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Author: John Owen
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 452
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Book Description
Chapter I: Montaigne -- chapter II: Peter Ramus -- chapter III: Charron -- chapter IV: Sanchez -- chapter V: La Mothe-Le-Vayer -- chapter VI: Pascal -- Index to literary references -- Index to subjects
Author: John Owen
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 452
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Book Description
Chapter I: Montaigne -- chapter II: Peter Ramus -- chapter III: Charron -- chapter IV: Sanchez -- chapter V: La Mothe-Le-Vayer -- chapter VI: Pascal -- Index to literary references -- Index to subjects
Author: John Owen
Publisher:
ISBN: 9783337534417
Category :
Languages : en
Pages : 428
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Book Description
Author: Bernard Weinberg
Publisher:
ISBN: 9780810138766
Category : Literary Collections
Languages : en
Pages : 304
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Book Description
Critical Prefaces of the French Renaissance contains nearly 30 prefaces from the works of French poets and dramatists published from 1525 to 1611. Bernard Weinberg's helpful book collects prefaces from the works of satirical poets, as well as dramatists, and provides a short introduction to each preface setting it in its literary and historical context. Lyrical and satirical poets represented vary from Marot to Du Bellay to Ronsard. Dramatists represented include Jean de la Tille and Larivey, among others. The larger introduction to the volume provides literary analysis of five longer texts by Sebillet, Du Bellay, Peletier du Mans, the obscure Pierre De-laudun, and Horace. Weinberg's study brings attention back to these primary writings that are crucial for an understanding of the period.
Author: José R. Maia Neto
Publisher: Springer
ISBN: 3319073591
Category : Philosophy
Languages : en
Pages : 173
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Book Description
This book is the first systematic account of Pierre Charron’s influence among the major French philosophers in the period (1601-1662). It shows that Charron’s Wisdom was one of the main sources of inspiration of Pierre Gassendi’s first published book, the Exercitationes adversus aristoteleos. It sheds new light on La Mothe Le Vayer, who is usually viewed as a major free thinker. By showing that he was a follower of Charron, La Mothe emerges neither as a skeptical apologist nor as a disguised libertine, as combatting superstition but not as irreligious. The book shows the close presence of Charron in the preambles of Descartes’ philosophy and that the cogito is mainly based on the moral Academic self-assurance of Charron’s wise man. This interpretation reverses the standard view of Descartes’ relation to skepticism. Once this skepticism is recognized to be Charron’s Academic one, it is seen not as the target but as the source of the cogito. Pascal is the last major philosopher for whom Charron’s wisdom is crucially relevant. Montaigne and Descartes influenced, respectively, Pascal’s view of the Pyrrhonian skeptic and of the skeptical main arguments. The book shows that Charron’s Academic skeptical wise man is one of the main targets of his projected apology for Christianity, since he considered him as a threat and counter-example of the kind of Christian view of human beings he believed. By restoring the historical philosophical relevance of Charron in early modern philosophy and arguing for the relevance of Academic skepticism in the period, this book opens a new research program to early modern scholars and will be valuable for those interested in the history of philosophy, French literature and religion.
Author: Rebecca Zorach
Publisher: University of Chicago Press
ISBN: 9780226989372
Category : Art
Languages : en
Pages : 360
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Book Description
Most people would be hard pressed to name a famous artist from Renaissance France. Yet sixteenth-century French kings believed they were the heirs of imperial Rome and commissioned a magnificent array of visual arts to secure their hopes of political ascendancy with images of overflowing abundance. With a wide-ranging yet richly detailed interdisciplinary approach, Rebecca Zorach examines the visual culture of the French Renaissance, where depictions of sacrifice, luxury, fertility, violence, metamorphosis, and sexual excess are central. Zorach looks at the cultural, political, and individual roles that played out in these artistic themes and how, eventually, these aesthetics of exuberant abundance disintegrated amidst perceptions of decadent excess. Throughout the book, abundance and excess flow in liquids-blood, milk, ink, and gold-that highlight the materiality of objects and the human body, and explore the value (and values) accorded to them. The arts of the lavish royal court at Fontainebleau and in urban centers are here explored in a vibrant tableau that illuminates our own contemporary relationship to excess and desire. From marvelous works by Francois Clouet to oversexed ornamental prints to Benvenuto Cellini's golden saltcellar fashioned for Francis I, Blood, Milk, Ink, Gold covers an astounding range of subjects with precision and panache, producing the most lucid, well-rounded portrait of the cultural politics of the French Renaissance to date.
Author: Arthur Tilley
Publisher: Cambridge University Press
ISBN: 1107505569
Category : History
Languages : en
Pages : 379
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Book Description
First published in 1904, this book forms part of a two-volume set examining the development of literature during the French Renaissance. Taken together, the volumes cover the period 1525 to 1605, incorporating detailed information on numerous works and key literary figures, beginning with Francis I and his court and moving through to Mathurin Régnier. Both volumes were written by the renowned Cambridge literary critic and classicist Arthur Tilley (1851-1942). These books will be of value to anyone with an interest in French literature and the Renaissance.
Author: Henri Zerner
Publisher: Rizzoli Publications
ISBN: 2080111442
Category : Art
Languages : en
Pages : 0
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Book Description
Harvard professor Zerner focuses on one of the most dynamic and flamboyant periods in art history, the Renaissance in France. Renaissance Art in France explains how the school of Fontainebleau, in its exaggerated elegance and complex fantasies, combined French forms of medieval origin with the Italianate decorative style. It quickly came to represent a high point in the development of Mannerism and laid the groundwork for the invention of French Classicism. The volume showcases artists who excelled in the fine arts such as court portraitist François Clouet and sculptor Jean Goujon, as well as those working in decorative arts that also flourished during this period: tapestry, stained-glass windows, printmaking, and metalwork. With beautiful illustrations and an accessible text, it is all summed up here in one compact volume.
Author: Scott Francis
Publisher: University of Virginia Press
ISBN: 1644530082
Category : History
Languages : en
Pages : 343
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Book Description
Advertising the Self in Renaissance France explores how authors and readers are represented in printed editions of three major literary figures: Jean Lemaire de Belges, Clément Marot, and François Rabelais. Print culture is marked by an anxiety of reception that became much more pronounced with increasingly anonymous and unpredictable readerships in the sixteenth century. To allay this anxiety, authors, as well as editors and printers, turned to self-fashioning in order to sell not only their books but also particular ways of reading. They advertised correct modes of reading as transformative experiences offered by selfless authors that would help the actual reader attain the image of the ideal reader held up by the text and paratext. Thus, authorial personae were constructed around the self-fashioning offered to readers, creating an interdependent relationship that anticipated modern advertising. Distributed for the University of Delaware Press
Author: Zahi Anbra Zalloua
Publisher: Rookwood Press
ISBN: 1886365563
Category : Literary Criticism
Languages : en
Pages : 203
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Book Description
As one of the 16th century's most brilliant writers, Montaigne formed his ethical self and his eventual theories of physical and spiritual skepticism. Zalloua explores this enlightened thinker's mind. (Literary Criticism)
Author:
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 474
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Book Description
