Sight and Sound Film Review Volume January 1998 to December 1998 PDF Download
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Author:
Publisher:
ISBN: 9780851707747
Category :
Languages : en
Pages : 304
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Book Description
Author:
Publisher:
ISBN: 9780851707747
Category :
Languages : en
Pages : 304
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Book Description
Author: Sight And Sound
Publisher: British Film Inst
ISBN: 9780851705293
Category :
Languages : en
Pages : 274
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Book Description
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Author:
Publisher:
ISBN: 9780851706641
Category :
Languages : en
Pages : 253
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
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Book Description
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 512
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Book Description
Author:
Publisher:
ISBN: 9780851706382
Category :
Languages : en
Pages : 252
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Book Description
Author: Sight and Sound Staff
Publisher: British Film Inst
ISBN: 9780851704821
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
Author:
Publisher:
ISBN: 9780851707303
Category :
Languages : en
Pages : 280
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Book Description
Author: British Film Institute
Publisher:
ISBN:
Category :
Languages : en
Pages : 274
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Book Description
Author: James Chapman
Publisher: Bloomsbury Publishing
ISBN: 0857715577
Category : History
Languages : en
Pages : 417
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Book Description
This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical verisimilitude. Exploring throughout the book the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.
