Author: Susheela Misra
Publisher: New Delhi : Harman Publishing House
ISBN:
Category : Musicians
Languages : en
Pages : 314
Book Description
Some Immortals of Hindustani Music
Author: Susheela Misra
Publisher: New Delhi : Harman Publishing House
ISBN:
Category : Musicians
Languages : en
Pages : 314
Book Description
Publisher: New Delhi : Harman Publishing House
ISBN:
Category : Musicians
Languages : en
Pages : 314
Book Description
The Immortals of Indian Music
Author: Deepti Omchery Bhalla
Publisher: Gyan Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 248
Book Description
The book highlights the inter-relationship among acculturation, communication and development in the context of the Mishings, an important and major tribe of Assam. An indepth study that gives a vivid picture of the socio-cultural changes in the Mishing tribe and analyses the forces and factors involved in the process. This is a rare book that will be a valuable addition to the existing literature on the sociology and ethnography of north-east India.
Publisher: Gyan Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 248
Book Description
The book highlights the inter-relationship among acculturation, communication and development in the context of the Mishings, an important and major tribe of Assam. An indepth study that gives a vivid picture of the socio-cultural changes in the Mishing tribe and analyses the forces and factors involved in the process. This is a rare book that will be a valuable addition to the existing literature on the sociology and ethnography of north-east India.
The Place of Music
Author: Andrew Leyshon
Publisher: Guilford Press
ISBN: 9781572303140
Category : Social Science
Languages : en
Pages : 340
Book Description
Music is omnipresent in human society, but its language can no longer be regarded as transcendent or universal. Like other art forms, music is produced and consumed within complex economic, cultural, and political frameworks in different places and at different historical moments. Taking an explicitly spatial approach, this unique interdisciplinary text explores the role played by music in the formation and articulation of geographical imaginations--local, regional, national, and global. Contributors show how music's facility to be recorded, stored, and broadcast; to be performed and received in private and public; and to rouse intense emotional responses for individuals and groups make it a key force in the definition of a place. Covering rich and varied terrain--from Victorian England, to 1960s Los Angeles, to the offices of Sony and Time-Warner and the landscapes of the American Depression--the volume addresses such topics as the evolution of musical genres, the globalization of music production and marketing, alternative and hybridized music scenes as sites of localized resistance, the nature of soundscapes, and issues of migration and national identity.
Publisher: Guilford Press
ISBN: 9781572303140
Category : Social Science
Languages : en
Pages : 340
Book Description
Music is omnipresent in human society, but its language can no longer be regarded as transcendent or universal. Like other art forms, music is produced and consumed within complex economic, cultural, and political frameworks in different places and at different historical moments. Taking an explicitly spatial approach, this unique interdisciplinary text explores the role played by music in the formation and articulation of geographical imaginations--local, regional, national, and global. Contributors show how music's facility to be recorded, stored, and broadcast; to be performed and received in private and public; and to rouse intense emotional responses for individuals and groups make it a key force in the definition of a place. Covering rich and varied terrain--from Victorian England, to 1960s Los Angeles, to the offices of Sony and Time-Warner and the landscapes of the American Depression--the volume addresses such topics as the evolution of musical genres, the globalization of music production and marketing, alternative and hybridized music scenes as sites of localized resistance, the nature of soundscapes, and issues of migration and national identity.
Indian Classical Music and the Gramophone, 1900–1930
Author: Vikram Sampath
Publisher: Taylor & Francis
ISBN: 1000590747
Category : Music
Languages : en
Pages : 229
Book Description
In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.
Publisher: Taylor & Francis
ISBN: 1000590747
Category : Music
Languages : en
Pages : 229
Book Description
In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.
The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
Author: Bruno Nettl
Publisher: Taylor & Francis
ISBN: 9780824049461
Category : History
Languages : en
Pages : 1126
Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Taylor & Francis
ISBN: 9780824049461
Category : History
Languages : en
Pages : 1126
Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Great Masters Of Hindustani Music
Author: Dr. S.V.Brahaspati
Publisher: Abhishek Publications
ISBN: 8182478987
Category : Juvenile Nonfiction
Languages : en
Pages : 207
Book Description
Publisher: Abhishek Publications
ISBN: 8182478987
Category : Juvenile Nonfiction
Languages : en
Pages : 207
Book Description
Two Men and Music
Author: Janaki Bakhle
Publisher: Oxford University Press
ISBN: 0190290242
Category : History
Languages : en
Pages : 360
Book Description
A provocative account of the development of modern national culture in India using classical music as a case study. Janaki Bakhle demonstrates how the emergence of an "Indian" cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practiti oners of the Indian music that was installed as a "Hindu" national tradition. This book lays bare how a nation's imaginings--from politics to culture--reflect rather than transform societal divisions.
Publisher: Oxford University Press
ISBN: 0190290242
Category : History
Languages : en
Pages : 360
Book Description
A provocative account of the development of modern national culture in India using classical music as a case study. Janaki Bakhle demonstrates how the emergence of an "Indian" cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practiti oners of the Indian music that was installed as a "Hindu" national tradition. This book lays bare how a nation's imaginings--from politics to culture--reflect rather than transform societal divisions.
The Garland Encyclopedia of World Music
Author: Ruth M. Stone
Publisher: Routledge
ISBN: 135154411X
Category : Music
Languages : en
Pages : 3969
Book Description
The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.
Publisher: Routledge
ISBN: 135154411X
Category : Music
Languages : en
Pages : 3969
Book Description
The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.
The Indian Drum of the King-God and the Pakhāvaj of Nathdwara
Author: Paolo Pacciolla
Publisher: Routledge
ISBN: 1000060012
Category : Music
Languages : en
Pages : 271
Book Description
The book studies the evolution of the ancient drum mṛdaṅga into the pakhāvaj, crossing more than 2,000 years of history. While focusing on the Nathdwara school of pakhāvaj, the author joins ethnographic, historical, religious and iconographic perspectives to argue a multifaceted interpretation of the role and function of the pakhāvaj in royal courts, temples and contemporary stages. Furthermore, he offers the first analysis of the visual and narrative contents of its repertoire.
Publisher: Routledge
ISBN: 1000060012
Category : Music
Languages : en
Pages : 271
Book Description
The book studies the evolution of the ancient drum mṛdaṅga into the pakhāvaj, crossing more than 2,000 years of history. While focusing on the Nathdwara school of pakhāvaj, the author joins ethnographic, historical, religious and iconographic perspectives to argue a multifaceted interpretation of the role and function of the pakhāvaj in royal courts, temples and contemporary stages. Furthermore, he offers the first analysis of the visual and narrative contents of its repertoire.
Hindi Poetry in a Musical Genre
Author: Lalita du Perron
Publisher: Routledge
ISBN: 1134159927
Category : Art
Languages : en
Pages : 287
Book Description
Indian classical music has long been fascinating to Western audiences, most prominently since the Beatles' sessions with Ravi Shankar in the 1960s. Du Perron examines Thumi Lyrics, a major genre of Hindustani music, from a primarily linguistic perspective.
Publisher: Routledge
ISBN: 1134159927
Category : Art
Languages : en
Pages : 287
Book Description
Indian classical music has long been fascinating to Western audiences, most prominently since the Beatles' sessions with Ravi Shankar in the 1960s. Du Perron examines Thumi Lyrics, a major genre of Hindustani music, from a primarily linguistic perspective.