Author: MacDowell
Publisher:
ISBN:
Category :
Languages : en
Pages : 29
Book Description
Sonata No. 4 in E Minor, Op. 59
Author: MacDowell
Publisher:
ISBN:
Category :
Languages : en
Pages : 29
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 29
Book Description
Sonata No. 4, Op 59
Author: Edward MacDowell
Publisher: Alfred Music
ISBN: 1457475367
Category : Music
Languages : en
Pages : 34
Book Description
Expertly arranged piano solo from our Kalmus Edition.
Publisher: Alfred Music
ISBN: 1457475367
Category : Music
Languages : en
Pages : 34
Book Description
Expertly arranged piano solo from our Kalmus Edition.
Sonata no. 4, op. 59 for piano solo
Author: Edward MacDowell
Publisher:
ISBN:
Category : Sonatas (Piano).
Languages : en
Pages : 50
Book Description
Publisher:
ISBN:
Category : Sonatas (Piano).
Languages : en
Pages : 50
Book Description
4th sonata (Keltic) for pianoforte, op. 59
Author: Edward MacDowell
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 44
Book Description
Sonata no. 4 (keltic), opus 59
Author: Edward MacDowell
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 36
Book Description
Elements of Sonata Theory
Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Dwight's journal of music
Author: John S Dwight
Publisher: BoD – Books on Demand
ISBN: 3368121324
Category : Fiction
Languages : en
Pages : 442
Book Description
Reprint of the original, first published in 1871.
Publisher: BoD – Books on Demand
ISBN: 3368121324
Category : Fiction
Languages : en
Pages : 442
Book Description
Reprint of the original, first published in 1871.
Beethoven, A Life
Author: Jan Caeyers
Publisher: Univ of California Press
ISBN: 0520390210
Category : Biography & Autobiography
Languages : en
Pages : 656
Book Description
"With unprecedented access to the archives at the Beethoven House in Bonn, ... Beethoven conductor and scholar Jan Caeyers ... weaves together a deeply human and complex image of Beethoven--his troubled youth, his unpredictable mood swings, his desires, relationships, and conflicts with family and friends, the mysteries surrounding his affair with the 'immortal beloved, ' and the dramatic tale of his deafness. Caeyers also offers new insights into Beethoven's music and its gradual transformation from the work of a skilled craftsman into that of a consummate artist"--Publisher marketing.
Publisher: Univ of California Press
ISBN: 0520390210
Category : Biography & Autobiography
Languages : en
Pages : 656
Book Description
"With unprecedented access to the archives at the Beethoven House in Bonn, ... Beethoven conductor and scholar Jan Caeyers ... weaves together a deeply human and complex image of Beethoven--his troubled youth, his unpredictable mood swings, his desires, relationships, and conflicts with family and friends, the mysteries surrounding his affair with the 'immortal beloved, ' and the dramatic tale of his deafness. Caeyers also offers new insights into Beethoven's music and its gradual transformation from the work of a skilled craftsman into that of a consummate artist"--Publisher marketing.
Self-quotation in Schubert
Author: Scott Messing
Publisher: Boydell & Brewer
ISBN: 1580469655
Category : Music
Languages : en
Pages : 335
Book Description
Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.
Publisher: Boydell & Brewer
ISBN: 1580469655
Category : Music
Languages : en
Pages : 335
Book Description
Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.
The Penguin Companion to Classical Music
Author: Paul Griffiths
Publisher: Penguin UK
ISBN: 0141909765
Category : Music
Languages : en
Pages : 1400
Book Description
This superbly authoratitive new work provides a comprehensive A-Z guide to some 1000 years of Western music. It explores in detail the lives and achievements of a vast range of composers, as well as looking at such key topics as music history (from medieval plainchant to contemporary minimalism), performers, theory and jargon. Throught Griffiths skilfully blends lightly worn scholarship with personal insight, whether examining the emotional colouring that different musical keys achieve or charting the rise and development of the symphony.
Publisher: Penguin UK
ISBN: 0141909765
Category : Music
Languages : en
Pages : 1400
Book Description
This superbly authoratitive new work provides a comprehensive A-Z guide to some 1000 years of Western music. It explores in detail the lives and achievements of a vast range of composers, as well as looking at such key topics as music history (from medieval plainchant to contemporary minimalism), performers, theory and jargon. Throught Griffiths skilfully blends lightly worn scholarship with personal insight, whether examining the emotional colouring that different musical keys achieve or charting the rise and development of the symphony.