Sitar Compositions in Ome Swarlipi PDF Download
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Author: Ragini Trivedi
Publisher: Lulu.com
ISBN: 0557705967
Category : Art
Languages : en
Pages : 171
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Book Description
For practitioners and enthusiasts of Indian Classical Music, compositions for string instruments - Sitar, Sarod and Vichitra Veena - are hard to find. For the first time, 8 raga-s have been documented and presented in an easy to read and play notation system: Ome Swarlipi. A treasure trove of compositions, tana-s and toda-s for raga-s such as Yaman, Des, Khamaja, Bihaga, and Kafi, this book brings Misrabani style, one especially suited to string instruments, to the English-speaking world in a universal script which address the limitations of traditional Indian music notation systems.
Author: Ragini Trivedi
Publisher: Lulu.com
ISBN: 0557705967
Category : Art
Languages : en
Pages : 171
Get Book Here
Book Description
For practitioners and enthusiasts of Indian Classical Music, compositions for string instruments - Sitar, Sarod and Vichitra Veena - are hard to find. For the first time, 8 raga-s have been documented and presented in an easy to read and play notation system: Ome Swarlipi. A treasure trove of compositions, tana-s and toda-s for raga-s such as Yaman, Des, Khamaja, Bihaga, and Kafi, this book brings Misrabani style, one especially suited to string instruments, to the English-speaking world in a universal script which address the limitations of traditional Indian music notation systems.
Author: Suneera Kasliwal
Publisher: books catalog
ISBN:
Category : Music
Languages : en
Pages : 344
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Book Description
Rarely do we come across books on musical instruments. And one covering the whole gamut of Indian Classical musical instruments is practically unheard of. This book by Dr. Suneera Kasliwal covers almost all instruments in vogue in the classical music scenerio of southern and northern India. Apart from delving deep into the history and evaluation of each of these instruments , this well researched book deals with their structural and manufacturing details and the basic techniques of sound production. Beautifully illustrated, this book is recommended for all those who have genuine interest in Indian Classical music and instruments.
Author: BIBEKANANDA RAY
Publisher: Publications Division Ministry of Information & Broadcasting
ISBN: 8123026617
Category :
Languages : en
Pages : 631
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Book Description
The book is a detailed and wonderful study on the Offbeat cinema in India. The author through the title says that the offbeat genre, more than the mainstream, truly reflects the conscience of the Indian people.
Author: Allyn Miner
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120814936
Category : Music
Languages : en
Pages : 362
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Book Description
The music of north India has attained its world renown largely through its most prominent stringed instruments, the sitar and the sarod. This work bring together material from written, oral and pictorial sources to trace the early history of the instruments, their innovators and their music.
Author: Lorene Ruymar
Publisher: Centerstream Publications
ISBN: 9781574240214
Category : Music
Languages : en
Pages : 220
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Book Description
(Fretted). The term "steel guitar" can refer to instruments with multiple tunings, 6 to 14 strings, and even multiple fretboards. To add even more confusion, the term "Hawaiian guitar" refers to an instrument played flat on the lap with a steel bar outside of Hawaii, but in Hawaii, it is the early term for the slack key guitar. Lorene Ruymar clears up the confusion in her new book that takes a look at Hawaiian music; the origin of the steel guitar and its spread throughout the world; Hawaiian playing styles, techniques and tunings; and more. Includes hundreds of photos, a foreword by Jerry Byrd, and a bibliography and suggested reading list.
Author: Janaki Bakhle
Publisher: Oxford University Press
ISBN: 0195347315
Category : History
Languages : en
Pages : 355
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Book Description
A provocative account of the development of modern national culture in India using classical music as a case study. Janaki Bakhle demonstrates how the emergence of an "Indian" cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practiti oners of the Indian music that was installed as a "Hindu" national tradition. This book lays bare how a nation's imaginings--from politics to culture--reflect rather than transform societal divisions.
Author: Sobhana Nayar
Publisher: Popular Prakashan
ISBN: 9780861322381
Category : Music
Languages : en
Pages : 390
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Book Description
On the work of Vishnu Narayan Bhatkhande, 1860-1936, exponent of Hindustani music.
Author: Anna Morcom
Publisher: Routledge
ISBN: 1351563742
Category : Music
Languages : en
Pages : 306
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Book Description
Since their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film songs have been described on the one hand as highly standardized and on the other as highly eclectic. Anna Morcom addresses many of the paradoxes eccentricities and myths of not just Hindi film songs but also of Hindi cinema by analysing film songs in cinematic context. While the presence of songs in Hindi films is commonly dismissed aspurely commercial this book demonstrates that in terms of the production process, musical style, and commercial life, it is most powerfully the parent film that shapes and defines the film songs and their success rather than the other way round. While they constitute India‘s still foremost genre of popular music, film songs are also situational, dramatic sequences, inherently multi-media in style and conception. This book is uniquely grounded in detailed musical and visual analysis of Hindi film songs, song sequences and films as well as a wealth of ethnographic material from the Hindi film and music industries. Its findings lead to highly novel ways of viewing Hindi film songs, their key role in Hindi cinema, and how this affects their wider life in India and across the globe. It will be indispensable to scholars seeking to understand both Hindi film songs and Hindi cinema. It also forms a major contribution to popular music, popular culture, film music studies and ethnomusicology, tackling pertinent issues of cultural production, (multi-)media, and the cross-cultural use of music in Hindi cinema. The book caters for both music specialists as well as a wider audience.
Author: V.N. Bhatkhande
Publisher:
ISBN: 9788175363311
Category :
Languages : en
Pages : 114
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Book Description
Author: James Kippen
Publisher: Taylor & Francis
ISBN: 1351564730
Category : Music
Languages : en
Pages : 361
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Book Description
The 1903 Mrdang aur Tabla Vadanpaddhati is a revelatory text that has never been translated or analysed. It is a manual for playing the two most important drums of North Indian (Hindustani) music, the pakhavaj (mrdang) and the tabla. Owing to its relative obscurity, it is a source that has never been discussed in the literature on Hindustani music. Its author, Gurudev Patwardhan, was Vice Principal of V.D. Paluskar's first music school in Lahore from its inception in 1901 to 1908. Professor James Kippen provides the first translation of this immensely important text and examines its startling implications for rhythmic and metric theory. It is the earliest work on Indian drumming to contain a notation sufficiently precise to allow definitive reconstruction. The compositions are of considerable musical interest, for they can be readily realized on the tabla or pakhavaj. Kippen sets the work and objectives of the original author in the context of a rich historical, social and political background. By also discussing radical differences in the second edition of 1938, published by Gurudev's nephew, the vocalist Vinayakrao Patwardhan, Kippen illuminates the process by which 'tabla theory' was being created in the early 20th century. Both Patwardhans were enthusiastic supporters of Paluskar's nationalist imperatives, and active participants in his drive to institutionalize music, codify and publish notations of it, and promote a modern, Hindu vision of India wherein its identity could once again be linked to a glorious golden age in distant antiquity.
