Some Account of the English Stage PDF Download
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Author: John Genest
Publisher: Bath : H.E. Carrington
ISBN:
Category : Theater
Languages : en
Pages : 656
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Book Description
Author: John Genest
Publisher: Bath : H.E. Carrington
ISBN:
Category : Theater
Languages : en
Pages : 656
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Book Description
Author: John Genest
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 582
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Book Description
Author: Jennie Batchelor
Publisher: Springer
ISBN: 1137543825
Category : Social Science
Languages : en
Pages : 271
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Book Description
This book is about mapping the future of eighteenth-century women’s writing and feminist literary history, in an academic culture that is not shy of declaring their obsolescence. It asks: what can or should unite us as scholars devoted to the recovery and study of women’s literary history in an era of big data, on the one hand, and ever more narrowly defined specialization, on the other? Leading scholars from the UK and US answer this question in thought-provoking, cross-disciplinary and often polemical essays. Contributors attend to the achievements of eighteenth-century women writers and the scholars who have devoted their lives to them, and map new directions for the advancement of research in the area. They collectively argue that eighteenth-century women’s literary history has a future, and that feminism was, and always should be, at its heart. Featuring a Preface by Isobel Grundy, and a Postscript by Cora Kaplan.
Author: Deborah C. Payne
Publisher: Springer
ISBN: 3319465147
Category : Literary Criticism
Languages : en
Pages : 147
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Book Description
This collection of essays centres on Double Falsehood, Lewis Theobald’s 1727 adaptation of the “lost” play of Cardenio, possibly co-authored by John Fletcher and William Shakespeare. In a departure from most scholarship to date, the contributors fold Double Falsehood back into the milieu for which it was created rather than searching for traces of Shakespeare in the text. Robert D. Hume’s knowledge of theatre history permits a fresh take on the forgery question as well as the Shakespeare authorship controversy. Diana Solomon’s understanding of eighteenth-century rape culture and Jean I. Marsden’s command of contemporary adaptation practices both emphasise the play’s immediate social and theatrical contexts. And, finally, Deborah C. Payne’s familiarity with the eighteenth-century stage allows for a reconsideration of Double Falsehood as integral to a debate between Theobald, Alexander Pope, and John Gay over the future of the English drama.
Author: William Lowndes
Publisher: BoD – Books on Demand
ISBN: 3382102846
Category : Fiction
Languages : en
Pages : 858
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Book Description
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: William Thomas Lowndes
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 368
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Book Description
Author: Alexandre Beljame
Publisher: Psychology Press
ISBN: 9780415176101
Category : Authors and readers
Languages : en
Pages : 528
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Book Description
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Catherine Burroughs
Publisher: Cambridge University Press
ISBN: 9780521662246
Category : Drama
Languages : en
Pages : 366
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Book Description
First published in 2000, this collection of essays focuses on women theatre artists in the romantic period.
Author: Intelligent Education
Publisher: Influence Publishers
ISBN: 1645422712
Category : Study Aids
Languages : en
Pages : 128
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Book Description
A comprehensive study guide offering in-depth explanation, essay, and test prep for John Gay’s The Beggar’s Opera, without a doubt the most popular drama written during the hundred years between 1700 and 1800. As a comedy of the Restoration period of British drama, the humor in The Beggar’s Opera serves as a medium for carrying the author's meaning - social satire - which is applicable in all countries at all times. Moreover, the basis of the play's success rests on three factors: its artistic merit; its originality (this is in part measured by the number of later dramas which clearly display the influence of its innovations); and its pervasive humor. This Bright Notes Study Guide explores the context and history of Gay’s classic work, helping students to thoroughly explore the reasons it has stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.
Author: Mrs. Cooper (Elizabeth)
Publisher: University of Toronto Press
ISBN: 1442615451
Category : Drama
Languages : en
Pages : 209
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Book Description
Elizabeth Cooper's The Rival Widows, or Fair Libertine provides a unique opportunity to restore to scholarly and pedagogical attention a neglected female writer and a play with broad and significant implications for studies of eighteenth-century history, culture and gender. Following the adventures of Lady Bellair, a glowing, joyous young Widow, the storyline regenders standard expectations about desire, marriage, libertinism and sentiment. The play has not been reprinted since 1735; therefore this old-spelling edition gives scholars access to an important but neglected resource for studies of women writers and eighteenth-century theatre. In an original and extensive introduction, Tiffany Potter presents cultural and historical information that highlights the scholarly implications of this newly available play. She offers a brief biographical sketch of the playwright; a summary of sources for specific elements of the play; an overview of the theatrical climate of the time (with particular focus on the conditions leading to the Licensing Act of 1737); a discussion of the place of women in eighteenth-century society; a summary of symbiotic cultural discourses of libertinism and sensibility in the early eighteenth century; and a discussion of the general cultural significance of Cooper's demonstration of the malleability of prescriptive gender roles. Further value is added to this edition through its appendices, which reproduce documents relating to the playwright Elizabeth Cooper and to the Licensing Act of 1737 (including the text of the Act itself).
