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Author: Neil MacGregor
Publisher: Vintage
ISBN: 1101875674
Category : History
Languages : en
Pages : 636
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Book Description
For the past 140 years, Germany has been the central power in continental europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people understand themselves? Neil MacGregor argues that, uniquely for any European country, no coherent, overarching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly shifted. Königsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Wolfgang von Geothe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses, and experiences; examining some of these is the purpose of this book. MacGregor chooses objects and ideas, people and places that still resonate in the new Germany—porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald—to show us something of its collective imagination. There has never been a book about Germany quite like it.
Author: Neil MacGregor
Publisher: Vintage
ISBN: 1101875674
Category : History
Languages : en
Pages : 636
Get Book Here
Book Description
For the past 140 years, Germany has been the central power in continental europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people understand themselves? Neil MacGregor argues that, uniquely for any European country, no coherent, overarching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly shifted. Königsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Wolfgang von Geothe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses, and experiences; examining some of these is the purpose of this book. MacGregor chooses objects and ideas, people and places that still resonate in the new Germany—porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald—to show us something of its collective imagination. There has never been a book about Germany quite like it.
Author: Anna Brus
Publisher: transcript Verlag
ISBN: 3839453976
Category : Social Science
Languages : en
Pages : 265
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Book Description
The African museum landscape is changing. A new generation of scholars and curators is setting international standards for the reappraisal and revision of colonial collections, the conception of curatorial spaces, and the integration of new groups of actors. In the face of the ghostly survival of colonial epistemologies in archives, displays, and architectures, it is a matter of breaking up institutional encrustations and infrastructures, inventing new museum practices, and bringing archives to life. Scholars and museum experts predominantly working in Africa and South America discuss the post/colonial history of museums, their political-economic entanglements, the significance of diasporic objects, as well as the prospects for restitution and its consequences. The contributions to this issue of ZfK are all presented in English. Based on the works of Waverly Duck and Anne Rawls, the debate section is devoted to forms of everyday racism and the way interaction orders of race are institutionalized.
Author: Hannelore Hägele
Publisher: Cambridge Scholars Publishing
ISBN: 1443852651
Category : Art
Languages : en
Pages : 369
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Book Description
This book introduces the reader to the art of sculpture across five millennia up to the present, and from the Near East to the west. In each of the eleven chapters, a number of selected works are discussed to exemplify the circumstances and conditions for making pieces of sculpture – objects peculiar to place, time and context. Within each cultural framework, characteristics are observable that suggest various reasons for the use of colour in sculpture. These encompass local preferences, customs or cultural requirements; and others point to an impulse to enhance the expression of the phenomenal. Whether colour is really necessary or even essential to sculpted works of art is a question especially pertinent since the Renaissance. Surface finishes of sculptural representations may allude to the sensory world of colour without even having pigment applied to them. What makes polychromy so special is that it functions as an overlay of another dimension that sometimes carries further encoded meaning. In nature, the colour is integral to the given object. What the present survey suggests is that the relationship between colour and sculpture is a matter of intentional expression, even where the colour is intrinsic – as in the sculptor’s materials.
Author:
Publisher: BRILL
ISBN: 9004532455
Category : Art
Languages : en
Pages : 308
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Book Description
The volume exposes the modus operandi of Wilhelm Bode’s strategic involvement in the art market and the formation and dissolution of public and private collections, showcasing his complex agency within the art marketplace of the late nineteenth and early twentieth centuries.
Author: Michele D. Marincola
Publisher: Getty Publications
ISBN: 1606066552
Category : Art
Languages : en
Pages : 298
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Book Description
The first English-language book to comprehensively discuss the history and methodology of conserving medieval polychrome wood sculpture. Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculpture for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with their examination and documentation, including chapters on the identification of both the wooden support and the polychromy itself—the paint layers, metal leaf, and other materials used for these sculptures. The volume also covers the many aspects of treatment: the process of determining the best approach; consolidation and adhesion of paint, ground, and support; overpaint removal and surface cleaning; and compensation. Four case studies on artworks in the collection of The Cloisters in New York, a comprehensive bibliography, and a checklist to aid in documentation complement the text.
Author: Patricia Lee Rubin
Publisher: Metropolitan Museum of Art
ISBN: 1588394255
Category : Art, Italian
Languages : en
Pages : 434
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Book Description
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
Author: Inés Monteira
Publisher: Taylor & Francis
ISBN: 104022671X
Category : Art
Languages : en
Pages : 243
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Book Description
This book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context. This study includes figurative and iconographic motifs, architectural forms, and even the spolia from constructions and Arabic inscriptions that were embedded in Christian buildings. The Islamic visual culture of al-Andalus was often transformed as it was recreated by Christian hands, bringing to the fore various nuances in the relationship between the two religious communities. Artistic transfer was conditioned by social coexistence between Christians and Muslims—both in the caliphate al-Andalus and in the northern realms—and military conflict. To approach the different ways in which Andalusi visual culture was received in the northern kingdoms, while embracing the vast diversity of case studies available, this book is divided into three thematic sections: Reinterpretation, Appropriation, and Artistic Transfers. This book will be of interest to scholars working in art history, visual culture, and medieval studies.
Author: Anna Cecilia Olovsdotter
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110546507
Category : History
Languages : en
Pages : 363
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Book Description
It has long been an accepted assumption that the abstracted mode of visual representation that emerged in late antiquity reflected a collective shift from the outer-directed and ’material’ world-view of classical antiquity to an inner-directed, ’spiritual’ mentality informed by Christianity: the purpose of this volume is to offer a more nuanced and diverse image of the nature and meanings of abstraction and symbolism in late antique and early medieval art, beyond normative intepretation models, and from a number of different methodological and interpretative perspectives. In ten chapters, ten authors specialised in various fields of late-antique and Byzantine art explore the historiographical background of the ’spiritual’ interpretation paradigm, neuroscientific and theological dimensions of Christian visual aesthetics, meanings and motive factors behind apparently wholly abstract and aniconic compositions, symbolic motifs and schemes for visualising cosmic order and the cosmic state of Christ, and the re-use of symbolic Greco-Roman themes in Christian contexts. The result is a multi-focal image of late antique abstraction and symbolism that illuminates the heterogeneity and complexity of the phenomena and of their study.
Author: Gawdat Gabra
Publisher: American University in Cairo Press
ISBN: 1649030215
Category : Religion
Languages : en
Pages : 455
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Book Description
The legacies of the Coptic Christian presence in Alexandria and the Egyptian Deserts from the fourth century to the present day The great city of Alexandria is undoubtedly the cradle of Egyptian Christianity, where the Catechetical School was established in the second century and became a leading center in the study of biblical exegesis and theology. According to tradition St. Mark the Evangelist brought Christianity to Alexandria in the middle of the first century and was martyred in that city, which was to become the residence of Egypt’s Coptic patriarchs for nearly eleven centuries. By the fourth century Egyptian monasticism had begun to flourish in the Egyptian deserts and countryside. The contributors to this volume, international specialists in Coptology from around the world, examine the various aspects of Coptic civilization in Alexandria and its environs and in the Egyptian deserts over the past two millennia. The contributions explore Coptic art, archaeology, architecture, language, and literature. The impact of Alexandrian theology and its cultural heritage as well as the archaeology of its university are highlighted. Christian epigraphy in the Kharga Oasis, the art and architecture of the Bagawat cemetery, and the archaeological site of Kellis (Ismant al-Kharab) with its Manichaean texts are also discussed. Contributors Elizabeth Agaiby, Fr. Anthony, David Brakke, Jan Ciglenečki , Jean-Daniel Dubois, Bishop Epiphanius, Lois M. Farag, Frank Feder, Cäcilia Fluck, Sherin Sadek El Gendi, Mary Ghattas, Gisèle Hadji-Minaglou, Intisar Hazawi, Karel Innemée, Mary Kupelian, Grzegorz Majcherek, Bishop Martyros, Samuel Moawad, Ashraf Nageh, Adel F. Sadek, Ashraf Alexander Sadek, Ibrahim Saweros, Mark Sheridan, Fr. Bigoul al-Suriany, Hany Takla, Gertrud J.M. van Loon, Jacques van der Vliet, Youhanna Nessim Youssef, Ewa D. Zakrzewska, Nader Alfy Zekry
Author: Neil MacGregor
Publisher: Vintage
ISBN: 052552147X
Category : History
Languages : en
Pages : 465
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Book Description
In the same format as his best-selling books A History of the World in 100 Objects and Germany: Memories of a Nation—the acclaimed art historian now gives us a magnificent new book that explores the relationship between faith and society. Until fairly recently, religion as a major influence on the nature of individual societies around the world seemed to be on the wane. Now, far from being marginalized, the relationship between faith and society has moved to the center of politics and global conversation. Neil MacGregor's new book traces the ways in which different societies have understood and articulated their places in the cosmic scheme. It examines mankind's beliefs not from the perspective of institutional religions but according to how shared narratives have shaped societies—and what happens when different narratives run up against each other. As he did in A History of the World in 100 Objects and Germany: Memories of a Nation, MacGregor brilliantly combines objects, places, and ideas to examine and, ultimately, illuminate these pressing contemporary concerns.
