Author: John Caldwell Guilds
Publisher: University of Arkansas Press
ISBN: 9781610753814
Category : Authors, American
Languages : en
Pages : 462
Book Description
Encompasses ante-colonial America, the English colonies, the Revolutionary War, and the rampaging frontier and constitutes a unique national literary treasure. Guilds's Simms restores Simms to his proper place as a major figure in American letters and reintroduces the man and the author to the reading public.
Simms: a Literary Life (p)
Author: John Caldwell Guilds
Publisher: University of Arkansas Press
ISBN: 9781610753814
Category : Authors, American
Languages : en
Pages : 462
Book Description
Encompasses ante-colonial America, the English colonies, the Revolutionary War, and the rampaging frontier and constitutes a unique national literary treasure. Guilds's Simms restores Simms to his proper place as a major figure in American letters and reintroduces the man and the author to the reading public.
Publisher: University of Arkansas Press
ISBN: 9781610753814
Category : Authors, American
Languages : en
Pages : 462
Book Description
Encompasses ante-colonial America, the English colonies, the Revolutionary War, and the rampaging frontier and constitutes a unique national literary treasure. Guilds's Simms restores Simms to his proper place as a major figure in American letters and reintroduces the man and the author to the reading public.
Meet Behind Mars
Author: Renee Simms
Publisher: Wayne State University Press
ISBN: 0814345131
Category : Fiction
Languages : en
Pages : 112
Book Description
Explores the bonds of family, neighbors, lovers, and friends as they are tested in new environments. "I feel like I can't tell one story about a giant mustard penis because it's not about a mustard penis only, but about all of these incidents together, in context, and through time." So begins the title story in Renee Simms's debut short story collection, Meet Behind Mars—a revealing look at how geography, memory, ancestry, and desire influence our personal relationships. In many of her stories, Simms exposes her own interest in issues concerning time and space. For example, in "Rebel Airplanes," an L.A. engineer works by day on city sewers and by night on R-C planes that she yearns to launch into the cosmos. The character-driven stories in Meet Behind Mars offer beautiful insight into the emotional lives of caretakers, auto workers, dancers, and pawn shop employees. In "High Country," a frustrated would-be novelist considers ditching her family in the middle of the desert. In "Dive," an adoptee returns to her adoptive home, still haunted by histories she does not know. Simms writes from the voice of women and girls who struggle under structural oppression and draws from the storytelling tradition best represented by writers like Edward P. Jones, whose characters have experiences that are specific to black Americans living in the late twentieth and twenty-first centuries. One instance of this is in "The Art of Heroine Worship," in which black families integrate into a white suburb of Detroit in the 1970s. The stories in this collection span forty years and two continents and range in structure from epistolary to traditionally structured realism, with touches of absurdity, humor, and magic. Meet Behind Mars will appeal to readers interested in contemporary literary fiction.
Publisher: Wayne State University Press
ISBN: 0814345131
Category : Fiction
Languages : en
Pages : 112
Book Description
Explores the bonds of family, neighbors, lovers, and friends as they are tested in new environments. "I feel like I can't tell one story about a giant mustard penis because it's not about a mustard penis only, but about all of these incidents together, in context, and through time." So begins the title story in Renee Simms's debut short story collection, Meet Behind Mars—a revealing look at how geography, memory, ancestry, and desire influence our personal relationships. In many of her stories, Simms exposes her own interest in issues concerning time and space. For example, in "Rebel Airplanes," an L.A. engineer works by day on city sewers and by night on R-C planes that she yearns to launch into the cosmos. The character-driven stories in Meet Behind Mars offer beautiful insight into the emotional lives of caretakers, auto workers, dancers, and pawn shop employees. In "High Country," a frustrated would-be novelist considers ditching her family in the middle of the desert. In "Dive," an adoptee returns to her adoptive home, still haunted by histories she does not know. Simms writes from the voice of women and girls who struggle under structural oppression and draws from the storytelling tradition best represented by writers like Edward P. Jones, whose characters have experiences that are specific to black Americans living in the late twentieth and twenty-first centuries. One instance of this is in "The Art of Heroine Worship," in which black families integrate into a white suburb of Detroit in the 1970s. The stories in this collection span forty years and two continents and range in structure from epistolary to traditionally structured realism, with touches of absurdity, humor, and magic. Meet Behind Mars will appeal to readers interested in contemporary literary fiction.
Imagining Southern Spaces
Author: Deniz Bozkurt-Pekar
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110692473
Category : History
Languages : en
Pages : 300
Book Description
Identifying the antebellum era in the United States as a transitional setting, Imagining Southern Spaces ́investigates spatialization processes about the South during a time when intensifying debates over the abolition of slavery led to a heightened period of (re)spatialization in the region. Taking the question of abolition as a major factor that shaped how different actors responded to these processes, this book studies spatial imaginations in a selection of abolitionist and proslavery literature of the era. Through this diversity of imaginations, the book points to a multitude of Souths in various economic, political, and cultural entanglements in the American Hemisphere and the Circumatlantic. Thus, it challenges monolithic and provincial representations of the South as a provincial region distinct from the rest of the country.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110692473
Category : History
Languages : en
Pages : 300
Book Description
Identifying the antebellum era in the United States as a transitional setting, Imagining Southern Spaces ́investigates spatialization processes about the South during a time when intensifying debates over the abolition of slavery led to a heightened period of (re)spatialization in the region. Taking the question of abolition as a major factor that shaped how different actors responded to these processes, this book studies spatial imaginations in a selection of abolitionist and proslavery literature of the era. Through this diversity of imaginations, the book points to a multitude of Souths in various economic, political, and cultural entanglements in the American Hemisphere and the Circumatlantic. Thus, it challenges monolithic and provincial representations of the South as a provincial region distinct from the rest of the country.
Writing the City
Author: Peter Preston
Publisher: Routledge
ISBN: 1134843682
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
Arguing that classic geographical descriptions of the city fail to accomodate the crucial aspect of human life, this visualizes the city through the hopes, aspirations, disappointments and pains of international novelists and creative writers.
Publisher: Routledge
ISBN: 1134843682
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
Arguing that classic geographical descriptions of the city fail to accomodate the crucial aspect of human life, this visualizes the city through the hopes, aspirations, disappointments and pains of international novelists and creative writers.
Irish Catholic Writers and the Invention of the American South
Author: Bryan Giemza
Publisher: LSU Press
ISBN: 0807150916
Category : History
Languages : en
Pages : 376
Book Description
In this expansive study, Bryan Giemza recovers a neglected subculture and retrieves a missing chapter of Irish Catholic heritage by canvassing the literature of American Irish writers from the U.S. South. Giemza offers a defining new view of Irish American authors and their interrelationships within both transatlantic and ethnic regional contexts. From the first Irish American novel, published in Winchester, Virginia, in 1817, Giemza investigates a cast of nineteenth-century writers contending with the turbulence of their time—writers influenced by both American and Irish revolutions. Additionally, he considers dramatists and propagandists of the Civil War and Lost Cause memoirists who emerged in its wake. Some familiar names reemerge in an Irish context, including Joel Chandler Harris, Lafcadio Hearn, and Kate (O’Flaherty) Chopin. Giemza also examines the works of twentieth-century southern Irish writers, such as Margaret Mitchell, John Kennedy Toole, Flannery O’Connor, Pat Conroy, Anne Rice, Valerie Sayers, and Cormac McCarthy. For each author, Giemza traces the influences of Catholicism as it shaped both faith and ethnic identity, pointing to shared sensibilities and contradictions. Flannery O’Connor, for example, resisted identification as an Irish American, while Cormac McCarthy, described by some as “anti-Catholic,” continues a dialogue with the Church from which he distanced himself. Giemza draws on many never-before-seen documents, including authorized material from the correspondence of Cormac McCarthy, interviews from the Irish community of Flannery O’Connor’s native Savannah, Georgia, and Giemza’s own correspondence with writers such as Valerie Sayers and Anne Rice. This lively literary history prompts a new understanding of how the Irish in the region helped invent a regional mythos, an enduring literature, and a national image.
Publisher: LSU Press
ISBN: 0807150916
Category : History
Languages : en
Pages : 376
Book Description
In this expansive study, Bryan Giemza recovers a neglected subculture and retrieves a missing chapter of Irish Catholic heritage by canvassing the literature of American Irish writers from the U.S. South. Giemza offers a defining new view of Irish American authors and their interrelationships within both transatlantic and ethnic regional contexts. From the first Irish American novel, published in Winchester, Virginia, in 1817, Giemza investigates a cast of nineteenth-century writers contending with the turbulence of their time—writers influenced by both American and Irish revolutions. Additionally, he considers dramatists and propagandists of the Civil War and Lost Cause memoirists who emerged in its wake. Some familiar names reemerge in an Irish context, including Joel Chandler Harris, Lafcadio Hearn, and Kate (O’Flaherty) Chopin. Giemza also examines the works of twentieth-century southern Irish writers, such as Margaret Mitchell, John Kennedy Toole, Flannery O’Connor, Pat Conroy, Anne Rice, Valerie Sayers, and Cormac McCarthy. For each author, Giemza traces the influences of Catholicism as it shaped both faith and ethnic identity, pointing to shared sensibilities and contradictions. Flannery O’Connor, for example, resisted identification as an Irish American, while Cormac McCarthy, described by some as “anti-Catholic,” continues a dialogue with the Church from which he distanced himself. Giemza draws on many never-before-seen documents, including authorized material from the correspondence of Cormac McCarthy, interviews from the Irish community of Flannery O’Connor’s native Savannah, Georgia, and Giemza’s own correspondence with writers such as Valerie Sayers and Anne Rice. This lively literary history prompts a new understanding of how the Irish in the region helped invent a regional mythos, an enduring literature, and a national image.
Literary Executions
Author: John Cyril Barton
Publisher: Johns Hopkins University Press+ORM
ISBN: 1421413337
Category : Literary Criticism
Languages : en
Pages : 570
Book Description
“Rich with historical detail . . . examines the figure and theme of the death penalty in imaginative literature from Cooper to Dreiser.” —Gregg Crane, Professor of English Language and Literature, University of Michigan Drawing from legal and extralegal discourse but focusing on imaginative literature, Literary Executions examines representations of, responses to, and arguments for and against the death penalty in the United States over the long nineteenth century. John Cyril Barton creates a generative dialogue between artistic relics and legal history. He looks to novels, short stories, poems, and creative nonfiction as well as legislative reports, trial transcripts, legal documents, newspaper and journal articles, treatises, and popular books (like The Record of Crimes, A Defence of Capital Punishment, and The Gallows, the Prison, and the Poor House), all of which were part of the debate over the death penalty. Barton focuses on several canonical figures—James Fenimore Cooper, Nathaniel Hawthorne, Lydia Maria Child, Walt Whitman, Herman Melville, and Theodore Dreiser—and offers new readings of their work in light of the death penalty controversy. Barton also gives close attention to a host of then-popular-but-now-forgotten writers—particularly John Neal, Slidell MacKenzie, William Gilmore Simms, Sylvester Judd, and George Lippard—whose work helped shape or was shaped by the influential anti-gallows movement. By engaging the politics and poetics of capital punishment, Literary Executions contends that the movement to abolish the death penalty in the United States should be seen as an important part of the context that brought about the flowering of the American Renaissance during the antebellum period and that influenced literature later in the nineteenth and early twentieth centuries
Publisher: Johns Hopkins University Press+ORM
ISBN: 1421413337
Category : Literary Criticism
Languages : en
Pages : 570
Book Description
“Rich with historical detail . . . examines the figure and theme of the death penalty in imaginative literature from Cooper to Dreiser.” —Gregg Crane, Professor of English Language and Literature, University of Michigan Drawing from legal and extralegal discourse but focusing on imaginative literature, Literary Executions examines representations of, responses to, and arguments for and against the death penalty in the United States over the long nineteenth century. John Cyril Barton creates a generative dialogue between artistic relics and legal history. He looks to novels, short stories, poems, and creative nonfiction as well as legislative reports, trial transcripts, legal documents, newspaper and journal articles, treatises, and popular books (like The Record of Crimes, A Defence of Capital Punishment, and The Gallows, the Prison, and the Poor House), all of which were part of the debate over the death penalty. Barton focuses on several canonical figures—James Fenimore Cooper, Nathaniel Hawthorne, Lydia Maria Child, Walt Whitman, Herman Melville, and Theodore Dreiser—and offers new readings of their work in light of the death penalty controversy. Barton also gives close attention to a host of then-popular-but-now-forgotten writers—particularly John Neal, Slidell MacKenzie, William Gilmore Simms, Sylvester Judd, and George Lippard—whose work helped shape or was shaped by the influential anti-gallows movement. By engaging the politics and poetics of capital punishment, Literary Executions contends that the movement to abolish the death penalty in the United States should be seen as an important part of the context that brought about the flowering of the American Renaissance during the antebellum period and that influenced literature later in the nineteenth and early twentieth centuries
Paul Ricoeur
Author: Karl Simms
Publisher: Psychology Press
ISBN: 0415236371
Category : Hermeneutics
Languages : en
Pages : 168
Book Description
The 'Routledge Critical Thinkers' series puts key thinkers and their ideas firmly back in their contexts. Each volume reflects the need to go back to the thinker's own writings and ideas to fully appreciate those ideas.
Publisher: Psychology Press
ISBN: 0415236371
Category : Hermeneutics
Languages : en
Pages : 168
Book Description
The 'Routledge Critical Thinkers' series puts key thinkers and their ideas firmly back in their contexts. Each volume reflects the need to go back to the thinker's own writings and ideas to fully appreciate those ideas.
Murder and Madness
Author: Matthew G. Schoenbachler
Publisher: University Press of Kentucky
ISBN: 0813139422
Category : History
Languages : en
Pages : 392
Book Description
The "Kentucky Tragedy" was early America's best known true crime story. In 1825, Jereboam O. Beauchamp assassinated Kentucky attorney general Solomon P. Sharp. The murder, trial, conviction, and execution of the killer, as well as the suicide of his wife, Anna Cooke Beauchamp -- fascinated Americans. The episode became the basis of dozens of novels and plays composed by some of the country's most esteemed literary talents, among them Edgar Allan Poe and William Gilmore Simms. In Murder and Madness, Matthew G. Schoenbachler peels away two centuries of myth to provide a more accurate account of the murder. Schoenbachler also reveals how Jereboam and Anna Beauchamp shaped the meaning and memory of the event by manipulating romantic ideals at the heart of early American society. Concocting a story in which Solomon Sharp had seduced and abandoned Anna, the couple transformed a sordid murder -- committed because the Beauchamps believed Sharp to be spreading a rumor that Anna had had an affair with a family slave -- into a maudlin tale of feminine virtue assailed, honor asserted, and a young rebel's revenge. Murder and Madness reveals the true story behind the murder and demonstrates enduring influence of Romanticism in early America.
Publisher: University Press of Kentucky
ISBN: 0813139422
Category : History
Languages : en
Pages : 392
Book Description
The "Kentucky Tragedy" was early America's best known true crime story. In 1825, Jereboam O. Beauchamp assassinated Kentucky attorney general Solomon P. Sharp. The murder, trial, conviction, and execution of the killer, as well as the suicide of his wife, Anna Cooke Beauchamp -- fascinated Americans. The episode became the basis of dozens of novels and plays composed by some of the country's most esteemed literary talents, among them Edgar Allan Poe and William Gilmore Simms. In Murder and Madness, Matthew G. Schoenbachler peels away two centuries of myth to provide a more accurate account of the murder. Schoenbachler also reveals how Jereboam and Anna Beauchamp shaped the meaning and memory of the event by manipulating romantic ideals at the heart of early American society. Concocting a story in which Solomon Sharp had seduced and abandoned Anna, the couple transformed a sordid murder -- committed because the Beauchamps believed Sharp to be spreading a rumor that Anna had had an affair with a family slave -- into a maudlin tale of feminine virtue assailed, honor asserted, and a young rebel's revenge. Murder and Madness reveals the true story behind the murder and demonstrates enduring influence of Romanticism in early America.
Cavaliers and Economists
Author: Katharine A. Burnett
Publisher: LSU Press
ISBN: 080717162X
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
Offering a compelling intervention in studies of antebellum writing, Katharine A. Burnett’s Cavaliers and Economists: Global Capitalism and the Development of Southern Literature, 1820–1860 examines how popular modes of literary production in the South emerged in tandem with the region’s economic modernization. In a series of deeply historicized readings, Burnett positions southern literary form and genre as existing in dialogue with the plantation economy’s evolving position in the transatlantic market before the Civil War. The antebellum southern economy comprised part of a global network of international commerce driven by a version of laissez-faire liberal capitalism that championed unrestricted trade and individual freedom to pursue profit. Yet the economy of the U.S. South consisted of large-scale plantations that used slave labor to cultivate staple crops, including cotton. Each individual plantation functioned as a racially and socially repressive community, a space that seemingly stood apart from the international economic networks that fueled southern capitalism. For writers from the South, fiction became a way to imagine the region as socially and culturally progressive, while still retaining hallmarks of “traditional” southern culture—namely plantation slavery—in the context of a rapidly changing global economy. Burnett excavates an elaborate network of transatlantic literary exchange, operating concurrently with the region’s economic expansion, in which southern writers adopted popular British genres, such as the historical romance and the seduction novel, as models for their own representations of the U.S. South. Each chapter focuses on a different genre, pairing largely under-studied southern texts with well-known British works. Ranging from the humorous sketch to the imperial adventure tale and the social problem novel, Cavaliers and Economists reveals how southern writers like Augusta Jane Evans, Johnson Jones Hooper, Maria McIntosh, William Gilmore Simms, and George Tucker reworked familiar literary forms to reinvent the South through fiction. By considering the intersection of economic history and literary genre, Cavaliers and Economists provides an expansive study of the means by which authors created southern literature in relation to global free market capitalism, showing that, in the process, they renegotiated and rejustified the institution of slavery.
Publisher: LSU Press
ISBN: 080717162X
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
Offering a compelling intervention in studies of antebellum writing, Katharine A. Burnett’s Cavaliers and Economists: Global Capitalism and the Development of Southern Literature, 1820–1860 examines how popular modes of literary production in the South emerged in tandem with the region’s economic modernization. In a series of deeply historicized readings, Burnett positions southern literary form and genre as existing in dialogue with the plantation economy’s evolving position in the transatlantic market before the Civil War. The antebellum southern economy comprised part of a global network of international commerce driven by a version of laissez-faire liberal capitalism that championed unrestricted trade and individual freedom to pursue profit. Yet the economy of the U.S. South consisted of large-scale plantations that used slave labor to cultivate staple crops, including cotton. Each individual plantation functioned as a racially and socially repressive community, a space that seemingly stood apart from the international economic networks that fueled southern capitalism. For writers from the South, fiction became a way to imagine the region as socially and culturally progressive, while still retaining hallmarks of “traditional” southern culture—namely plantation slavery—in the context of a rapidly changing global economy. Burnett excavates an elaborate network of transatlantic literary exchange, operating concurrently with the region’s economic expansion, in which southern writers adopted popular British genres, such as the historical romance and the seduction novel, as models for their own representations of the U.S. South. Each chapter focuses on a different genre, pairing largely under-studied southern texts with well-known British works. Ranging from the humorous sketch to the imperial adventure tale and the social problem novel, Cavaliers and Economists reveals how southern writers like Augusta Jane Evans, Johnson Jones Hooper, Maria McIntosh, William Gilmore Simms, and George Tucker reworked familiar literary forms to reinvent the South through fiction. By considering the intersection of economic history and literary genre, Cavaliers and Economists provides an expansive study of the means by which authors created southern literature in relation to global free market capitalism, showing that, in the process, they renegotiated and rejustified the institution of slavery.
Eutaw
Author: David W. Newton
Publisher: University of Arkansas Press
ISBN: 9781610751438
Category : Fiction
Languages : en
Pages : 598
Book Description
Publisher: University of Arkansas Press
ISBN: 9781610751438
Category : Fiction
Languages : en
Pages : 598
Book Description