Songs and Masques PDF full book. Access full book title Songs and Masques by Thomas Campion. Download full books in PDF and EPUB format.
Author: Thomas Campion
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 344
Get Book Here
Book Description
Author: Thomas Campion
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 344
Get Book Here
Book Description
Author: Roger Savage
Publisher: Boydell & Brewer Ltd
ISBN: 1843839199
Category : Music
Languages : en
Pages : 404
Get Book Here
Book Description
Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) and on the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the more familiar images of the May festival, the Mummers' play and the pageant play, which are tellingly re-contextualised. The book also looks at the associations between Vaughan Williams, the theatre artist Edward Gordon Craig and the impresario Serge Diaghilev. The sequence is framed by the image of the pilgrim-vagabond Vaughan Williams's setting of the poetry of Matthew Arnold and Robert Louis Stevenson as a metaphor and paradigm for his creative career and personal progress. The book not only sheds light on the activities and ambitions of principal agents but also illuminates a particularly dynamic moment in the re-emergence of a distinctively English music-theatrical practice: one especially concerned with calling on aspects of the past to help to secure a worthwhile future. Notions of Englishness turn out to be less insular than sometimes thought and the idea of a 'musical renaissance' more complex when the case-studies are understood in their proper historical context. Scholars and students of twentieth-century English music, theatre and opera will find this volume indispensable. Roger Savage is Honorary Fellow in English Literature at the University of Edinburgh. He has published widely on theatre and its interface with music from the baroque to the twentieth century in leading journals and books.
Author: James G. McManaway
Publisher: Associated University Presses
ISBN: 9780918016485
Category : Literary Criticism
Languages : en
Pages : 442
Get Book Here
Book Description
This volume is designed to pay homage to the scholarship of James G. McManaway, and at the same time to make the best of that scholarship available to a wider audience. Twenty-one essays testify to the distinguished career of this editor, scholar, and teacher. Illustrated.
Author: William Lawes
Publisher: A-R Editions, Inc.
ISBN: 0895795205
Category : Music
Languages : en
Pages : 112
Get Book Here
Book Description
xxxi + 78 pp., plus 3 facsimile pages
Author: Herbert Arthur Evans
Publisher: London, Blackie
ISBN:
Category : English drama
Languages : en
Pages : 338
Get Book Here
Book Description
Author: Naomi Andre
Publisher: University of Illinois Press
ISBN: 0252093895
Category : Music
Languages : en
Pages : 306
Get Book Here
Book Description
Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.
Author: Walter Wilson Greg
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 212
Get Book Here
Book Description
Author: Kristin Rygg
Publisher: Pendragon Press
ISBN: 9781576470732
Category : Juvenile Nonfiction
Languages : en
Pages : 310
Get Book Here
Book Description
Exploring the English court masque as music theater, Rygg (musicology, Hedmark College, Norway) finds that particularly the Jonsonian masque of the first third of the 17th century carried within it a potential function as an early modern mystery with roots in the ancient Pythagorean school. It was a mystery, she says, in which poetry, music, and dance were prime vehicles of transcendence. No information is provided about the series the volumes seems to begin. Annotation copyrighted by Book News Inc., Portland, OR
Author: Waldo Selden Pratt
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1024
Get Book Here
Book Description
Author: Katherine R. Larson
Publisher: Oxford University Press
ISBN: 0192581937
Category : Music
Languages : en
Pages : 266
Get Book Here
Book Description
Given the variety and richness of the sixteenth- and seventeenth-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective The Matter of Song in Early Modern England considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. These features can resist critical analysis but were vital to song's affective workings in the early modern period. The volume foregrounds the need to attend much more closely to the embodied and musical dimensions of literary production and circulation in sixteenth- and seventeenth-century England. It also makes an important and timely contribution to our understanding of women's engagement with song as writers and as performers. A companion recording of fourteen songs featuring Larson (soprano) and Lucas Harris (lute) brings the project's innovative methodology and central case studies to life.
