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Author: Allan F. Moore
Publisher: Routledge
ISBN: 131705265X
Category : Music
Languages : en
Pages : 463
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Book Description
The musicological study of popular music has developed, particularly over the past twenty years, into an established aspect of the discipline. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details of popular music theory. However, this focus on the what of musical detail has left largely untouched the larger question - so what? What are the consequences of such theorization and analysis? Scholars from outside musicology have often argued that too close a focus on musicological detail has left untouched what they consider to be more urgent questions related to reception and meaning. Scholars from inside musicology have responded by importing into musicological discussion various aspects of cultural theory. It is in that tradition that this book lies, although its focus is slightly different. What is missing from the field, at present, is a coherent development of the what into the so what of music theory and analysis into questions of interpretation and hermeneutics. It is that fundamental gap that this book seeks to fill. Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, and lyrics. These latter areas are highly significant in the experience of many listeners, but are frequently ignored or poorly treated in analytical work. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (strategies originating, in the most part, within psychology and philosophy) but still deeply r
Author: Allan F. Moore
Publisher: Routledge
ISBN: 131705265X
Category : Music
Languages : en
Pages : 463
Get Book Here
Book Description
The musicological study of popular music has developed, particularly over the past twenty years, into an established aspect of the discipline. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details of popular music theory. However, this focus on the what of musical detail has left largely untouched the larger question - so what? What are the consequences of such theorization and analysis? Scholars from outside musicology have often argued that too close a focus on musicological detail has left untouched what they consider to be more urgent questions related to reception and meaning. Scholars from inside musicology have responded by importing into musicological discussion various aspects of cultural theory. It is in that tradition that this book lies, although its focus is slightly different. What is missing from the field, at present, is a coherent development of the what into the so what of music theory and analysis into questions of interpretation and hermeneutics. It is that fundamental gap that this book seeks to fill. Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, and lyrics. These latter areas are highly significant in the experience of many listeners, but are frequently ignored or poorly treated in analytical work. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (strategies originating, in the most part, within psychology and philosophy) but still deeply r
Author: Theodore Gracyk
Publisher: Bloomsbury Publishing
ISBN: 1350249114
Category : Philosophy
Languages : en
Pages : 257
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Book Description
Winner, ASA (American Society for Aesthetics) 2023 Outstanding Monograph Prize For Theodore Gracyk meaning in popular music depends as much on the context of reception and performer's intentions as on established musical and semantic practices. Songs are structures that serve as the scaffolding for meaning production, influenced by the performance decisions of the performer and their intentions. Arguing against prevailing theories of meaning that ignore the power of the performance, Gracyk champions the contextual relevance of the performer as well as novel messaging through creative repurposing of recordings. Extending the philosophical insight that meaning is a function of use, Gracyk explains how both the performance persona and the personal life of a song's performer can contribute to (or undercut) ethical and political aspects of a performance or recording. Using Carly Simon's “You're So Vain”, Pink Floyd, the emergence of the musical genre of post-punk and the practice of “cover” versions, Gracyk explores the multiple, sometimes contradictory, notions of authenticity applied to popular music and the conditions for meaningful communication. He places popular music within larger cultural contexts and examines how assigning a performance or recording to one music genre rather than another has implications for what it communicates. Informed by a mix of philosophy of art and philosophy of language, Gracyk's entertaining study of popular music constructs a theoretical basis for a philosophy of meaning for songs.
Author: Myfany Turpin
Publisher: Sydney University Press
ISBN: 1743325843
Category : History
Languages : en
Pages : 264
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Book Description
"The Gurindji people of the Northern Territory are perhaps best-known for their walk-off of Wave Hill Station in 1966, protesting against mistreatment by the station managers. The strike would become the first major victory of the Indigenous land rights movement. Many discussions of station life are focused on the harsh treatment of Aboriginal workers. Songs from the Stations portrays another side of life on Wave Hill Station. Amongst the harsh conditions and decades of mistreatment, an eclectic ceremonial life flourished during the first half of the 20th century. Constant travel between cattle stations by Indigenous workers across north-western and central Australia meant that Wave Hill Station became a cross-road of desert and Top End musical styles. As a result, the Gurindji people learnt songs from the Mudburra who came further east, the Bilinarra from the north, the Nyininy from the west, and the Warlpiri from the south. This book is the first detailed documentation of wajarra, public songs performed by the Gurindji people in response to contemporary events in their community. Featuring five song sets known as Laka, Mintiwarra, Kamul, Juntara, and Freedom Day, it is an exploration of the cultural exchange between Indigenous communities that was fostered by their involvement in the pastoral industry.."--Publisher's website.
Author: Judy Pelikan
Publisher: Algonquin Books
ISBN: 9781565122710
Category : Nature
Languages : en
Pages : 216
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Book Description
One hundred years ago, F. Schuyler Mathews, an erudite naturalist and birder, theorized that birds sing first for love of music, and second for love of the lady. To expand on his theory, he actually scored the songs of birds in the wild. His charming text and bird-by-bird annotations were compiled into a guide called Field Book of Wild Birds and Their Music. This extraordinary work has now been lavishly illustrated and adapted for a new audience. Each bird is meticulously rendered by artist Judy Pelikan in full-color illustrations that feature not only the birds, but also their nests, eggs, and feathers. And every song is represented by its written musical score, which Mathews expertly explains in a way that both musicians and non-musicians can enjoy. As Mathews points out, the music of wild birds is everywhere--in poems, children's nursery songs, as well as in the works of the great composers: the Black-billed Cuckoo's call appears near the close of Beethoven's Pastoral Symphony; the Nashville Warbler's song is found in the opening bars of Rossini's Carovale, and the Meadowlark's song is remarkably like the first two bars of Alfredo's song in La Traviata. He reveals how a bird's character is reflected in its song: the Baltimore Oriole is a sharp-billed, sharp-witted character, and his remarks are as incisive and crisp as the toots of a steam whistle. And he reminds us of the words of our great poets--Wordsworth, Emerson, Sir Walter Scott--and their descriptions of the very same birds and their music. This classic, useful, and completely original guide will put a song into the heart of novice and experienced birder alike.
Author: United States. Patent and Trademark Office
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 1446
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Book Description
Author: John Blacking
Publisher: University of Chicago Press
ISBN: 9780226055107
Category : Music
Languages : en
Pages : 242
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Book Description
John Blacking is widely recognized for his theoretical works How Musical Is Man? and The Anthropology of the Body. This series of essays and articles on the music of the Venda people of the northern Transvaal in South Africa constitutes his major scholarly legacy. Venda Children's Songs presents a detailed analysis of both the music and the cultural significance of children's songs among the Venda. Among its many original contributions is the identifying of the role of melody in generating rhythm, something that distinguishes this form of music from that of Venda adults as well as from other genres of African music in general.
Author: Dr. Brandi Lowery
Publisher: Xulon Press
ISBN: 1498429858
Category : Religion
Languages : en
Pages : 166
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Book Description
Worship and Creative Arts have such a broad scope of influence. More goes in to a Sunday morning worship service than the average person realizes. Every aspect of that service and every volunteer on the stage has one thing in common. They are set up and led by a leader, a worship leader. Title or not, the office of worship leader has a great sphere of influence and can get overwhelming. This book strategically touches on many areas within Worship and Creative Arts. Dr. Brandi Lowery began leading worship at the age of sixteen and has been in full time ministry ever since. She received her undergraduate degree from Southeastern University and has since completed her Master’s and Doctorate degrees in Theology. Dr. Lowery is founder of Platinum Ministries and Platinum Worship, who have had the honor of taking the stage with some of the biggest names in Christian and Gospel music. She is currently still serving as Creative Arts Pastor and does a great deal of mentoring and consulting for church worship departments. This book was authored to aid those who find themselves wanting to know more about this ministry. She is the mother of three beautiful children, and comes from a legacy of ministers. Her aim is that despite church size or resources, that with direction, every church can have a successful and impactful worship department if they know how to use the resources they already have.
Author: Sung Thomas Chang, II
Publisher: The Bread of Soul & Booklean
ISBN: 0988535556
Category : Religion
Languages : en
Pages : 39
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Book Description
Normal.dotm 0 0 1 187 1066 Booklean 8 2 1309 12.0 0 false 18 pt 18 pt 0 0 false false false /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin;} The Sutra of 108 Songs - Sutra(經) means Buddhist Canon. - Song(頌) means Gatha. - It has 25 Chapters + 108 Songs = 133 Verses . It is a Chong-Gyuhng(總經) which means Comprehensive Canon. - Comprehensive Canon means it is the canon with complete Buddhist philosophy. - In other words; Comprehensive Canon is one canon that has all the essence of Buddhist philosophy. It is a Ryo-Ii-Gyuhng(了義經) which means Ultimate Signification Canon. - Ultimate Signification Canon means it is the canon that shows the highest and deepest meaning of Buddhist philosophy. - In other words; Ultimate Signification Canon is one canon that eliminates any doubts or questions anyone can raise and have. It has 25 Chapters. - In each and every chapter reveals the levels of practice one may be in. - In each and every chapter shows the route of one's trail. It has 108 Songs. - In each and every song shows the steps of practice one should go along. - It(Songs) is like a map that shows the points one may pass. It has 133 Verses and each and every verse is Gatha. - Gatha is a song that connotes a broad meanings of Buddhist philosophy. - In Gatha, you may only see and meet a sentence, but there is a thick book of meanings behind it. It is the Book of Wonder. - So, Happy Readings! - Go, Happy Practice!
Author: Willem Marie Speelman
Publisher: Peeters Publishers
ISBN: 9789039005118
Category : Religion
Languages : en
Pages : 304
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Book Description
This book is about the meaning of liturgical songs. Everybody who sings liturgical songs knows what a liturgical song is and also what it eans. But when we start to talk about them, things become confused. We know too much and there are too many languages in which we can express what we think their meaning is. And what is worse, other people seem not to understand what we say and immediately reply that we may know a lot but not what they know. Then the discussion turns into a quarrel amongst people who know too much and connot communicate what they know. A wise person may enter into the quarrel and say that communication about liturgical songs can only succeed when we sing together. Then we will sing together, confused and angry, because we now also know that the other people may sing very well but do not understand what they are doing. This is what has been happening for decades in the Dutch churches. Perhaps we should be silent and start to look and listen very carefully to liturgical songs, while developing a language in which the songs themselves can speak, communicating what they have to say. The looking and listening will take much time and energy: there are no more easy answers. And the language will be so difficult that we are forced to be silent, waiting and hoping for a word to come. Willem Marie Speelman (1960) is a musicologist, theologian and semiotician. In the present work he develops a very strict scientific method which can help to understand how liturgical songs "work", that is, in what manner they generate meaning.
Author: Donald Wallenfang
Publisher: Wipf and Stock Publishers
ISBN: 1532643551
Category : Religion
Languages : en
Pages : 93
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Book Description
What is phenomenology? That is precisely the question this book seeks to answer. In an age of information overload, complex topics must be simplified to make them accessible to a wider audience. Phenomenology: A Basic Introduction in the Light of Jesus Christ not only presents the basic building blocks of phenomenology, it also gives body to voice by putting abstract ideas in contact with the Word made flesh, Jesus of Nazareth. In five manageable chapters, Donald Wallenfang introduces major themes such as the natural attitude, givenness, interpretation, paradox, and ethics. Each subject is considered in how it applies to daily life and relates to the gospel of Jesus Christ. Several biblical scenes are tapped to harvest their sweet nectars of meaning through phenomenology. At its limit, philosophy gives way to the revelatory rationality of theology as expressed by Jesus the phenomenologist.
