Author: Jean-Marie Leclair
Publisher:
ISBN:
Category : Sonatas (Violin and continuo)
Languages : en
Pages : 20
Book Description
Sonata III : in D
Author: Jean-Marie Leclair
Publisher:
ISBN:
Category : Sonatas (Violin and continuo)
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Sonatas (Violin and continuo)
Languages : en
Pages : 20
Book Description
Sonata III in D for violin
Author: Jean Marie Leclair
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Sonata III, in D for violin with acc
Author: Jean-Marie Leclair
Publisher:
ISBN:
Category : Sonatas (Violin and continuo)
Languages : en
Pages : 26
Book Description
Publisher:
ISBN:
Category : Sonatas (Violin and continuo)
Languages : en
Pages : 26
Book Description
Sonata III in D for the violin with piano accompaniment
Author: Jean-Marie Leclair
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Elements of Sonata Theory
Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Sonata in D Major, K. 311
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 1457422530
Category : Music
Languages : en
Pages : 30
Book Description
Mozart's orchestral-inspired Sonata in D Major, K. 311 contains elaborate pianistic treatment and an exciting sonata-rondo finale with a cadenza worthy of one of Mozart's concertos. The flashy third movement is full of many contrasts involving dynamics, mood and texture. Throughout the sonata, the left hand becomes a true partner in all aspects of the composition, and thematic material is spread over different registers of the keyboard.
Publisher: Alfred Music
ISBN: 1457422530
Category : Music
Languages : en
Pages : 30
Book Description
Mozart's orchestral-inspired Sonata in D Major, K. 311 contains elaborate pianistic treatment and an exciting sonata-rondo finale with a cadenza worthy of one of Mozart's concertos. The flashy third movement is full of many contrasts involving dynamics, mood and texture. Throughout the sonata, the left hand becomes a true partner in all aspects of the composition, and thematic material is spread over different registers of the keyboard.
Sonata for violin and piano in D minor, op. 108
Author: Johannes Brahms
Publisher:
ISBN:
Category : Sonatas (Violin and piano)
Languages : en
Pages : 66
Book Description
Publisher:
ISBN:
Category : Sonatas (Violin and piano)
Languages : en
Pages : 66
Book Description
Trio sonata in D, Op.3 No.2
Author: Arcangelo Corelli
Publisher:
ISBN: 9781901507034
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781901507034
Category :
Languages : en
Pages :
Book Description
Sonata No. 84 in D Major
Author: Padre Antonio Soler
Publisher: Alfred Music
ISBN: 1457434202
Category : Music
Languages : en
Pages : 8
Book Description
Best known for his keyboard sonatas, the music of Soler shows the influence of Scarlatti without imitating it, including the sounds of Spanish dances and Italian influences. This sonata is a radiantly joyful, merry and mischievous, lively and light musical celebration. It is in 3/8 time, with running 16th notes, ornamentation, and nice dynamic contrasts.
Publisher: Alfred Music
ISBN: 1457434202
Category : Music
Languages : en
Pages : 8
Book Description
Best known for his keyboard sonatas, the music of Soler shows the influence of Scarlatti without imitating it, including the sounds of Spanish dances and Italian influences. This sonata is a radiantly joyful, merry and mischievous, lively and light musical celebration. It is in 3/8 time, with running 16th notes, ornamentation, and nice dynamic contrasts.
Sonata no. 3 in D minor, op. 108
Author: Johannes Brahms
Publisher:
ISBN:
Category : Sonatas (Violin and piano)
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Sonatas (Violin and piano)
Languages : en
Pages : 48
Book Description