Author: Guy Michael Hedreen
Publisher: University of Michigan Press
ISBN: 9780472102952
Category : Art
Languages : en
Pages : 280
Book Description
A welcome examination of some curious creatures and a more curious god
Silens in Attic Black-figure Vase-painting
Author: Guy Michael Hedreen
Publisher: University of Michigan Press
ISBN: 9780472102952
Category : Art
Languages : en
Pages : 280
Book Description
A welcome examination of some curious creatures and a more curious god
Publisher: University of Michigan Press
ISBN: 9780472102952
Category : Art
Languages : en
Pages : 280
Book Description
A welcome examination of some curious creatures and a more curious god
Silens in Attic Black-figure Vase-painting
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 219
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 219
Book Description
The Image of the Artist in Archaic and Classical Greece
Author: Guy Hedreen
Publisher: Cambridge University Press
ISBN: 1107118255
Category : Art
Languages : en
Pages : 395
Book Description
This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.
Publisher: Cambridge University Press
ISBN: 1107118255
Category : Art
Languages : en
Pages : 395
Book Description
This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.
Greek Vase-Painting and the Origins of Visual Humour
Author: Alexandre G. Mitchell
Publisher: Cambridge University Press
ISBN: 1107728894
Category : Art
Languages : en
Pages : 399
Book Description
This book is a comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Alexandre G. Mitchell brings an interdisciplinary approach to this topic, combining theories and methods of art history, archaeology and classics with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual humour was to the ancients and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy and freedom of expression; politics and religion; Greek vases and trends in fashion; market-driven production; proper and improper behaviour; popular versus elite culture; carnival in situ; and the place of women, foreigners, workers and labourers within the Greek city. Richly illustrated with more than 140 drawings and photographs, this study amply documents the comic representations that formed an important part of ancient Greek visual language from the sixth to the fourth centuries BC.
Publisher: Cambridge University Press
ISBN: 1107728894
Category : Art
Languages : en
Pages : 399
Book Description
This book is a comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Alexandre G. Mitchell brings an interdisciplinary approach to this topic, combining theories and methods of art history, archaeology and classics with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual humour was to the ancients and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy and freedom of expression; politics and religion; Greek vases and trends in fashion; market-driven production; proper and improper behaviour; popular versus elite culture; carnival in situ; and the place of women, foreigners, workers and labourers within the Greek city. Richly illustrated with more than 140 drawings and photographs, this study amply documents the comic representations that formed an important part of ancient Greek visual language from the sixth to the fourth centuries BC.
Greek and Roman Art
Author: Eleni Vassilika
Publisher: Cambridge University Press
ISBN: 9780521625579
Category : Art
Languages : en
Pages : 146
Book Description
The Fitzwilliam Museum has arguably one of the finest collections of antiquities in the United Kingdom. Assembled mainly through bequests and gifts, it is a stunning exhibition of connoisseurship. This splendidly illustrated book presents sixty-four images of the finest examples of Greek, Etruscan, Cypriot, and Roman art dating from the Bronze Age to the late Roman Period, and ranging from the monumental to the decorative. The concise text provides an introduction to the art, technology, and history for the layman, as well as new insights for the expert. Many of the objects are published here for the first time. Greek and Roman Art was given a commendation in the Best Museum Publication category awarded by the Museums Association, Gulbenkian Awards for Museums and Galleries 1998.
Publisher: Cambridge University Press
ISBN: 9780521625579
Category : Art
Languages : en
Pages : 146
Book Description
The Fitzwilliam Museum has arguably one of the finest collections of antiquities in the United Kingdom. Assembled mainly through bequests and gifts, it is a stunning exhibition of connoisseurship. This splendidly illustrated book presents sixty-four images of the finest examples of Greek, Etruscan, Cypriot, and Roman art dating from the Bronze Age to the late Roman Period, and ranging from the monumental to the decorative. The concise text provides an introduction to the art, technology, and history for the layman, as well as new insights for the expert. Many of the objects are published here for the first time. Greek and Roman Art was given a commendation in the Best Museum Publication category awarded by the Museums Association, Gulbenkian Awards for Museums and Galleries 1998.
Religion in the Art of Archaic and Classical Greece
Author: Tyler Jo Smith
Publisher: University of Pennsylvania Press
ISBN: 0812252810
Category : Art
Languages : en
Pages : 480
Book Description
"An examination of the combined subjects of ancient Greek art and religion, dealing with festivals, performance, rites of passage, and the archaeology of death, to name a few examples, to explore the visual, material, and textual dimensions of ancient Greek religion"--
Publisher: University of Pennsylvania Press
ISBN: 0812252810
Category : Art
Languages : en
Pages : 480
Book Description
"An examination of the combined subjects of ancient Greek art and religion, dealing with festivals, performance, rites of passage, and the archaeology of death, to name a few examples, to explore the visual, material, and textual dimensions of ancient Greek religion"--
Approaching the Ancient Artifact
Author: Amalia Avramidou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110308819
Category : Art
Languages : en
Pages : 616
Book Description
This volume consists consists of forty contributions written by an internationally renowned selection of scholars. The authors adopt an interdisciplinary methodology, examining both literary and archaeological sources, and a comparative perspective that transgresses national, chronological, and cultural boundaries, in order to investigate the nature of the links between text and image. This multifaceted approach to the study of ancient artifacts enables the authors to treat art and artistic production as activities that do not merely mirror social or cultural relationships but rather, and more significantly, as activities that create social and cultural relationships. The essays in this book are motivated by their authors' belief that there is no simple direct link between art and myths, art and text, or art and ritual, and that art should not be delegated to the role of a by-product of a literate culture. Instead, the contextual and symbolic analyses of artifacts and representations offered in this volume elucidate how art actively shaped myth, how it changed texts, how it transformed ritual, and how it altered the course of local, regional, and Mediterranean histories.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110308819
Category : Art
Languages : en
Pages : 616
Book Description
This volume consists consists of forty contributions written by an internationally renowned selection of scholars. The authors adopt an interdisciplinary methodology, examining both literary and archaeological sources, and a comparative perspective that transgresses national, chronological, and cultural boundaries, in order to investigate the nature of the links between text and image. This multifaceted approach to the study of ancient artifacts enables the authors to treat art and artistic production as activities that do not merely mirror social or cultural relationships but rather, and more significantly, as activities that create social and cultural relationships. The essays in this book are motivated by their authors' belief that there is no simple direct link between art and myths, art and text, or art and ritual, and that art should not be delegated to the role of a by-product of a literate culture. Instead, the contextual and symbolic analyses of artifacts and representations offered in this volume elucidate how art actively shaped myth, how it changed texts, how it transformed ritual, and how it altered the course of local, regional, and Mediterranean histories.
Epigraphy of Art
Author: Dimitrios Yatromanolakis
Publisher: Archaeopress Publishing Ltd
ISBN: 1784914878
Category : Social Science
Languages : en
Pages : 216
Book Description
Ancient Greek vase-paintings offer broad-ranging and unprecedented early perspectives on the often intricate interplay of images and texts. This book investigates both epigraphic technicalities of Attic and non-Attic inscriptions, and their broader, iconographic and sociocultural, significance.
Publisher: Archaeopress Publishing Ltd
ISBN: 1784914878
Category : Social Science
Languages : en
Pages : 216
Book Description
Ancient Greek vase-paintings offer broad-ranging and unprecedented early perspectives on the often intricate interplay of images and texts. This book investigates both epigraphic technicalities of Attic and non-Attic inscriptions, and their broader, iconographic and sociocultural, significance.
Hermeneutik der Bilder
Author: Bayerische Akademie der Wissenschaften
Publisher: C.H.Beck
ISBN: 9783406593215
Category : Corpus vasorum antiquorum
Languages : en
Pages : 196
Book Description
Publisher: C.H.Beck
ISBN: 9783406593215
Category : Corpus vasorum antiquorum
Languages : en
Pages : 196
Book Description
The Colors of Clay
Author: Beth Cohen
Publisher: Getty Publications
ISBN: 0892369426
Category : Pottery
Languages : en
Pages : 386
Book Description
"The catalogue ... is truly excellent and makes an important contribution to the study of Greek Art." --Bryn Mawr Classical Review "An overwhelming volume. The subject matter ... is described in great detail in nine chapters. Essential." --Choice This catalogue documents a major exhibition at the Getty Villa that was the first ever to focus on ancient Athenian terracotta vases made by techniques other than the well-known black- and red-figure styles. The exhibition comprised vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's technique, as well as examples with added clay and gilding, and plastic vases and additions. The Colors of Clay opens with an introductory essay that integrates the diverse themes of the exhibition and sets them within the context of vase making in general; a second essay discusses conservation issues related to several of the techniques. A detailed discussion of the techniques featured in the exhibition precedes each section of the catalogue. More than a hundred vases from museums in the United States and Europe are described in depth.
Publisher: Getty Publications
ISBN: 0892369426
Category : Pottery
Languages : en
Pages : 386
Book Description
"The catalogue ... is truly excellent and makes an important contribution to the study of Greek Art." --Bryn Mawr Classical Review "An overwhelming volume. The subject matter ... is described in great detail in nine chapters. Essential." --Choice This catalogue documents a major exhibition at the Getty Villa that was the first ever to focus on ancient Athenian terracotta vases made by techniques other than the well-known black- and red-figure styles. The exhibition comprised vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's technique, as well as examples with added clay and gilding, and plastic vases and additions. The Colors of Clay opens with an introductory essay that integrates the diverse themes of the exhibition and sets them within the context of vase making in general; a second essay discusses conservation issues related to several of the techniques. A detailed discussion of the techniques featured in the exhibition precedes each section of the catalogue. More than a hundred vases from museums in the United States and Europe are described in depth.