Author: Carl Philipp Emanuel Bach
Publisher: Clear Note Publications
ISBN: 1625592183
Category : Music
Languages : en
Pages : 15
Book Description
Under the tutelage of his famous father Johann Sebastian Bach, Carl Philipp Emanuel Bach studied harpsichord and clavichord during his early years and eventually adopted the piano as his primary instrument. A prolific composer, producing over 200 works, C.P.E. Bach wrote symphonies, sonatas and other instrumental works in the Rococo and early Classical style of the 18th century. This style of writing is marked by lyric phrases and light ornamentation that put aside the polyphony and thorough bass of the late baroque composers. The ideas for interpreting and ornamenting the sonatinas in this collection are taken from "Essay on the True Art of Playing Keyboard Instruments" by C.P.E. Bach. They transpose quite well for solo guitar and are a refreshing alternative to compositions by guitarists of the classical era like Sor and Giuliani.
Six Sonatinas for Classical Guitar
Author: Carl Philipp Emanuel Bach
Publisher: Clear Note Publications
ISBN: 1625592183
Category : Music
Languages : en
Pages : 15
Book Description
Under the tutelage of his famous father Johann Sebastian Bach, Carl Philipp Emanuel Bach studied harpsichord and clavichord during his early years and eventually adopted the piano as his primary instrument. A prolific composer, producing over 200 works, C.P.E. Bach wrote symphonies, sonatas and other instrumental works in the Rococo and early Classical style of the 18th century. This style of writing is marked by lyric phrases and light ornamentation that put aside the polyphony and thorough bass of the late baroque composers. The ideas for interpreting and ornamenting the sonatinas in this collection are taken from "Essay on the True Art of Playing Keyboard Instruments" by C.P.E. Bach. They transpose quite well for solo guitar and are a refreshing alternative to compositions by guitarists of the classical era like Sor and Giuliani.
Publisher: Clear Note Publications
ISBN: 1625592183
Category : Music
Languages : en
Pages : 15
Book Description
Under the tutelage of his famous father Johann Sebastian Bach, Carl Philipp Emanuel Bach studied harpsichord and clavichord during his early years and eventually adopted the piano as his primary instrument. A prolific composer, producing over 200 works, C.P.E. Bach wrote symphonies, sonatas and other instrumental works in the Rococo and early Classical style of the 18th century. This style of writing is marked by lyric phrases and light ornamentation that put aside the polyphony and thorough bass of the late baroque composers. The ideas for interpreting and ornamenting the sonatinas in this collection are taken from "Essay on the True Art of Playing Keyboard Instruments" by C.P.E. Bach. They transpose quite well for solo guitar and are a refreshing alternative to compositions by guitarists of the classical era like Sor and Giuliani.
Julio S Sagreras Guitar Lessons
Author: Julio S. SAGRERAS
Publisher:
ISBN: 9780786695386
Category :
Languages : en
Pages :
Book Description
The guitar lessons of Julio Sagreras are among the most universally used collections of guitar music and represent a milestone in didactic guitar literature. This book, which includes the first three volumes of the original six-volume series, is an ideal introduction to classical guitar playing as well as to LatinAmerican guitar music. Text written in English and Spanish with French and German translations in an appendix at the back of the book
Publisher:
ISBN: 9780786695386
Category :
Languages : en
Pages :
Book Description
The guitar lessons of Julio Sagreras are among the most universally used collections of guitar music and represent a milestone in didactic guitar literature. This book, which includes the first three volumes of the original six-volume series, is an ideal introduction to classical guitar playing as well as to LatinAmerican guitar music. Text written in English and Spanish with French and German translations in an appendix at the back of the book
Classical Guitar Solos - Favorite Sonatinas
Author: David Grimes
Publisher: Mel Bay Publications
ISBN: 1513455923
Category : Music
Languages : en
Pages : 153
Book Description
In this book, guitarist and music historian David Grimes presents 20 “small sonatas” or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a rest— exposing and overcoming yet another shortcoming in the education of many guitarists. Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirate— plus three more composers in a similar vein— promoting confident, enjoyable sight-reading by guitarists of all levels.
Publisher: Mel Bay Publications
ISBN: 1513455923
Category : Music
Languages : en
Pages : 153
Book Description
In this book, guitarist and music historian David Grimes presents 20 “small sonatas” or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a rest— exposing and overcoming yet another shortcoming in the education of many guitarists. Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirate— plus three more composers in a similar vein— promoting confident, enjoyable sight-reading by guitarists of all levels.
La Catedral
Author: Agustín Barrios Mangoré
Publisher: Alfred Music
ISBN: 9781457494871
Category : Music
Languages : en
Pages : 16
Book Description
A three-movement work. The greatest Barrios composition for solo guitar.
Publisher: Alfred Music
ISBN: 9781457494871
Category : Music
Languages : en
Pages : 16
Book Description
A three-movement work. The greatest Barrios composition for solo guitar.
Sonatina for Classical Guitar
Author: Jonathan Godfrey
Publisher: Clear Note Publications
ISBN: 1625592256
Category : Music
Languages : en
Pages : 14
Book Description
Sonatina is the grand-prize winner of the 2010 Boston GuitarFest Composition Competition. While the designation “sonatina” typically suggests simplicity or reduced scale, the musical and technical demands that pervade this fifteen-minute work suggest a far more ironic meaning. Written in three-movements in a conventional sonata form, it was conceived as a recital or competition tour-de-force for Serbian-American virtuoso Nemanja Ostojic.
Publisher: Clear Note Publications
ISBN: 1625592256
Category : Music
Languages : en
Pages : 14
Book Description
Sonatina is the grand-prize winner of the 2010 Boston GuitarFest Composition Competition. While the designation “sonatina” typically suggests simplicity or reduced scale, the musical and technical demands that pervade this fifteen-minute work suggest a far more ironic meaning. Written in three-movements in a conventional sonata form, it was conceived as a recital or competition tour-de-force for Serbian-American virtuoso Nemanja Ostojic.
Sonatine
Author: Alexandre (COP) Tansman
Publisher:
ISBN: 9781458423771
Category :
Languages : en
Pages : 12
Book Description
Editions Durand
Publisher:
ISBN: 9781458423771
Category :
Languages : en
Pages : 12
Book Description
Editions Durand
Sonatina Album
Author: Louis Kí_hler
Publisher: Alfred Music
ISBN: 9781457411809
Category : Music
Languages : en
Pages : 148
Book Description
Originally compiled and edited by Louis Kí_hler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions.
Publisher: Alfred Music
ISBN: 9781457411809
Category : Music
Languages : en
Pages : 148
Book Description
Originally compiled and edited by Louis Kí_hler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions.
Solo Guitar Playing
Author: Frederick M. Noad
Publisher: Macmillan Reference USA
ISBN: 9780028716800
Category : Music
Languages : en
Pages : 244
Book Description
This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works.
Publisher: Macmillan Reference USA
ISBN: 9780028716800
Category : Music
Languages : en
Pages : 244
Book Description
This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works.
Sonatina Album: Piano Solo
Author: Louis Kohler
Publisher: Ravenio Books
ISBN:
Category : Music
Languages : en
Pages : 131
Book Description
This collections contains the following pieces: Sonatinas ------- Kuhlau: Op. 20, No. 1 Kuhlau: Op. 20, No 2. Kuhlau: Op. 20, No 3. Kuhlau: Op. 55, No. 1 Kuhlau: Op. 55, No. 2 Kuhlau: Op. 55, No. 3 Clementi: Op. 36, No. 1 Clementi: Op. 36, No. 2. Clementi: Op. 36, No. 3 Clementi: Op. 36, No. 4 Clementi: Op. 36, No. 5 Clementi: Op. 36, No. 6 Haydn: Sonatina Mozart: Sonata 1 Beethoven: Op. 49, No. 2 Beethoven: Op. 49, No. 1 Dussek: Op. 20, No. 1 Rondos and Other Pieces ------- Bach: Prelude, No 1, from Well-Tempered Clavichord Hadyn: Adagio Haydn: Andante Grazioso Haydn: Allegro Haydn: Andante (Surprise) Mozart: Rondo 1 Beethoven: Op. 51, No. 1 Beethoven: Andante from Symphony No. 1. Schubert: From Impromptu, Op. 142, No. 3. Schubert: Scherzo. Op. posth. Schubert: From Sonata in A major, Op. 120 Weber: Theme, transcribed for Pianoforte alone Mendelssohn: Trois Fantaisies on Caprices, Op. 16
Publisher: Ravenio Books
ISBN:
Category : Music
Languages : en
Pages : 131
Book Description
This collections contains the following pieces: Sonatinas ------- Kuhlau: Op. 20, No. 1 Kuhlau: Op. 20, No 2. Kuhlau: Op. 20, No 3. Kuhlau: Op. 55, No. 1 Kuhlau: Op. 55, No. 2 Kuhlau: Op. 55, No. 3 Clementi: Op. 36, No. 1 Clementi: Op. 36, No. 2. Clementi: Op. 36, No. 3 Clementi: Op. 36, No. 4 Clementi: Op. 36, No. 5 Clementi: Op. 36, No. 6 Haydn: Sonatina Mozart: Sonata 1 Beethoven: Op. 49, No. 2 Beethoven: Op. 49, No. 1 Dussek: Op. 20, No. 1 Rondos and Other Pieces ------- Bach: Prelude, No 1, from Well-Tempered Clavichord Hadyn: Adagio Haydn: Andante Grazioso Haydn: Allegro Haydn: Andante (Surprise) Mozart: Rondo 1 Beethoven: Op. 51, No. 1 Beethoven: Andante from Symphony No. 1. Schubert: From Impromptu, Op. 142, No. 3. Schubert: Scherzo. Op. posth. Schubert: From Sonata in A major, Op. 120 Weber: Theme, transcribed for Pianoforte alone Mendelssohn: Trois Fantaisies on Caprices, Op. 16
Traditions of the Classical Guitar
Author: Graham Wade
Publisher: Alma Books
ISBN: 0714544841
Category : Music
Languages : en
Pages : 289
Book Description
First published in 1980, Traditions of the Classical Guitar has been described as the first book to examine in detail the many traditions of one of today's most popular instruments. With its central focus on Andres Segovia's pioneering work in establishing the guitar as an international concert instrument, it goes on to examine in detail its subsequent developments with reference to great artists such as Bream, Williams, Diaz and Yepes.Traditions of the Classical Guitar continues to be a classic of twentieth-century guitar scholarship, offering a challenging assessment to perceptions of the guitar's progress throughout the ages. It is also a timely reminder of the glorious years of Segovia's concert career between 1909 and 1987; Segovia himself said of the work: "e;Graham Wade has shown his love for the guitar from the first page to the last; true love and understanding"e;.
Publisher: Alma Books
ISBN: 0714544841
Category : Music
Languages : en
Pages : 289
Book Description
First published in 1980, Traditions of the Classical Guitar has been described as the first book to examine in detail the many traditions of one of today's most popular instruments. With its central focus on Andres Segovia's pioneering work in establishing the guitar as an international concert instrument, it goes on to examine in detail its subsequent developments with reference to great artists such as Bream, Williams, Diaz and Yepes.Traditions of the Classical Guitar continues to be a classic of twentieth-century guitar scholarship, offering a challenging assessment to perceptions of the guitar's progress throughout the ages. It is also a timely reminder of the glorious years of Segovia's concert career between 1909 and 1987; Segovia himself said of the work: "e;Graham Wade has shown his love for the guitar from the first page to the last; true love and understanding"e;.