Author: United States. Congress. House
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2790
Book Description
Report
Author: United States. Congress. House
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2790
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2790
Book Description
Congressional Record
Author: United States. Congress
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1432
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1432
Book Description
Congressional Record
Author: United States. Congress
Publisher:
ISBN:
Category : Law
Languages : en
Pages :
Book Description
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Publisher:
ISBN:
Category : Law
Languages : en
Pages :
Book Description
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
To Amend the Bankruptcy Act
Author: United States. Congress. Senate. Committee on the Judiciary
Publisher:
ISBN:
Category : Bankruptcy
Languages : en
Pages : 16
Book Description
Considers (74) S. 3058.
Publisher:
ISBN:
Category : Bankruptcy
Languages : en
Pages : 16
Book Description
Considers (74) S. 3058.
The Ampleforth Journal
Author:
Publisher:
ISBN:
Category : Benedictine movement (Anglican Communion)
Languages : en
Pages : 562
Book Description
Publisher:
ISBN:
Category : Benedictine movement (Anglican Communion)
Languages : en
Pages : 562
Book Description
Revelation and Experience
Author: Edward Schillebeeckx
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 156
Book Description
"A Crossroad book." Includes bibliographical references.
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 156
Book Description
"A Crossroad book." Includes bibliographical references.
Christian Dogmatics
Author: Franz Pieper
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 618
Book Description
A translation of Christliche Dogmatik, Volume 1 addresses Nature and character of theology Holy Scripture Doctrine of God Creation Divine providence Angelology Doctrine of man Sin and evil and more
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 618
Book Description
A translation of Christliche Dogmatik, Volume 1 addresses Nature and character of theology Holy Scripture Doctrine of God Creation Divine providence Angelology Doctrine of man Sin and evil and more
Wales and the Britons, 350-1064
Author: T. M. Charles-Edwards
Publisher: Oxford University Press
ISBN: 0198217315
Category : History
Languages : en
Pages : 816
Book Description
The most detailed history of the Welsh from Late-Roman Britain to the eve of the Norman Conquest. Integrates the history of religion, language, and literature with the history of events.
Publisher: Oxford University Press
ISBN: 0198217315
Category : History
Languages : en
Pages : 816
Book Description
The most detailed history of the Welsh from Late-Roman Britain to the eve of the Norman Conquest. Integrates the history of religion, language, and literature with the history of events.
Practicing New Historicism
Author: Catherine Gallagher
Publisher: University of Chicago Press
ISBN: 022677256X
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
For almost twenty years, new historicism has been a highly controversial and influential force in literary and cultural studies. In Practicing the New Historicism, two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects. In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and analysis than an abstract theory, Gallagher and Greenblatt demonstrate this practice in a series of characteristically dazzling readings of works ranging from paintings by Joos van Gent and Paolo Uccello to Hamlet and Great Expectations. By juxtaposing analyses of Renaissance and nineteenth-century topics, the authors uncover a number of unexpected contrasts and connections between the two periods. Are aspects of the dispute over the Roman Catholic doctrine of the Eucharist detectable in British political economists' hostility to the potato? How does Pip's isolation in Great Expectations shed light on Hamlet's doubt? Offering not only an insider's view of new historicism, but also a lively dialogue between a Renaissance scholar and a Victorianist, Practicing the New Historicism is an illuminating and unpredictable performance by two of America's most respected literary scholars. "Gallagher and Greenblatt offer a brilliant introduction to new historicism. In their hands, difficult ideas become coherent and accessible."—Choice "A tour de force of new literary criticism. . . . Gallagher and Greenblatt's virtuoso readings of paintings, potatoes (yes, spuds), religious ritual, and novels—all 'texts'—as well as essays on criticism and the significance of anecdotes, are likely to take their place as model examples of the qualities of the new critical school that they lead. . . . A zesty work for those already initiated into the incestuous world of contemporary literary criticism-and for those who might like to see what all the fuss is about."—Kirkus Reviews, starred review
Publisher: University of Chicago Press
ISBN: 022677256X
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
For almost twenty years, new historicism has been a highly controversial and influential force in literary and cultural studies. In Practicing the New Historicism, two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects. In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and analysis than an abstract theory, Gallagher and Greenblatt demonstrate this practice in a series of characteristically dazzling readings of works ranging from paintings by Joos van Gent and Paolo Uccello to Hamlet and Great Expectations. By juxtaposing analyses of Renaissance and nineteenth-century topics, the authors uncover a number of unexpected contrasts and connections between the two periods. Are aspects of the dispute over the Roman Catholic doctrine of the Eucharist detectable in British political economists' hostility to the potato? How does Pip's isolation in Great Expectations shed light on Hamlet's doubt? Offering not only an insider's view of new historicism, but also a lively dialogue between a Renaissance scholar and a Victorianist, Practicing the New Historicism is an illuminating and unpredictable performance by two of America's most respected literary scholars. "Gallagher and Greenblatt offer a brilliant introduction to new historicism. In their hands, difficult ideas become coherent and accessible."—Choice "A tour de force of new literary criticism. . . . Gallagher and Greenblatt's virtuoso readings of paintings, potatoes (yes, spuds), religious ritual, and novels—all 'texts'—as well as essays on criticism and the significance of anecdotes, are likely to take their place as model examples of the qualities of the new critical school that they lead. . . . A zesty work for those already initiated into the incestuous world of contemporary literary criticism-and for those who might like to see what all the fuss is about."—Kirkus Reviews, starred review
Seeing Through Drawing
Author: Philip S. Rawson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 178
Book Description
The BBC television film Seeing through drawing, to which this book is complementary, featured the contemporary artists David Hockney, Jim Dine and Ralph Steadman, with Philip Rawson.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 178
Book Description
The BBC television film Seeing through drawing, to which this book is complementary, featured the contemporary artists David Hockney, Jim Dine and Ralph Steadman, with Philip Rawson.