Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 9781457485305
Category : Music
Languages : en
Pages : 48
Book Description
A Cello solo with Piano Accompaniment composed by Johannes Brahms.
Sonata No. 2, Opus 99 in F Major
Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 9781457485305
Category : Music
Languages : en
Pages : 48
Book Description
A Cello solo with Piano Accompaniment composed by Johannes Brahms.
Publisher: Alfred Music
ISBN: 9781457485305
Category : Music
Languages : en
Pages : 48
Book Description
A Cello solo with Piano Accompaniment composed by Johannes Brahms.
Sonata No. 2, in F Major, Op. 99
Author: Johannes Brahms
Publisher:
ISBN:
Category : Sonatas (Cello and piano)
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Sonatas (Cello and piano)
Languages : en
Pages : 44
Book Description
Sonata No. 2 in F Major, Op. 99
Author:
Publisher:
ISBN:
Category : Sonatas (Cello and piano)
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Sonatas (Cello and piano)
Languages : en
Pages : 44
Book Description
Free Composition
Author: Heinrich Schenker
Publisher: Pendragon Press
ISBN: 9781576470749
Category : Juvenile Nonfiction
Languages : en
Pages : 196
Book Description
The first two volumes of Heinrich Schenker's masterwork Neue musikalische Theorien und Phantasien, Harmonielehren (1906), and Kontrapunkt (1910 and 1922), laid the foundations for the harmonic aspect of his theory. The specific voice-leading component was a later development, progressing with brilliance over the last 15 years of his life. It is in Free Composition (Freie Satz, 1935) that the idea of voice-leading receives its most detailed and precise formulation. Pendragon Press is honored to make this distinguished reprint available once again, with a new preface by Carl Schacter.
Publisher: Pendragon Press
ISBN: 9781576470749
Category : Juvenile Nonfiction
Languages : en
Pages : 196
Book Description
The first two volumes of Heinrich Schenker's masterwork Neue musikalische Theorien und Phantasien, Harmonielehren (1906), and Kontrapunkt (1910 and 1922), laid the foundations for the harmonic aspect of his theory. The specific voice-leading component was a later development, progressing with brilliance over the last 15 years of his life. It is in Free Composition (Freie Satz, 1935) that the idea of voice-leading receives its most detailed and precise formulation. Pendragon Press is honored to make this distinguished reprint available once again, with a new preface by Carl Schacter.
Hans Von Bülow's Letters to Johannes Brahms
Author: Hans von Bülow
Publisher: Scarecrow Press
ISBN: 0810882159
Category : Biography & Autobiography
Languages : en
Pages : 171
Book Description
Hans-Joachim Hinrichsen's Hans von Bülow's Letters to Johannes Brahms, originally published in German in 1994, covers the correspondence between Hans von Bülow and Brahms from 1877 to 1892, with Brahms's replies, where obtainable, included in the commentary. In addition to selected facsimiles of letters, postcards, and concert programs, this research edition of the correspondence of these two giants of classical music includes a thorough commentary explaining individuals, events, and issues discussed in the letters. Authoritatively researched, Hinrichsen's edition of these letters, artfully translated by Cynthia Klohr, brings to life the world of music that Brahms and Bülow inhabited.
Publisher: Scarecrow Press
ISBN: 0810882159
Category : Biography & Autobiography
Languages : en
Pages : 171
Book Description
Hans-Joachim Hinrichsen's Hans von Bülow's Letters to Johannes Brahms, originally published in German in 1994, covers the correspondence between Hans von Bülow and Brahms from 1877 to 1892, with Brahms's replies, where obtainable, included in the commentary. In addition to selected facsimiles of letters, postcards, and concert programs, this research edition of the correspondence of these two giants of classical music includes a thorough commentary explaining individuals, events, and issues discussed in the letters. Authoritatively researched, Hinrichsen's edition of these letters, artfully translated by Cynthia Klohr, brings to life the world of music that Brahms and Bülow inhabited.
Brahms Studies
Author: David Lee Brodbeck
Publisher: U of Nebraska Press
ISBN: 9780803212879
Category : Music
Languages : en
Pages : 268
Book Description
The eight essays in Brahms Studies 2 provide a rich sampling of contemporary Brahms research. In his examination of editions of Brahms?s music, George Bozarth questions the popular notion that most of the composer?s music already exists in reliable critical editions. Daniel Beller-McKenna reconsiders the younger Brahms?s involvement in musical politics at midcentury. The cantata Rinaldo is the centerpiece of Carol Hess?s consideration of Brahms?s music as autobiographical statement. Heather Platt?s exploration of the twentieth-century reception of Brahms?s Lieder reveals that advocates of Hugo Wolf?s aesthetics have shaped the discourse concerning the composer?s songs and calls for an approach more clearly based on Brahms?s aesthetics. In his examination of the rise of the ?great symphony? as a critical category that carried with it a nearly impossible standard to meet, Walter Frisch provides a rich context in which to understand Brahms?s well-known early struggle with the genre. Kenneth Hull suggests that Brahms used ironic allusions to Bach and Beethoven in the tragic Fourth Symphony in order to subvert the enduring assumption that a minor-key symphony will end triumphantly in the major mode. Peter H. Smith examines Brahms?s late style by concentrating on Neapolitan tonal relations in the Clarinet Sonata in F Minor. Finally, David Brodbeck delineates the complex evolution of Brahms?s reception of Mendels-sohn?s music.
Publisher: U of Nebraska Press
ISBN: 9780803212879
Category : Music
Languages : en
Pages : 268
Book Description
The eight essays in Brahms Studies 2 provide a rich sampling of contemporary Brahms research. In his examination of editions of Brahms?s music, George Bozarth questions the popular notion that most of the composer?s music already exists in reliable critical editions. Daniel Beller-McKenna reconsiders the younger Brahms?s involvement in musical politics at midcentury. The cantata Rinaldo is the centerpiece of Carol Hess?s consideration of Brahms?s music as autobiographical statement. Heather Platt?s exploration of the twentieth-century reception of Brahms?s Lieder reveals that advocates of Hugo Wolf?s aesthetics have shaped the discourse concerning the composer?s songs and calls for an approach more clearly based on Brahms?s aesthetics. In his examination of the rise of the ?great symphony? as a critical category that carried with it a nearly impossible standard to meet, Walter Frisch provides a rich context in which to understand Brahms?s well-known early struggle with the genre. Kenneth Hull suggests that Brahms used ironic allusions to Bach and Beethoven in the tragic Fourth Symphony in order to subvert the enduring assumption that a minor-key symphony will end triumphantly in the major mode. Peter H. Smith examines Brahms?s late style by concentrating on Neapolitan tonal relations in the Clarinet Sonata in F Minor. Finally, David Brodbeck delineates the complex evolution of Brahms?s reception of Mendels-sohn?s music.
Brahms's Elegies
Author: Nicole Grimes
Publisher: Cambridge University Press
ISBN: 1108474497
Category : Biography & Autobiography
Languages : en
Pages : 295
Book Description
A unique insight into the relationship between Brahms's music and his philosophical and literary context from a modernist perspective.
Publisher: Cambridge University Press
ISBN: 1108474497
Category : Biography & Autobiography
Languages : en
Pages : 295
Book Description
A unique insight into the relationship between Brahms's music and his philosophical and literary context from a modernist perspective.
The Essential Canon of Classical Music
Author: David Dubal
Publisher: Macmillan
ISBN: 9780865476646
Category : Music
Languages : en
Pages : 796
Book Description
Identifies almost two hundred forty composers whose works are most important to an understanding of classical music, with essays on sixty of the most significant. Presented in chronological order for the Medieval, Renaissance, and Elizabethan ages, the age of the Baroque, the age of Classicism, the Romantic age, and the age of Modernism.
Publisher: Macmillan
ISBN: 9780865476646
Category : Music
Languages : en
Pages : 796
Book Description
Identifies almost two hundred forty composers whose works are most important to an understanding of classical music, with essays on sixty of the most significant. Presented in chronological order for the Medieval, Renaissance, and Elizabethan ages, the age of the Baroque, the age of Classicism, the Romantic age, and the age of Modernism.
Musical Times and Singing Class Circular
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1024
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1024
Book Description
Reflections of an American Composer
Author: Arthur Berger
Publisher: Univ of California Press
ISBN: 9780520928213
Category : Music
Languages : en
Pages : 296
Book Description
In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930s, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.
Publisher: Univ of California Press
ISBN: 9780520928213
Category : Music
Languages : en
Pages : 296
Book Description
In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930s, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.