Author: Boris Pillin
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 212
Book Description
Some Aspects of Counterpoint in Selected...A. Schoenberg
Author: Boris Pillin
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 200
Book Description
Some Aspects of Counterpoint in Selected Works of Arnold Schoenberg
Author: Boris Pillin
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 218
Book Description
Some Aspects of Counterpoint in Selected Works of Arnold Schoenberg
Author: Boris William Pillin
Publisher:
ISBN:
Category :
Languages : en
Pages : 201
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 201
Book Description
Some Aspects of Counterpoint in Selected Works of Arnold Schoenberg
Author: Boris Pillin
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 402
Book Description
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 402
Book Description
Preliminary Exercises in Counterpoint
Author: Arnold Schoenberg
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 231
Book Description
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 231
Book Description
Common Music
Author: Heinrich Konrad Taube
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
Book Description
The Computer and Music
Author: Harry B. Lincoln
Publisher: Cornell University Press
ISBN: 150174416X
Category : Music
Languages : en
Pages : 381
Book Description
The first of its kind, this is book consists of twenty-one essays describing the many different uses of the digital computer in the field of music. Musicologists will find that various historical periods-from medieval to contemporary-are represented, and examples of computer analysis of ethnic music are considered. Edmund A. Bowles contributes an entertaining historical survey of music research and the computer. Lejaren Hill here discusses computer composition, both in this country and in Europe, and gives a bibliography of composers and their works. A. James Gabura's essay describes experiments in analyzing and identifying the keyboard styles of Haydn, Mozart, and Beethoven. There is also a section of particular interest to music librarians.
Publisher: Cornell University Press
ISBN: 150174416X
Category : Music
Languages : en
Pages : 381
Book Description
The first of its kind, this is book consists of twenty-one essays describing the many different uses of the digital computer in the field of music. Musicologists will find that various historical periods-from medieval to contemporary-are represented, and examples of computer analysis of ethnic music are considered. Edmund A. Bowles contributes an entertaining historical survey of music research and the computer. Lejaren Hill here discusses computer composition, both in this country and in Europe, and gives a bibliography of composers and their works. A. James Gabura's essay describes experiments in analyzing and identifying the keyboard styles of Haydn, Mozart, and Beethoven. There is also a section of particular interest to music librarians.
The Voice of New Music
Author: Tom Johnson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 556
Book Description
An anthology of articles on the evolution of minimal music in New York in 1972-1982, which originally appeared in the Village Voice (New York).
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 556
Book Description
An anthology of articles on the evolution of minimal music in New York in 1972-1982, which originally appeared in the Village Voice (New York).
Tuning, Timbre, Spectrum, Scale
Author: William A. Sethares
Publisher: Springer Science & Business Media
ISBN: 1447141776
Category : Music
Languages : en
Pages : 346
Book Description
Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.
Publisher: Springer Science & Business Media
ISBN: 1447141776
Category : Music
Languages : en
Pages : 346
Book Description
Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.
Writings through John Cage's Music, Poetry, and Art
Author: David W. Bernstein
Publisher: University of Chicago Press
ISBN: 0226044874
Category : Music
Languages : en
Pages : 322
Book Description
This volume looks at the creative work of the great avant-gardist John Cage from an exciting interdisciplinary perspective, exploring his activities as a composer, performer, thinker, and artist. The essays in this collection grew out of a pivotal gathering during which a spectrum of participants including composers, music scholars, and visual artists, literary critics, poets, and filmmakers convened to examine Cage's extraordinary artistic legacy. Beginning with David Bernstein's introductory essay on the reception of Cage's music, the volume addresses topics ranging from Cage's reluctance to discuss his homosexuality, to his work as a performer and musician, and his forward-looking, provocative experimentation with electronic and other media. Several of the essays draw upon previously unseen sketches and other source materials. Also included are transcripts of lively panel discussions among some of Cage's former colleagues. Taken together, this collection is a much-needed contribution to the study of one of the most significant American artists of the twentieth century.
Publisher: University of Chicago Press
ISBN: 0226044874
Category : Music
Languages : en
Pages : 322
Book Description
This volume looks at the creative work of the great avant-gardist John Cage from an exciting interdisciplinary perspective, exploring his activities as a composer, performer, thinker, and artist. The essays in this collection grew out of a pivotal gathering during which a spectrum of participants including composers, music scholars, and visual artists, literary critics, poets, and filmmakers convened to examine Cage's extraordinary artistic legacy. Beginning with David Bernstein's introductory essay on the reception of Cage's music, the volume addresses topics ranging from Cage's reluctance to discuss his homosexuality, to his work as a performer and musician, and his forward-looking, provocative experimentation with electronic and other media. Several of the essays draw upon previously unseen sketches and other source materials. Also included are transcripts of lively panel discussions among some of Cage's former colleagues. Taken together, this collection is a much-needed contribution to the study of one of the most significant American artists of the twentieth century.