Six Monologues 1990-2007 PDF Download
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Author: Jeff McMahon
Publisher: Lulu.com
ISBN: 1387322966
Category : Fiction
Languages : en
Pages : 189
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Book Description
SIX MONOLOGUES 1990-2007 by Jeff McMahon collects six of McMahon's works that span across socio-political, queer and historical frames of discourse: DISCONTENTS, SCATTER, CITY OF GOD, HEEL, HONORABLE DISCHARGE, FAILURE TO THRIVE (we small hours). Provocative, witty, daring and compassionate, these works are a testament to McMahon's singular vision. This edition is part of NoPassport Press' Dreaming the Americas Series.
Author: Jeff McMahon
Publisher: Lulu.com
ISBN: 1387322966
Category : Fiction
Languages : en
Pages : 189
Get Book Here
Book Description
SIX MONOLOGUES 1990-2007 by Jeff McMahon collects six of McMahon's works that span across socio-political, queer and historical frames of discourse: DISCONTENTS, SCATTER, CITY OF GOD, HEEL, HONORABLE DISCHARGE, FAILURE TO THRIVE (we small hours). Provocative, witty, daring and compassionate, these works are a testament to McMahon's singular vision. This edition is part of NoPassport Press' Dreaming the Americas Series.
Author: Jimmy A. Noriega
Publisher: Taylor & Francis
ISBN: 100063888X
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
Whether creating Broadway musicals, experimental dramas, or outrageous comedies, the performers, directors, playwrights, designers, and producers profiled in this collection have contributed to the representation of LGBTQ lives and culture in a variety of theatrical venues, both within the queer community and across the US theatrical landscape. Moving from the era of the Stonewall Riots to today, notable scholars in the field bring a wide variety of queer theatre artists into conversation with each other, exploring connections and differences in race, gender, physical ability, national origin, class, generation, aesthetic modes, and political goals, creating a diverse and inclusive study of 50 years of queer theatre. For readers seeking an introduction to or a deeper understanding of LGBTQ theatre, this volume offers thought-provoking analyses of theatre-makers both celebrated and lesser-known, mainstream and subversive, canonical and new.
Author:
Publisher:
ISBN: 9788799885558
Category :
Languages : en
Pages : 0
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Book Description
Author: Jocelyn Beard
Publisher: Smith & Kraus
ISBN:
Category : Acting
Languages : en
Pages : 100
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Book Description
Author: Ray Dorien
Publisher:
ISBN:
Category :
Languages : en
Pages : 17
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Book Description
Author: Freyda Thomas
Publisher: Samuel French, Inc.
ISBN: 0573662738
Category : Performing Arts
Languages : en
Pages : 93
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Book Description
Fifty fabulous, fresh, new classical monologues for men await you within these pages. Everyone from the ancient Greeks to novelists of the 19th century is represented. They are not translated; they are adapted to the actor's needs and accessible to modern audiences. There are 25 dramatic and 25 comic-the largest collection of comic classical monologues on the market. The book is divided into 4 sections: Young Women's Dramatic, Mature Women's Dramatic, Young Women's Comedic and Mature Women's Com
Author: Jocelyn Beard
Publisher: Smith & Kraus
ISBN:
Category : Drama
Languages : en
Pages : 106
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Book Description
Author: Jack Temchin
Publisher: Hal Leonard Corporation
ISBN: 9781557831521
Category : Performing Arts
Languages : en
Pages : 148
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Book Description
(Applause Acting Series). Over 75 monologues for women from the contemporary stage, written by these and other major dramatists: David Mamet * Brian Friel * Steve Tesich * Harold Pinter * Alan Ayckbourn * Timberlake Wertenbaker * Neil Simon * John Patrick Shanley * Jane Anderson * Elizabeth Swados * Ariel Dorfman * Craig Lucas.
Author: Gregory L. Hudson
Publisher: AuthorHouse
ISBN: 1438934602
Category : Humor
Languages : en
Pages : 114
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Book Description
Monologues by Gregory L. Hudson is a compilation of thirty-two monologues from some of his most profound stage plays, films and television pilots. The literary works that these monologues were chosen from are socially relevant, provocative and reflects the good and bad aspects of society. Each monologue is different from the next and provides a unique challenge to actors of all levels. The characters are as varied as the colors in a rainbow and can be exceptionally witty like the homeless but optimistic character Lee Willie in Vagabond Love; or outrageously funny and likeable character Bojack in No Harm, No Foul; to the down right mean female correction officer Hurt character who doesn't feel that women garner respect in Bronx House; or the respected and deceptive racist bank manager Mr. Wallis whose main objective is to maintain the status quo of segregation in the deep south in A Piece Of My Dream. Other fun characters includes, the slick, smooth talking pastor in A Piece of My Dream (the Movie); the grimy lawyer Mr. Crooks in The Plaintiff; the lovable homeless character Abigail in Vagabond Love; the wacky, over the top judge who fancys himself as the sheriff, mayor, judge and everything else in No Harm, No Foul, to the zany, flaming gay choreographer in the T.V. pilot Buck Wild and more. The monologues are different, rich in unique dialogue and range from one to five minutes in length.
Author: Martin Meisel
Publisher: OUP Oxford
ISBN: 0191526959
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Why are readers who are generally at home with narrative and discursive prose, and even readily responsive to poetry, far less confident and intuitive when it comes to plays? The complication lies in the twofold character of the play as it exists on the page - as a script or score to be realized, and as literature. Martin Meisel's engaging account of how we read play plays on the page shows that the path to the fullest imaginative response is an understanding of how plays work. What is entailed is something like learning a language - vocabulary, grammar, syntax - but learning also how the language operates in those concrete situations where it is deployed. Meisel begins with a look at matters often taken for granted in coding and convention, and then - under 'Beginnings' - at what is entailed in establishing and entering the invented world of the play. Each succeeding chapter is a gesture at enlarging the scope: 'Seeing and Hearing', 'The Uses of Place', 'The Role of the Audience', 'The Shape of the Action', and 'The Action of Words'. The final chapters, 'Reading Meanings' and 'Primal Attractions', explore ways in which both the drive for significant understanding and the appetite for wonder can and do find satisfaction and delight. Cultivated in tone and jargon-free, How Plays Work is illuminated by dozens of judiciously chosen examples from western drama - from classical Greek dramatists to contemporary playwrights, both canonical and relatively obscure. It will appeal as much to the serious student of the theatre as to the playgoer who likes to read a play before seeing it performed.
