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Author: Graham Williams
Publisher: Springer
ISBN: 1137540699
Category : Language Arts & Disciplines
Languages : en
Pages : 265
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Book Description
This book traces the development of the ideal of sincerity from its origins in Anglo-Saxon monasteries to its eventual currency in fifteenth-century familiar letters. Beginning by positioning sincerity as an ideology at the intersection of historical pragmatics and the history of emotions, the author demonstrates how changes in the relationship between outward expression and inward emotions changed English language and literature. While the early chapters reveal that the notion of sincerity was a Christian intervention previously absent from Germanic culture, the latter part of the book provides more focused studies of contrition and love. In doing so, the author argues that under the rubric of courtesy these idealized emotions influenced English in terms of its everyday pragmatics and literary style. This fascinating volume will be of broad interest to scholars of medieval language, literature and culture.
Author: Graham Williams
Publisher: Springer
ISBN: 1137540699
Category : Language Arts & Disciplines
Languages : en
Pages : 265
Get Book Here
Book Description
This book traces the development of the ideal of sincerity from its origins in Anglo-Saxon monasteries to its eventual currency in fifteenth-century familiar letters. Beginning by positioning sincerity as an ideology at the intersection of historical pragmatics and the history of emotions, the author demonstrates how changes in the relationship between outward expression and inward emotions changed English language and literature. While the early chapters reveal that the notion of sincerity was a Christian intervention previously absent from Germanic culture, the latter part of the book provides more focused studies of contrition and love. In doing so, the author argues that under the rubric of courtesy these idealized emotions influenced English in terms of its everyday pragmatics and literary style. This fascinating volume will be of broad interest to scholars of medieval language, literature and culture.
Author: Graham T. Williams
Publisher:
ISBN: 9781349712311
Category : English literature
Languages : en
Pages : 265
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Book Description
This book traces the development of the ideal of sincerity from its origins in Anglo-Saxon monasteries to its eventual currency in fifteenth-century familiar letters. Beginning by positioning sincerity as an ideology at the intersection of historical pragmatics and the history of emotions, the author demonstrates how changes in the relationship between outward expression and inward emotions changed English language and literature. While the early chapters reveal that the notion of sincerity was a Christian intervention previously absent from Germanic culture, the latter part of the book provides more focused studies of contrition and love. In doing so, the author argues that under the rubric of courtesy these idealized emotions influenced English in terms of its everyday pragmatics and literary style. This fascinating volume will be of broad interest to scholars of medieval language, literature and culture.
Author: Alice Jorgensen
Publisher: Boydell & Brewer
ISBN: 1843847051
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
An examination of how emotions were practised and performed through Old English texts.Scholarship is increasingly interested in investigating concepts of emotion found in Old English literature. This study takes the next step, arguing that both heroic and religious texts were vehicles for emotional practice - that is, for doing things with emotion. Using case studies from heroic poetry (Beowulf, The Battle of Brunanburh and The Battle of Maldon), religious poetry (Christ I and Christ III) and homilies (selections from the Vercelli Book, Blickling Homilies and the works of Wulfstan), it shows via detailed close readings that texts could be used to act out emotional styles, manage the emotions arising from specific events, and negotiate relationships both within social groups and with God. Meanwhile, a chapter on the Old English Boethius explores how the control of unruly emotions is theorized as the transfer of attachment from the things of this world to the things of the divine. Overall, the volume offers new angles on the social functions of genres and questions of reception and performance; and it gives insight into how early medieval people used emotions to relate to their world, temporal and eternal. angles on the social functions of genres and questions of reception and performance; and it gives insight into how early medieval people used emotions to relate to their world, temporal and eternal. angles on the social functions of genres and questions of reception and performance; and it gives insight into how early medieval people used emotions to relate to their world, temporal and eternal. angles on the social functions of genres and questions of reception and performance; and it gives insight into how early medieval people used emotions to relate to their world, temporal and eternal.
Author: Carolyne Larrington
Publisher: Manchester University Press
ISBN: 1526176122
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Over the last twenty-five years, the ‘history of emotion’ field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature — in particular secular literature — as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past. The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences — those who read them or hear them read or performed?
Author: Venetia Bridges
Publisher: Boydell & Brewer
ISBN: 1843846160
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
Essays; medieval romance; Arthurian Iiterature; Elizabeth Archibald.
Author:
Publisher: Bloomsbury Publishing
ISBN: 1350150371
Category : History
Languages : en
Pages : 275
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Book Description
Compunction was one of the most important emotions for medieval Christianity; in fact, through its confessional function, compunction became the primary means for an affective sinner to gain redemption. Cultures of Compunction in the Medieval World explores how such emotion could be expressed, experienced and performed in medieval European society. Using a range of disciplinary approaches – including history, philosophy, art history, literary studies, performance studies and linguistics – this book examines how and why emotions which now form the bedrock of modern western culture were idealized in the Middle Ages. By bringing together expertise across disciplines and medieval languages, this important book demonstrates the ubiquity and impact of compunction for medieval life and makes wider connections between devotional, secular and quotidian areas of experience.
Author: Peter Brown
Publisher: John Wiley & Sons
ISBN: 1118902238
Category : Literary Criticism
Languages : en
Pages : 696
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Book Description
The extensively revised and expanded version of the acclaimed Companion to Chaucer An essential text for both established scholars and those seeking to expand their knowledge of Chaucer studies, A New Companion to Chaucer is an authoritative and up-to-date survey of Chaucer scholarship. Rigorous yet accessible, this book helps readers to identify current debates, recognize historical and literary context, and to understand how particular concepts and theories affect the interpretation of Chaucer’s texts. Chaucer specialists from around the globe offer contributions that range from updates of long-standing scholarship on biography, language, women, and social structures, to original research in new areas such as ideology, the afterlife, patronage, and sexuality. In presenting conflicting perspectives and ideological differences, this stimulating volume encourages readers to explore additional paths of inquiry and engage in lively and informed debate. Each chapter of the Companion, organized by issues and themes, balances textual analysis and cultural context by grounding the reader in existing scholarship. Key issues from specific passages are discussed with an annotated bibliography provided for reference and further reading. Compiled with all students of Chaucer in mind, this important volume: Presents contributions from both established and emerging specialists Explores the circumstances in which Chaucer wrote, such as the political and religious issues of his time Includes numerous close readings of selected poems Provides points of entry to a wide range of approaches to Chaucer’s works Incorporates original research, fresh perspectives, and updated additions to Chaucer scholarship A New Companion to Chaucer is a valuable and enduring resource for scholars, teachers, and students of medieval literature and medieval studies, as well as the general reader interested in interpretations and historical contexts of Chaucer’s writings.
Author: Laurel J. Brinton
Publisher: Cambridge University Press
ISBN: 1009322915
Category : Language Arts & Disciplines
Languages : en
Pages : 271
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Book Description
This book is a state-of-the-art overview of English historical pragmatics, covering a range of topics, including pragmatic markers, speech representation, address terms, speech acts, politeness, and registers, genres and style. It is essential reading for both students and scholars of English linguistics and historical linguistics.
Author: Marco Duranti
Publisher: Skenè. Texts and Studies
ISBN: 884676837X
Category : Language Arts & Disciplines
Languages : en
Pages : 286
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Book Description
This volume originates as a continuation of the previous volume in the CEMP series (1.1) and aims at furthering scholarly interest in the nature and function of theatrical paradox in early modern plays, considering how classical paradoxical culture was received in Renaissance England. The book is articulated into three sections: the first, “Paradoxical Culture and Drama”, is devoted to an investigation of classical definitions of paradox and the dramatic uses of paradox in ancient Greek drama; the second, “Paradoxes in/of Elizabethan and Jacobean Drama” looks at the functions and uses of paradox in the play-texts of Shakespeare and his contemporaries; finally, the essays in “Paradoxes in Drama and the Digital” examine how the Digital Humanities can enrich our knowledge of paradoxes in classical and early modern drama.
Author: Vittorio Tantucci
Publisher: Cambridge University Press
ISBN: 1108484824
Category : Language Arts & Disciplines
Languages : en
Pages : 207
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Book Description
Proposes a new empirical model to analyse how humans can express social cognition at different levels of complexity.
