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Author: Franz Asplmayr
Publisher: A-R Editions, Inc.
ISBN: 0895794411
Category : Music
Languages : en
Pages : 106
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Book Description
Author: Franz Asplmayr
Publisher: A-R Editions, Inc.
ISBN: 0895794411
Category : Music
Languages : en
Pages : 106
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Book Description
Author: Andrew Kearns
Publisher: A-R Editions, Inc.
ISBN: 0895795337
Category : Music
Languages : en
Pages : 242
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Book Description
xv + 216 pp.
Author: Étienne Ozi
Publisher: A-R Editions, Inc.
ISBN: 0895794586
Category : Music
Languages : en
Pages : 82
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Book Description
Author: John Travers
Publisher: A-R Editions, Inc.
ISBN: 0895795671
Category : Canzonets (Part songs), English
Languages : en
Pages : 122
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Book Description
xxii + 89 pp.
Author: Giovanni Battista Sammartini
Publisher: A-R Editions, Inc.
ISBN: 0895795213
Category : Music
Languages : en
Pages : 212
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Book Description
xv + 186 pp.
Author: Pierre Gaviniés
Publisher: A-R Editions, Inc.
ISBN: 9780895797049
Category : Music
Languages : en
Pages : 68
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Book Description
Author: Thomas Linley
Publisher: A-R Editions, Inc.
ISBN: 0895794519
Category : Music
Languages : en
Pages : 290
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Book Description
Author: Mara Parker
Publisher: Routledge
ISBN: 1351540270
Category : Music
Languages : en
Pages : 289
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Book Description
The second half of the eighteenth century witnessed a flourishing of the string quartet, often represented as a smooth and logical progression from first violin-dominated homophony to a more equal conversation between the four voices. Yet this progression was neither as smooth nor as linear as previously thought, as Mara Parker illustrates in her examination of the string quartet during this period. Looking at a wide variety of string quartets by composers such as Pleyel, Distler and Filtz, in addition to Haydn and Mozart, the book proposes a new way of describing the relationships between the four instruments in different works. Broadly speaking, these relationships follow one of four patterns: the 'lecture', the 'polite conversation', the 'debate', and the 'conversation'. In focusing on these musical discourses, it becomes apparent that each work is the product of its composer's stylistic choices, location, intended performers and intended audience. Instead of evolving in a strict and universal sequence, the string quartet in the latter half of the eighteenth century was a complex genre with composers mixing and matching musical discourses as circumstances and their own creative impulses required.
Author: Dorothea Link
Publisher: A-R Editions, Inc.
ISBN: 0895795167
Category : Music
Languages : en
Pages : 154
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Book Description
xxv + 122 pp.
Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 9780393050806
Category : Music
Languages : en
Pages : 1128
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Book Description
A glittering cultural tour of Europe's major capitals during a period of intense musical change. This volume continues the study of the eighteenth century begun in Haydn, Mozart, and the Viennese School 1740–1780 (1995) by focusing on the capital cities other than Vienna that were most important in the creation and diffusion of new music. It tells of events in Naples, where Vinci and Pergolesi went beyond their pre-1720 models to cultivate opera in a simpler, more direct manner, soon after christened the galant style. No less central was Venice, where Vivaldi perfected the concerto, on which were patterned the early symphonies and the newer kind of sonata. Dresden profited first from all these achievements and became, under Hasse's direction, the foremost center of Italian opera in Germany. Mannheim with its great orchestra did much to shape the modern symphony. A few years later, Paris became paramount, especially for its Opéra-Comique; during the 1770s the Opéra provided Gluck with a stage on which to cap his long international career. The book concludes with a description of Christian Bach in London, Paisiello in Saint Petersburg, and Boccherini in Madrid. This long-awaited book offers a view of eighteenth-century music that is broad and innovative while remaining sensitive to the values of those times and places. One comes away from it with an understanding of the European context behind the triumphs of Haydn and Mozart. Lavishly illustrated with music examples and reproductions, both in black-and-white and color, this master study will be of inestimable importance to scholars, cultural historians, performers, and all music lovers.
