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Author: Wilfrid Meynell
Publisher: Forgotten Books
ISBN: 9780259843788
Category : Art
Languages : en
Pages : 262
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Book Description
Excerpt from Some Modern Artists and Their Work At last, at about the age of one-and-twenty, the patient student was found ripe for painting in Rome. There he worked for some three years, and there, at the age of twenty-four, he produced the picture which established him suddenly but surely in England as a famous man. The Procession of Cimabue's Madonna was Mr. Leighton's first Academy picture. The name of the young continental student was not known here, and his work was an almost unparalleled surprise. The exquisite serenity of the treatment at a time in which Art was tawdry when it was in any sense decorative; the chaste and cool colour at a period when somewhat garish hues prevailed; the lofty sense of beauty in a day of prettiness; in a word, the inspiration of mediaeval Florence shining upon Trafalgar Square the thing was altogether unexpected, as new in its style as in its merits. In spite of the admiration excited, and of the fact that the picture of the year Was bought by the Queen, the young painter fled from the scene of his brilliant de'but, and, during a residence of some years in Paris, gained from study and practice an increase in technical skill, and from Ary Scheffer an addition of sentiment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Wilfrid Meynell
Publisher: Forgotten Books
ISBN: 9780259843788
Category : Art
Languages : en
Pages : 262
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Book Description
Excerpt from Some Modern Artists and Their Work At last, at about the age of one-and-twenty, the patient student was found ripe for painting in Rome. There he worked for some three years, and there, at the age of twenty-four, he produced the picture which established him suddenly but surely in England as a famous man. The Procession of Cimabue's Madonna was Mr. Leighton's first Academy picture. The name of the young continental student was not known here, and his work was an almost unparalleled surprise. The exquisite serenity of the treatment at a time in which Art was tawdry when it was in any sense decorative; the chaste and cool colour at a period when somewhat garish hues prevailed; the lofty sense of beauty in a day of prettiness; in a word, the inspiration of mediaeval Florence shining upon Trafalgar Square the thing was altogether unexpected, as new in its style as in its merits. In spite of the admiration excited, and of the fact that the picture of the year Was bought by the Queen, the young painter fled from the scene of his brilliant de'but, and, during a residence of some years in Paris, gained from study and practice an increase in technical skill, and from Ary Scheffer an addition of sentiment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Frank Rutter
Publisher: Forgotten Books
ISBN: 9780267594771
Category : Art
Languages : en
Pages : 226
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Book Description
Excerpt from Some Contemporary Artists T is no longer the fashion to abuse British pictures. All sorts of nice things are being said about our paintings and, if we believed all we were told, we should think that our painters had nothing to learn from anybody. British art stands second to none in the world. So said Sir Robert Witt at the open ing of a Spring exhibition in Whitechapel this year (1922) and Sir William Orpen, who him self certainly knows how to paint, has re echoed his words. No doubt it is comforting to have a good opinion of ourselves, but these pronouncements would carry more conviction did they come from the mouth of a foreigner. We are hardly able ourselves justly to appraise the worth of our contemporary artists. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Christian Brinton
Publisher: Forgotten Books
ISBN: 9780365362142
Category : Art
Languages : en
Pages : 408
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Book Description
Excerpt from Modern Artists Unnatural restraint gave way to licence frankly human, and austere splendour was replaced by the magic of personal en chantment. As in life, so in art, there were no traces of pain or sorrow. A feverish reversion to pleasure was the only note sounded. Skies were perpetually blue, gallants languished about strumming guitars, and the greensward was dotted with Shep herds and shepherdesses beribboned and Operatic. Existence became a pastoral now French, now Italian, new Spanish, and the world gaily embarked in flower-decked galleys for Cythera, unmindful of hoarse mutterings which were soon to sweep aside this fleeting moment Of nonchalance. In essence the entire movement was a return to paganism, not the broad paganism of earlier days, but an ethereal paganism recording all the in consequence of its hour. For the time being standards were strangely confused. Religion as well as reality was obscured. The crucifix and the crown Of thorns were forgotten. Those bambini who tempered the zealous exaltation of numerous Um brian and Flemish canvases, who with Raphael or van Dyck added such spontaneous charm, became mischievous amorini bent on missions dubious and diverting. Venus slipped into the niche SO long sacred to Mary Of Nazareth and Psyche shone cream-white amid the green of Versailles leafage. The chosen poet of all this radiant subversion, the one who best caught its particular accent, was not Watteau, SO tinged with pensiveness, nor Boucher, who possessed every gift save the gift of truth, but J ean-honoré Fragonard. It was he whose purpose was clearest, he who reduced desire to its most infec tious terms, he who joyously revived so many lost kisses and neglected caresses. Throughout his life Fragonard played and perpetuated the Comedy of Love. Femininity, perverse and eu dearing, he glorified in countless miniatures, portraits, fans, and decorative panels. Though he came last among the painters of Elysium, he imprisoned a beauty which had escaped all. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Frank Rutter
Publisher: Forgotten Books
ISBN: 9781396752841
Category : Art
Languages : en
Pages : 232
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Book Description
Excerpt from Evolution in Modern Art: A Study of Modern Painting, 1870-1925 Almost without exception in the history Of art each fresh advance in painting or sculpture has been heralded by an outburst Of invective against the innovator. If an artist Shows us a new thing, opens our eyes to something we have not hitherto perceived, forthwith he is greeted with a storm of abuse. He is accused of insulting the public, of throwing a paint-box in its face, of ignorance Of the art he professes to practise. All this has been said of Rembrandt and Of Michael Angelo as well as Of Turner, Of Whistler, and Of Manet; and it has generally been said first by their brother - artists. The doctors disagree, but most of the patients manage to survive, greatly to the mystification Of their longer-lived contemporaries. Is there, then, no other criterion than time that can distinguish between the true and the sham. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Anderson Galleries
Publisher: Forgotten Books
ISBN: 9781396444401
Category : Art
Languages : en
Pages : 68
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Book Description
Excerpt from Illustrated Catalogue of Important Paintings by Distinguished Modern Artists From Private Collections 2. The highest bidder to be the buyer; in all cases of disputed bids the lot shall be resold, but the Auctioneer will use his judgment as to the good faith of all claims and his decision shall be final. He also reserves the right to reject any fractional or nominal bid which in his judgment may delay or injuriously affect the sale. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John Ruskin
Publisher: Forgotten Books
ISBN: 9780259308805
Category : Art
Languages : en
Pages : 500
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Book Description
Excerpt from Modern Painters, Vol. 1: Part I.-II The work now laid before the public originated in indigua. Tion at the shallow and false criticism of the periodicals of the day on the works of the great living artist to whom it princi pally refers. It was intended to be a short pamphlet, reprohat ing the matter and style of those critiques, and pointing out their perilous tendency, as guides of public feeling. But, as point after point presented itself for demonstration, I found myself compelled to amplify what was at first a letter to the Editor of a Review, into something very like a treatise on art, to which I was obliged to give the more consistency and com pleteness, because it advocated opinions which, to the ordinary connoisseur, will sound heretical. I now scarcely know whether I should announce it is an Essay on Landscape Painting, and apologize for its frequent reference to the works of a particular master; or, announcing it as a critique on particular works, apologize for its lengthy discussion of general principles. But of whatever character the work may be considered, the motives which led me to undertake it must not be mistaken. No zeal for the reputation of any individual, no personal feeling of any kind, has the slightest weight or influence with me. The rep tation of the great artist to whose works I have chiefly referred, is established on too legitimate grounds amongall whose admira tion is honorable, to be in any way afiected by the ignorant sarcasms of pretension and afiectation. But when public taste seems plunging deeper and deeper into degradation day by dayw and when the press universally exerts such power as it possesses to direct the feeling of the nation more completely to all that is theatrical, affected, and false in art; while it vents its ribald bufiooneries on the most exalted truth, and the highest ideal of. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Thomas Simpson
Publisher: Forgotten Books
ISBN: 9780484386579
Category : Art
Languages : en
Pages : 196
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Book Description
Excerpt from Modern Etchings and Their Collectors Last but not least, to a friend, who at my request has written the Introductory Chapter to this book, who is a lover of fine prints, and who has frequently helped me with advice on matters relating to them. The photogravure process which has been used for the illustrations was considered the most suitable for the particular etchings which have been reproduced. NO mechanical process can approximate original work. It would be lamentable if it did. This process, however, gives some idea Of the beauty of the originals without detracting from the skill of the Artists by too closely resembling original work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: François Guillaume Dumas
Publisher: Forgotten Books
ISBN: 9780331159721
Category :
Languages : en
Pages : 300
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Book Description
Excerpt from Illustrated Biographies of Modern Artists His immediate ancestors were established in Yorkshire, but they came, there is reason to believe, from Shropshire. In Yorkshire, at Scarborough, on the 3rd December, 1830, Sir Frederick was born. His family was not, however, permanently settled in England; his grandfather, the late Sir James Leighton, was for many years the much valued physician of the late Empress of Russia, and also chief of the Medical Department of the Imperial Navy, of which he had the sole direction, together with the patronage of all the offices connected with it. Sir Frederick's father was also a physician, but relinquished his profession at a compara tively early age, in consequence of the delicate state of his wife's health, which induced him to move from place to place on the Continent, in the hope of finding some suitable climate. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Margaret Steele Anderson
Publisher: Forgotten Books
ISBN: 9780260290113
Category : Art
Languages : en
Pages : 380
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Book Description
Excerpt from The Study of Modern Painting The aim of this book is to find out, and to set down as briefly as possible, the various currents or trends of modern painting, showing each one of these trends as illustrated by the work of a few eminent men. It is addressed to laymen in general, and primarily to the reader who knows something of famous work - some thing, let us say, of Titian, Watteau, Corot, Turner, and even of a few American painters - but who knows very little as to the various tendencies of modern art and is not yet familiar with the names of its leaders. To this layman I have endeavored to bring the move ments and the significance of modern painting, to gether with some idea of the work of the great men who stand for it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Ashton Rollins Willard
Publisher: Forgotten Books
ISBN: 9780365079637
Category : Art
Languages : en
Pages : 782
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Book Description
Excerpt from History of Modern Italian Art IN writing this book I trust that I have not taken a wholly one-sided view of my subject. I certainly have not been conscious of any wish either to de monstrate that the art-work of the period under con sideration was wholly good or that it was wholly bad. At the beginning I shared the feeling which we all have to some extent, that modern Italian art was degenerate, far removed in its standards and in its results from the art of the best period; but much study of the subject has led me to alter that view very materially. No one could have followed my line of work, step by step, without becoming convinced that the common feeling, to which I have alluded, was based to a certain extent upon prejudice and lack of information, and that a more generous attitude ought to be taken toward the men who, in the face of many discouragements, have so bravely struggled to redeem the art of the peninsula from the reproach which has been cast upon it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
