Author: Sir Joshua Reynolds
Publisher: IndyPublish.com
ISBN:
Category : Art
Languages : en
Pages : 200
Get Book Here
Book Description
When the artist is once enabled to express himself with some degree of correctness, he must then endeavour to collect subjects for expression; to amass a stock of ideas, to be combined and varied as occasion may require. He is now in the second period of study, in which his business is to learn all that has hitherto been known and done. Having hitherto received instructions from a particular master, he is now to consider the art itself as his master. He must extend his capacity to more sublime and general instructions.
Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 326
Get Book Here
Book Description
Author: Joshua Reynolds
Publisher: BoD – Books on Demand
ISBN: 3732672069
Category : Fiction
Languages : en
Pages : 214
Get Book Here
Book Description
Reproduction of the original: Fifteen Discourses by Joshua Reynolds
Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 318
Get Book Here
Book Description
Author: John Barrell
Publisher: Yale University Press
ISBN: 9780300063554
Category : Art
Languages : en
Pages : 384
Get Book Here
Book Description
What is the function of painting in a commercial society? This text describes how British artists of the late-18th and early-19th centuries attempted to answer this question.
Author: Joseph Farington
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 194
Get Book Here
Book Description
Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 474
Get Book Here
Book Description
Author: Mark Hallett
Publisher: Paul Mellon Centre
ISBN: 9780300196979
Category : Portrait painting, English
Languages : en
Pages : 0
Get Book Here
Book Description
A deeply researched and elegantly written study on Sir Joshua Reynolds (1723-1792)--Georgian England's most celebrated portraitist and the first president of the British Royal Academy of Arts--this lavishly illustrated volume explores all aspects of Reynolds's portraiture. Mark Hallett provides detailed, compelling readings of Reynolds's most celebrated and striking works, investigating the ways in which they were appreciated and understood in his own lifetime. Recovering the artist's dynamic interaction with his sitters and patrons, and revealing the dramatic impact of his portraits within the burgeoning exhibition culture of late-18th-century London, Hallett also unearths the intimate relationship between Reynolds's paintings and graphic art. Reynolds: Portraiture in Action offers a new understanding of the artist's career within the extremely competitive London art world and takes readers into the engrossing debates and controversies that captivated the city and its artists. Published for the Paul Mellon Centre for Studies in British Art
Author: Kate Fullagar
Publisher: Yale University Press
ISBN: 0300249276
Category : History
Languages : en
Pages : 319
Get Book Here
Book Description
A portrait of empire through the biographies of a Native American, a Pacific Islander, and the British artist who painted them both Three interconnected eighteenth-century lives offer a fresh account of the British Empire and its intrusion into Indigenous societies. This engaging history brings together the stories of Joshua Reynolds and two Indigenous men, the Cherokee Ostenaco and the Raiatean Mai. Fullagar uncovers the life of Ostenaco, tracing his emergence as a warrior, his engagement with colonists through war and peace, and his eventual rejection of imperial politics during the American Revolution. She delves into the story of Mai, his confrontation with conquest and displacement, his voyage to London on Cook’s imperial expedition, and his return home with a burning ambition to right past wrongs. Woven throughout is a new history of Reynolds, growing up in Devon near a key port in England, becoming a portraitist of empire, rising to the top of Britain’s art world and yet remaining ambivalent about his nation’s expansionist trajectory.
Author: Bruce Redford
Publisher: Getty Publications
ISBN: 0892369248
Category : Art
Languages : en
Pages : 240
Get Book Here
Book Description
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.
