Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457485077
Category : Music
Languages : en
Pages : 32
Book Description
A Flute solo with Piano Accompaniment composed by Johann Sebastian Bach.
Sonata in G Minor, BWV 1020
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457485077
Category : Music
Languages : en
Pages : 32
Book Description
A Flute solo with Piano Accompaniment composed by Johann Sebastian Bach.
Publisher: Alfred Music
ISBN: 9781457485077
Category : Music
Languages : en
Pages : 32
Book Description
A Flute solo with Piano Accompaniment composed by Johann Sebastian Bach.
Sonate G-moll
Author: Georg Philipp Telemann
Publisher:
ISBN:
Category : Trio sonatas (Harpsichord, violin, viola da gamba)
Languages : en
Pages : 74
Book Description
Publisher:
ISBN:
Category : Trio sonatas (Harpsichord, violin, viola da gamba)
Languages : en
Pages : 74
Book Description
Bach's Works for Solo Violin
Author: Joel Lester
Publisher: Oxford University Press
ISBN: 0195171446
Category : Music
Languages : en
Pages : 197
Book Description
J.S. Bach's sonatas and partitas for solo violin have been central to the violin repertoire since the mid-18th century. This engaging introduction to these works is the first comprehensive exploration of their place within Bach's music, focusing on their structural and stylistic features as they have been perceived since their creation. Combining an analytical study, a historical guide, and an insightful introduction to Bach's style, this book will help violinists, scholars, and other listeners develop a deeper personal involvement with many aspects of these wonderful pieces.
Publisher: Oxford University Press
ISBN: 0195171446
Category : Music
Languages : en
Pages : 197
Book Description
J.S. Bach's sonatas and partitas for solo violin have been central to the violin repertoire since the mid-18th century. This engaging introduction to these works is the first comprehensive exploration of their place within Bach's music, focusing on their structural and stylistic features as they have been perceived since their creation. Combining an analytical study, a historical guide, and an insightful introduction to Bach's style, this book will help violinists, scholars, and other listeners develop a deeper personal involvement with many aspects of these wonderful pieces.
J. S. Bach for Mandolin
Author: Robert Bancalari
Publisher: Mel Bay Publications
ISBN: 1610655575
Category : Music
Languages : en
Pages : 105
Book Description
These arrangements of many pieces by J.S. Bach make a great composer's works accessible to the mandolinist. Since the bulk of the music has been adapted from various suites, sonatas, and partitas, the authors provides an explanation of each dance form and other similar pieces. Includes: 'Bauree Angloise' from Partita in A Minor for solo flute; 'Marche' from Anna Magdalena Back Book; 'Fantasie' from Partita No. 3 in A Minor; and more. In notation and tablature. Includes a CD which contains 13 of the 26 solos.
Publisher: Mel Bay Publications
ISBN: 1610655575
Category : Music
Languages : en
Pages : 105
Book Description
These arrangements of many pieces by J.S. Bach make a great composer's works accessible to the mandolinist. Since the bulk of the music has been adapted from various suites, sonatas, and partitas, the authors provides an explanation of each dance form and other similar pieces. Includes: 'Bauree Angloise' from Partita in A Minor for solo flute; 'Marche' from Anna Magdalena Back Book; 'Fantasie' from Partita No. 3 in A Minor; and more. In notation and tablature. Includes a CD which contains 13 of the 26 solos.
Sonata in G minor for flute and cembalo obbligato
Author: Carl Philipp Emanuel Bach
Publisher:
ISBN:
Category : Flute and harpsichord music
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Flute and harpsichord music
Languages : en
Pages : 56
Book Description
Sonate
Author: Ernst Vogel
Publisher:
ISBN:
Category : Chorales
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Chorales
Languages : en
Pages : 32
Book Description
The Archive of the Sing-Akademie zu Berlin. Catalogue
Author: Axel Fischer
Publisher: Walter de Gruyter
ISBN: 3598441746
Category : Music
Languages : en
Pages : 777
Book Description
With The Archive of the Sing-Akademie zu Berlin. Catalogue a complete catalogue of the music archive of the Sing-Akademie zu Berlin is now available for the first time since the archive, which disappeared during World War II, was rediscovered in 1999. (The whole work is complete in English and German). Since 2001 the more than 260,000 pages of music manuscripts, copies and first prints (from 17th to early 19th cent.) were revised by two musicologists which compiled an index of shelf marks and an index of composers. Thus detailed searches in the holdings of the archive (which were filmed since 2002 in severeal parts on microfiche at K. G. Saur) are possible for the first time. The Catalogue lists 9,735 works of 1.008 different composers. It provides also a concordance signature – microfiche and therefore serves as a cumulated guide to the microfiche editions, all the more the registers have been revised and improved. The unique collection is introduced by a number of articles by the following musicologists: Axel Fischer (Archive of the Sing-Akademie, Berlin), Christoph Henzel (Hochschule für Musik, Würzburg), Klaus Hortschansky (University of Münster), Matthias Kornemann (Archive of the Sing-Akademie, Berlin), Ulrich Leisinger (Mozarteum, Salzburg), Mary Oleskiewicz (University of Massachusetts Boston), Ralph-J. Reipsch (Zentrum für Telemann-Pflege und -Forschung, Magdeburg), Tobias Schwinger (Berlin).
Publisher: Walter de Gruyter
ISBN: 3598441746
Category : Music
Languages : en
Pages : 777
Book Description
With The Archive of the Sing-Akademie zu Berlin. Catalogue a complete catalogue of the music archive of the Sing-Akademie zu Berlin is now available for the first time since the archive, which disappeared during World War II, was rediscovered in 1999. (The whole work is complete in English and German). Since 2001 the more than 260,000 pages of music manuscripts, copies and first prints (from 17th to early 19th cent.) were revised by two musicologists which compiled an index of shelf marks and an index of composers. Thus detailed searches in the holdings of the archive (which were filmed since 2002 in severeal parts on microfiche at K. G. Saur) are possible for the first time. The Catalogue lists 9,735 works of 1.008 different composers. It provides also a concordance signature – microfiche and therefore serves as a cumulated guide to the microfiche editions, all the more the registers have been revised and improved. The unique collection is introduced by a number of articles by the following musicologists: Axel Fischer (Archive of the Sing-Akademie, Berlin), Christoph Henzel (Hochschule für Musik, Würzburg), Klaus Hortschansky (University of Münster), Matthias Kornemann (Archive of the Sing-Akademie, Berlin), Ulrich Leisinger (Mozarteum, Salzburg), Mary Oleskiewicz (University of Massachusetts Boston), Ralph-J. Reipsch (Zentrum für Telemann-Pflege und -Forschung, Magdeburg), Tobias Schwinger (Berlin).
Sonata in G Minor, Opus 2, No. 8
Author: George Frideric Handel
Publisher: Alfred Music
ISBN: 9781457479632
Category : Music
Languages : en
Pages : 36
Book Description
A Violin solo for 2 Violins with Piano Accompaniment composed by George Frideric Handel.
Publisher: Alfred Music
ISBN: 9781457479632
Category : Music
Languages : en
Pages : 36
Book Description
A Violin solo for 2 Violins with Piano Accompaniment composed by George Frideric Handel.
The Monthly Musical Record
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 304
Book Description
Max Reger and Karl Straube
Author: Christopher Anderson
Publisher: Routledge
ISBN: 1351558765
Category : Music
Languages : en
Pages : 451
Book Description
Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger‘s contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger‘s death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger‘s organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.
Publisher: Routledge
ISBN: 1351558765
Category : Music
Languages : en
Pages : 451
Book Description
Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger‘s contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger‘s death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger‘s organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.